Ce pack de livre/CD est un classeur grand afin de promouvoir la solidarité musicale dans la section rythmique : ses exercices donnent le batteur et le bassiste une occasion unique de comprendre la pensée de l'autre. Il couvre rock, funk, Latin et latine styles de rock et enseigne comment développer des rythmes de temps impair original. Le dernier chapitre du livre comporte des arrangements de 10 chansons pour la pratique. / Batterie
SKU: HL.391273
ISBN 9781705156841. UPC: 196288028796. 9.0x12.0x0.404 inches.
Drumming in a Band: Stuff you Can Use, by Rob Mitzner, can prepare drummers to play almost any kind of gig. The target audience is drummers with 2 or more years of playing experience who want to learn to play in a band. All of the material presented comes from the author's real-world experience in recording sessions and band situations. Based around â??Groove Workshopsâ? that include 53 bass/drums groove play-alongs, styles explored include rock, drum'n'bass, RandB/soul, reggae, World, roots, blues, jazz, odd time, and more. Within these styles, specific substyles and classic influences are examined, with grooves and rhythm section approaches used by Billy Cobham, James Brown, Steve Jordan, David Garibaldi, J Dilla, Robert Glasper, Art Blakey, and many others. Other substyles studied include bluegrass, New Orleans Second Line, boogaloo, blues, various shuffles, grungy rock, jazz brushes, and much more. The package also includes 18 full-length original song play-along tracks with New York bands and top session players, including Woodhead, Simon Garrett, Dave Ross, Luke Buck, Andrea Capozzoli, MC Frontalot, Will Reynolds, Eric Price, Michael Gallant, Lars Potteiger, Chris Cheek, Dmitry Ishenko, Yana Davydova, Matthew Milligan, John Shannon, Jared Sims, Gaby Alter, Schaffer the Darklord and Miss Eaves. Audio files with and without drums are included for every groove, along with detailed charts, transcriptions, road maps and lead sheets. There is also a section on how to make your own charts. There is video and analysis for every track, with interviews, anecdotes, and pro tips for the drummer from all the various musicians. Product Details: â?¢ 175 pages total â?¢ 73 videos and over 150 mp3 audio files â?¢ Charts, transcriptions and road maps (and how to create your own) â?¢ Interviews with all the musicians on the drummer's role in the band.
SKU: HL.14016916
9.0x12.0x0.173 inches.
Les titres de ce recueil sont issus du grand repertoire des Standards de jazz et de Blues. Ce volume est concu en deux parties. La premiere partie presente tous les themes, tels que joues par le saxophoniste tenor sur le CD Audio fourni avec ce recueil. La seconde partie offre a l'instrumentiste les cles pour une improvisation reussie. Au debut de chaque partie, une notice pedagogique donne des pistes de travail a explorer ainsi que des conseils sur la maniere d'utiliser au mieux ce livre. Les professeurs trouveront aussi dans ce volume un bon repertoire de base pour initier leurs eleves a l'etude des musiques improvisees que sont le jazz et le blues. Concernant l'utilisation du CD audio, une plage est laissee a l'accord de l'instrument, puis chaque oeuvre est developpee de la maniere suivasnte: Le theme de base est jour par le saxophoniste tenor (accompagne par le trio Claviers-Basse-Batterie) afin de 'montrer le chemin' au musicien Le theme original n'est plus joue par le saxophoniste et laisse entierement place a l'instrumentiste qui, accompagne de la section rhythmique, pourra laisser libre cours a sa creativite (exposition du theme puis improvisationsur la structure harmonique). Nous vous souhaitons un excellent voyage au pays du jazz du blues et esperons vous apprter un reel plaisir a jouer ces oeuvres. The titles in this collection are abstracts from the great repertory of the Standards of Jazz and Blues. This book is made of two parts. The first one presents all the themes such as perfromed by the Tenor Saxophonist on the Audio CD play along furnished with this volume. The second part offers the performer keys for a succesfull improvisation. At the beginning of each part, a pedagogical content gives work trails to explore so as advice on how to use at best this book. Music teachers will also find in this volume a good basic repertory to introduce improvised music styles such a Jazz and Blues to their students. The first track on the Audio CD is for tuning, then each title is developed as follows: The basic theme is played by the tenor saxophonist, accompanied by the keyboard/bass/drum trio, to show the method to the musician The original theme is no more interpreted by the saxophonist and place is left entirely at the performer's disposal who, accompanied by the rhythm section, will give free reins to his creativity (theme exposition followed by an improvisation on the harmonic structure).
