SKU: BT.EMBZ14871
''In this composition I was not searching for the conventional possibilities of the piano quintet, but for the acoustic distance between the two types of sound. The sounds of the piano are not meant to be the acoustic-harmonic support for the strings, but it is the string quartet that appears as the acoustic extension of the piano. Other times the single instruments of the quartet sound more or less independently of each other and they echo each other. Their asynchrony multiplies the sound-space, like the loose play of peasant musicians.'' (L. Vidovszky) The piece was commissioned by Kunstfest Weimar for the concerts entitled Visions - Hommage a Franz Liszt''. It was premieredon August 27, 2011 in Weimar, performed by the soloists of Klangforum Wien.
SKU: HL.438856
UPC: 852940000479. 7.25x12.5x3.75 inches.
The Carl Martin Headroom is the most simple to operate reverb pedal on the market...with a couple extras. This purely analogue 'real spring' reverb has two identical identical channels, each with tone and level controls to select the depth and tone of your reverb. This allows you to have a soft, small room reverb on Channel A and a much more dramatic and dark large-room reverb on Channel B (or vise versa) The two foot-controlled switches control which channel you are in, and whether you wish to bypass the effect completely. It is like having two separate reverbs in your amp! Additional features on the Carl Martin Headroom include solid metal casing, cool vintage chicken head knobs, double mounted springs to minimize stage feedback, and remote jacks for Bypass and Channel Select (which allows you to place the effect in your rack or in the back of your amp to save real-estate on your pedal-board), as well as your input and output jacks. Of course you also get that famous Carl Martin quality that you have come to expect....at no extra charge. The Carl Martin Headroom runs on 9V DC, and as always, we recommend using a regulated power supply for optimum performance.
SKU: HL.438839
UPC: 852940000929. 5.25x19.5x2.5 inches.
With the Carl Martin Quattro being so popular throughout the years, Carl thought to himself, “I could really use that same sort of high quality, straight forward, simple to use package for my acoustics as wellâ€. The Acoustic GiG begins with Carl Martin's award winning Compressor/Limiter circuit. Individual controls for compression and level allow for simple and easy operation. Next, is the well known and highly respected Vintage Style Echo with controls for level, tone, repeat and tap-tempo, plus the 'Dotted 8th Note' switch for the most beautiful musical echo. The Reverb is a new Analogue/Digital Hybrid, tailored after the vintage-style spring reverbs so suitable for guitar. A beautiful, shimmering, yet warm reverb with the added bonus of becoming a more modulation/chorus/reverb texture at higher settings. The Boost simply allows you to cut though the mix with a crystal clean volume increase of up to 15dB for your solos. No change in your tone, and no increased 'quackiness' from your piezo pickups! To gain maximum EQ shaping, we found it necessary to include a high quality semi parametric EQ. We incorporated this section directly from Carl Martin's famous 3 Band Parametric Pre-Amp which allows for the specific shaping of tone from your guitar and pickup. To avoid potential feedback, practice has show the use of a phase inverter circuitry to be very efficient... so of course the Acoustic GiG has a Phase Shift switch. To complete the Acoustic GiG, we have incorporated a tuner and a overall mute switch. On the back panel are all the needed connections, 1/4″ input, unbalanced 1/4″ output, high quality balanced XLR out with ground lift, an insert section placed right after the boost and before the EQ section, and 9V DC input with a direct DC output if you find the need for an extra pedal.
SKU: HL.276700
UPC: 888506020216. 6.0x9.25x4.109 inches.
The original Hotone Nano Legacy Series Amplifier Heads have grown to such demand that it onlymade sense to combine two of them into a single convenient floor-based stompbox design withincreased power, and let it form the core of your live or studio guitar setup... The Nano Legacy Floor Series features two portable dual-channel floor amplifier models: BritWind and Mojo Attack. The BritWind houses the sound characteristics of Hotone's British Invasion (inspired by the legendary Vox® AC30*) and Purple Wind (inspired by legendary Marshall® PlexiSuper Lead 1959*) Nano Legacy Series amp heads on separate channels. In the same fashion, the Mojo Attack joins those of the Mojo Diamond (inspired by legendary Fender Tweed®*) and Heart Attack (inspired by legendary Mesa/Boogie® Rectifier®*) amps. Beyond combining two Nano Legacy Series amps in one, the Nano Legacy Floor Series amps feature increased power (75 watts each), as well as enhanced sound quality and dynamic range. In addition, these amps offer extended onboard functions and effects, including independent volume/gain/3-band EQ, a clean boost (up to +12dB), reverb, an FX Loop, a single speaker output for use with 4-16omega cabinets, and a switchable cabinet simulator on its Line and XLR outputs. Fusing legendary guitar tone with convenience and portability, the Hotone Nano Legacy Floor Seriesamplifiers ensure you're always ready to perform or record. Simply connect one to a cabinet, mixer orinterface, and you're ready to rock! Features: • Portable dual-channel floor amplifier • 75 watts • Nano Legacy Series preamp tone with enhanced sound quality and dynamic range • BritWind: Dual-channel design combines two Nano Legacy Series amplifiers in one: -CH A: Hotone British Invasion, inspired by legendary Vox® AC30* -CH B: Hotone Purple Wind, inspired by legendary Marshall® Plexi Super Lead 1959* • Mojo Attack: Dual-channel design combines two Nano Legacy Series amplifiers in one: -CH A: Hotone Mojo Diamond, inspired by legendary Fender Tweed®* -CH B: Hotone Heart Attack, inspired by legendary Mesa/Boogie® Rectifier®* • High-quality tone with independent volume, gain and 3-band EQ • Built-in boost provides up to +12dB of clean volume boost • Onboard reverb with clear, natural decay • FX Loop for integrating external effects • Single speaker output for use with 4-16omega cabinets • Line and XLR outputs with switchable cabinet simulator • Powered by 18-20V DC (center positive) adapter included * VOX AC30 is an amplifier model of Korg Inc. * Marshall® Plexi Super Lead 1959 is an amplifier model of Marshall Amplification plc. * Fender Tweed® is an amplifier model of Fender Musical Instruments Corporation. * Mesa Boogie® Rectifier® is an amplifier model of Mesa/Boogie Ltd.
