Matériel : Partition
Ergänzt Von Robert D. Levin. Par MOZART WOLFGANG AMADEUS. The Requiem is known to the general public in the version undertaken immediately after Mozart's death by his pupil Franz Yaver Süßmayr. The attacks against Süßmayr's completion began in 1825, when the so-called 'Requiem Controversy' erupted. Over the last decade a number of musicians have attempted to cleanse the Requiem of the deficiencies introduced by Süßmayr. The completion published here takes into account the tendencies of the newer versions (such as revised instrumentation, or recomposition of some parts). At this the character, texture, voice leading, continuity and structure of Mozart's music was observed. / Musique religieuse / Répertoire / Solistes SATB, Choeur SATB, 2 Cors de Basset, 2 Ba
SKU: HL.392322
ISBN 9781705157114. UPC: 196288030188. 7.75x10.5x0.314 inches.
Mozart's Requiem, his last and unfinished composition, is one of the most famous choral works in the classical repertoire, a masterpiece whose genesis in several respects is shrouded in mystery. The name SAM-Klang takes the three voice parts from the arrangements -- Soprano, Alto and Men -- and combines it with the Scandinavian and German words for ââ¬Åsoundâ⠬ to create the portmanteau word ââ¬Åsound togetherââ¬Â or ââ¬Åharmony.à â¬Â The series offers basic and advanced choral repertoire. In addition to new repertoire and new arrangements, you will also find essential parts of the classical German, Scandinavian, French and English SATB repertoire, carefully and considerately reworked for SAM. The arrangements retain the characteristic features of the original movements and have almost the same richness of timbre, resulting in works which sound nearly unchanged to an audience. Piano reductions of all choral movements facilitate rehearsal preparation. The arrangements offer development opportunities for all voice sections, bringing new life and new quality to SAM choir work. SAM-Klang enables youth choirs to gain access to classical choral literature and ensures that mixed choirs who face challenges in finding singers for all male voice parts continue to have access to well-loved repertoire.