Repertoire Classics for Cello: Cello: Mixed Songbook

23 Recital Pieces Cello and Piano Accompaniment. Compiled and Edited by Mar-Repertiore Classics For Cello includes a vast collection of pieces from a range of well known composers such as Bach Debussy Handel Mozart and many more. Piano accompaniments are included as a PDF on the CD.

A second book of easy pieces for cello. Par BLACKWELL KATHY / DAVID. Pièces en utilisant un doigt deuxième Pièces à l'aide avant et en arrière des extensions Une gamme de styles allant du folk au jazz Semi-croches, noires en pointillé, et 6 / 8 temps Duos avec des pièces de difficulté égale Gammes et arpèges des clés dans le livre, plus G Major 2 octaves Une musique Fact-Finder page à contribuer à expliquer les mots et les signes CD avec des spectacles de toutes les pièces pour jouer sur ses Accompagnements au piano simples disponibles. Kathy Blackwell et David Blackwell Kathy Blackwell est un professeur expérimenté chaîne itinérant, qui enseigne actuellement en privé après plusieurs années de travail pour l'Oxfordshire County Council. Elle a un intérêt particulier dans l'enseignement du violon et l'alto à de jeunes enfants, à la fois individuellement et en groupes. Sa détermination à trouver les meilleurs morceaux - bien écrit et accessible, mélodieux et accrocheur - conduit directement à la création du violon / alto / violoncelle séries chronologiques. David Blackwell a étudié la musique à l'Université d'Edimbourg, depuis quand il a poursuivi une carrière dans l'édition musicale, d'abord à ABRSM, où il devient directeur de la rédaction, puis à Oxford University Press, où il est maintenant chef de l'édition de musique. Il est co-éditeur de OUP In the Mood: 17 Jazz Classics pour les Chorales et chants de chorales d'5, et a publié un certain nombre de dispositions simples chorale. Il est co-auteur avec son épouse primés de la série OUP cordes, violon / alto / violoncelle Temps, qui ont remporté deux fois le prix MIA pour la meilleure publication pour l'éducation Kathy. / Niveau : Débutant / Recueil / Violoncelle

Bridges: A Comprehensive Guitar Series serves as the official resource for guitar assessments of the Royal Conservatory Music Development Program. Innovative in its structure, Bridges supports students from the beginner to advanced levels with carefully sequenced repertoire, etudes, and technique. Each of the Repertoire and Etudes books in the series spans all major style periods and a variety of genres, presenting an organized compilation of pieces appropriate for that level of technical development. Nine progressive levels of Repertoire and Etudes scaffold student learning at every stage of musical development. Each book contains a balanced and representative selection of works from the Renaissance, Baroque, Classical, Romantic, and contemporary style periods. From the classics of Aguado to the modern compositions of Zenamon, Bridges connects students to both essential literature and enticing masterpieces never before found together. The Etudes have been carefully selected to support the repertoire and isolate specific technical and musical challenges, making Bridges an ideal collection and a comprehensive teaching resource. / Guitare

Artiste: Arpad Pejtsik. The latest volume in this popular series expands the repertoire of intermediate violoncello pupils with some unusual transcriptions. This time the editor, Árpád Pejtsik, has arranged Ave Maria settings (one song and three choral works) for four cellos. The first is a classical music hit, Schubert's Ave Maria. Next is the transcription of a little-known piece from Liszt's vast output, an item from his 1879 choral work Rosario, followed by an arrangement of the first of Verdi's Quattro pezzi sacri, famous for being based on an ''enigmatic scale'' (scala enigmatica). The volume concludes with another evergreen, the Ave Maria from Rachmaninoff's All-Night Vigil. Rather than testing the players' virtuosity, these slow-moving, contemplative pieces serve more to improve intonation skills as well as a sense of form and proportion. The editor has added suggested fingerings and bowings in order to help with the music's appropriate interpretation. / Niveau : Intermédiaire à Avancé / Classique / Recueil / 4 Violoncelles

Farewell to philosophy. Par BRYARS GAVIN. I have a great fondness for the lower string instruments: I am a bass player, my mother is a cellist, as are both my daughters; my own ensemble includes two violas, a cello and a bass, and for the instrumentation of my opera Medea I omit the entire violin section from the orchestra. As I have written a number of works for solo instrument or voice with orchestra I welcomed the opportunity to write a concerto for cello and orchestra and especially one which focuses particularly on the instrument’s lyrical qualities. Although the piece is in one continuous movement, and the soloist is playing almost without a break, it nevertheless falls into distinct sections which are recognisable by a shift of tempo as well as by a change in the music’s character. One of the early ideas Julian Lloyd Webber and I discussed was that it might form a companion piece to one of the Haydn concertos. Given my friendship with some members of the English Chamber Orchestra and my awareness of their repertoire, this suggested a number of particular musical references. The subtitle to the work, for example, combines the subtitles of two idiosyncratic Haydn symphonies and I allude to them in different ways but chiefly through orchestration: for The Philosopher by including a section in the concerto where the orchestration resembles that of the symphony’s first movement (pairs of English and French horns, muted violins and unmuted lower strings); for The Farewell, by the progressive reduction in the orchestration towards the end. Indeed, apart from the orchestral tutti in the last few bars, the last pages of the score are virtually for string quartet. The subtitle also refers to my own background as a philosophy graduate... The piece was commissioned by Philips Classics for Julian Lloyd Webber and is dedicated to him. The first performance was given by Julian Lloyd Webber and the English Chamber Orchestra conducted by James Judd, 21 November 1995, Barbican Hall, London. Gavin Bryars/ Répertoire / Violoncelle et Orchestre