SKU: HL.276699
UPC: 888506020209. 6.0x9.25x4.285 inches.
SKU: HL.49038028
SKU: HL.49038030
SKU: HL.49038029
SKU: HL.49035348
8.5x11.75x0.073 inches.
SKU: HL.49038026
SKU: HL.49038027
SKU: HL.49007500
ISBN 9790001080682.
SKU: CL.031-0139-00
Straight ahead Basie style swing chart with many performance oppurtunities and a section for repeated solos. This is simply one of the best Bob Lowden charts in our catalog.
SKU: SU.29030030
Three short movements (Tranquil, Harmonic Dance, and Mass Sound) explore the different colors of the string quartet playing in settings with high reverb. Beautiful, fun, and dramatic for chamber concerts.String Quartet Duration: 11' Composed: 2018 Published by: Melissa D'Albora Music.
SKU: M7.PPV-20046650
ISBN 9783955120054. German.
Mixing und Mastering voll im Griff Mastern: Die Kunst, aus deiner Audio-Aufnahme das Maximum rauszuholen. Deine Songs sollten danach sowohl auf einer Bang & Olufsen Anlage, als auch im Auto-Radio geil klingen. Dieses Buch vermittelt Einsteigern und Profis kompaktes Wissen, Tipps & Tricks für professionelles Audio-Mixing, -Editing und -Mastering. Audio Mixing Workshops für Producer und Einsteiger Der erste Mixdown ist immer der schwerste. Mixing und Mastering sind durchaus komplexe Themen. Allerdings gibt dieses Buch Hilfestellungen, mit denen du sofort gute Ergebnisse erzielen kannst. In Mixing Basics ist kompaktes Mixing und Mastering Wissen zusammengefasst. Es bietet die besten Tipps von erfahrenden Produzenten und Musikern für den perfekten Sound. Begriffe wie Bouncing, Rendern oder Export werden ebenso erklärt wie Samplerate oder Bittiefe. Die Redaktion hilft bei der Frage, wie man eigene Projekte am besten aufsetzt, alle wichtigen Schritte von der ersten Songidee, den ersten Layouts und Aufnahmen bis hin zur detaillierten Mixverarbeitung angeht und Projekte richtig archiviert. So wird die Produktion eigener Songs (fast) zum Kinderspiel. Die richtige technische Bearbeitung einzelner Instrumente im Mix, der Einsatz von Eqs, Kompressoren und Sound-Effekten sind dann nicht mehr Producers Secrets, sondern ihr könnt sie für eure eigenen Projekte einsetzen. Die besten Mixing und Mastering Tipps von erfahrenen Produzenten Mixing Basics bringt dir die besten (Geheim-)Tipps von erfahrenen Producern und Musikern. Damit gelingt der perfekte Sound. Du lernst wichtige Funktionen für deinen perfekten Mix kennen: Bouncing Rendern Samplerate Bit-Tiefe Daneben lernst du die richtige Bearbeitung des Frequenzbildes, der Dynamik und den Raumeffekten kennen: EQ Kompression Reverb / Delay.
SKU: HL.14032637
8.25x11.75x0.044 inches.
This work was commissioned by Yutaka Fujishima and the Xebec Hall. It was first performed by Ryoichi Fujimori in Mito, Japan on 10th November 1996. Duration: 8 minutes 10 seconds. The following equipment is required: 1 full-size CD player (not a portable), with a clearly readable time counter display, set next to the cellist, 1 microphone for the cello, 1 digital reverb, 1 mixing desk, 1 stereo amplifier, at least 2 high quality loudspeakers. Quoting Karen Tanaka: The title comes from the Song of Solomon of the Old Testament, which is a beautiful song of love. I have attempted to project this sensual song of love onto the sound of cello and computer. My intention was to weave color and scent into the sound while blending the ancient story and today's technology. The sound of cello is consistently gentle and tender. CD Rom available separately for sale.
SKU: HL.50610058
