Romances Sans Paroles Op. 19 Vol.1

Cette partition ROMANCES SANS PAROLES OPUS 30 VOLUME 2 de Mendelssohn Bartholdy Felix a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB7621. Cette oeuvre d'une durée de 00:15:30 est idéale pour les musiciens pratiquant Hautbois. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Hautbois Et Piano / Partition

Sonata for Piano N 5 /Three Romances Without Words op. 17 N 52 / Mazurka N 8 / Prelude [and Fugue] N 17 / Gavotte N 14 / Short Pieces op. 84 N 147 / Mazurka op. 32 N 75 / Five Impromptus. Par FAURE GABRIEL. Centering on the important series of the “Impromptus”, the collection of “Pièces brèves”, and the “Trois Romances sans paroles”, the present volume also gathers piano works by Gabriel Fauré that are either unpublished or little-known. It is of additional interest insofar as it draws attention to a series of pieces dating from his earliest creative period. The young composer’s progress can thus be followed, from his student work at the “École de musique classique et religieuse” to the earliest masterpieces for piano born between 1875 and 1880. These scores show Fauré’s ability to imitate styles of the past, crafting preludes and fugues, a sonata in the Viennese tradition, and character pieces deriving straight from Mendelssohn, Schumann, and Chopin. Through them, a musical personality emerges little by little: its signs are tenuous in the “Sonate”, in the early versions of the “Fugues”, and in the “Trois Romances”, but they are more in evidence in the “Mazurke”, the “Gavotte”, and the “Prélude” in E minor. Of his early compositions, Fauré, to be sure, retained only what is included in this volume, namely those pieces which he deemed most personal and suitable for publication. All of these compositions are remarkable for their individual flavour. Despite the diverse origin of its constituent parts the contrasted “Pièces brèves” collection is unjustly neglected, as it forms an ensemble of high quality, with a search for concision that anticipates the “Neuf Préludes”. Next to the “Nocturnes” and “Barcarolles”, the five “Impromptus”, vigorously crafted between 1881 and 1906, show a composer with ever increasing creative powers who crosses borders in the pursuit of his artistic ideas. Beside the first versions of the 3rd “Romance” and two “Pièces brèves”, the appendices to the present volume include the interesting piano solo version of the “Pavane” doubtlessly penned by the composer, as well as the cadenzas to piano concertos by Beethoven and Mozart which he wrote for his students and, later, for the pianist Marguerite Hasselmans. These cadenzas’ originality has aroused the interest of pianists again and again./ Recueil / Piano

Par VIEUXTEMPS HENRI. Le violoniste et compositeur belge Henri Vieuxtemps (1820-1881) était l'un des plus importants virtuoses du violon au XIXe siècle. Des tournées de concerts l'ont mené à travers l'Europe et les États-Unis ; pendant quelques années seulement, il a occupé un poste permanent de musicien de cour à Saint-Pétersbourg. A partir de 1864, il a enseigné au Conservatoire de Paris, et à partir de 1871 au Conservatoire de Bruxelles, où le célèbre violoniste Eugène Ysaÿe était son élève. Le présent volume contient des ?uvres connues et des raretés de son répertoire de concert, notamment les Romances op. 7, Souvenir d'Amérique op. 17 (variations de la célèbre mélodie 'Yankee doodle') et l'?uvre souvent jouée 'Ballade et Polonaise' op. 38. L'édition soignée de Wolfgang Birtel a été arrangée par le professeur Friedemann Eichhorn pour le jeu pratique. Recommandé pour l'étude et le concert. / Niveau : avancé - difficile / Date parution : 2022-02-15/ Recueil / Violon et Piano