Edward Elgar's Cello Concerto in E minor Op. 85 his last notable work is a cornerstone of the solo Cello repertoire. In contrast with Elgar's earlier Violin Concerto which is lyrical and passionate the Cello Concerto written in the aftermath of the First World War is for the most part contemplative and elegiac. The four-movement concerto scored for solo Cello 2 Flutes 2 Oboes 2 Clarinets in A 2 Bassoons 4 Horns in F 2 Trumpets in C 3 Trombones Tuba Timpani and Strings did not achieve wide popularity until the 1960s however is now regarded to 'rank not only among his finest works but among the greatest ofits kind' (Michael Kennedy).Sir Edward William Elgar was an English composer many of whose works have entered the British and international classical concert repertoire. Although Elgar is often regarded as ‘typically English’ most of his musical influences were not from England but from continental Europe.

Par BACH JOHANN SEBASTIAN. Originally written in the key of G major, Michael Lorimer has transcribed Bach's Cello Suite 1 (BWV1007) for guitar in D major, with the sixth string dropped to D. In his preface, Lorimer notes that the guitar lends itself well to transcriptions of cello music because the two instruments occupy a similar range and 'the lute-like style-brisé (broken chord) textures of this music invite performance on our modern instrument. ”Guitar transcriptions from cello literature are not new to the guitar repertoire. Although the guitar per se did not exist during Bach's time, Bach himself is known to have transcribed his own cello music for the Baroque lute. What sets Lorimer'sarrangement of Suite 1 apart and facilitates performance of this challenging but worthwhile piece, is the fact that he has provided adequate right-hand fingering and an extraordinary amount of left-hand digitation- all contributing to the musical rendition of an outstanding transcription. Bach's masterpieces transcribed for classical guitar. / Niveau : Avancé / Classic - Solos / Répertoire / Guitare Classique

Have fun playing the Cello-A great supplementary resource to Lesson Book 2 of the trailblazing new Koeppen Cello Method putting the emphasis on having fun with your cello! Taking a playful and effective approach to learning the cello the Koeppen Cello Method breaks new ground sprucing up the usual Baroque and Classical repertoire by adding pieces in popular styles: rock Bossa Nova reggae swing and more! Exciting pieces and exercises in these styles illustrate specific musical concepts and techniques whilst teacher-pupil duets feature throughout encouraging strong ensemble skills right from the get-go. Structured in an easy and understandable way the Koeppen Cello Method lays thefoundation for a solid technical and musical training. There is a core Lesson Book and a supplementary Tune Book at each level. All books are accompanied by a CD which will help motivate and inspire. For players from around the age of 10 right up to adult learners.

Have fun playing the Cello. Par KOEPPEN GABRIEL. The second lesson book in the trailblazing new Koeppen Cello Method, putting the emphasis on having fun with your cello! Taking a playful and effective approach to learning the cello, the Koeppen Cello Method breaks new ground, sprucing up the usual Baroque and Classical repertoire by adding pieces in popular styles: rock, bossa nova, reggae, swing and more! Exciting pieces and exercises in these styles illustrate specific musical concepts and techniques, whilst teacher-pupil duets feature throughout, encouraging strong ensemble skills right from the get-go. Structured in an easy and understandable way, the Koeppen Cello Method lays the foundation for a solid technical and musical training. There is a core Lesson Book and a supplementary Tune Book at each level. All books are accompanied by a CD which will help motivate and inspire. For players from around the age of 10 right up to adult learners. / Méthode / Méthode / Violoncelle

Edition no.:BA9695 ISMN:9790006536580 Volume / Series:Bärenreiters Cello Collection Editor:Sassmannshaus, Christoph Instrumentation of the work:Violoncello, Piano Product format:Piano reduction, Part(s), Teaching material Includes the following individual parts:Violoncello, Piano Binding:Stapled Pages / Format:32/64 S. - 30,0 x 23,0 cm In the line with the series Bärenreiter's Concert Pieces which comprises editions geared towards young violinists, we are now publishing a separate collection for young cellists playing their first concerts. This edition contains 18 easy-to-learn concert pieces from the Baroque, Classical and Romantic periods including Dvorák?s Humoresque , Mendelssohn Bartholdy?s Song without Words , Fauré?s Berceuse and The Swan by Camille Saint-Saëns. The editor is Christoph Sassmannshaus, the grandson of the founder of The Sassmannshaus tradition , Egon Sassmannshaus. - Pieces for solo cello with piano accompaniment - Easy to medium difficulty - Ideal repertoire for cellists who have completed Early Start on the Cello, volumes 3 and 4 (BA 8998, BA 8999) A selection: Simonetti, Madrigal / Beethoven, Minuet / Dvorák, Humoresque / Wolf, Wiegenlied / Goltermann, Notturno / Klengel, Sarabande / Mendelssohn Bartholdy, Song without Words / Fauré, Sicilienne / Saint-Saëns, The Swan