SKU: PR.ZM31330
SKU: UT.CH-49
ISBN 9790215303317. 9 x 12 inches. Transcribed by Pietro Bottesini (19th century).
SKU: UT.CH-216
ISBN 9790215323131. 9 x 12 inches.
Pippo Molino: Frammento G (Echi da Cenerentola)Marco Reghezza: Divertimento â??Ai capricci della sorteâ??; Fuga â??Languir per una bellaâ??Alessand ro Spazzoli: Sogno: il Barbiere (Omaggio a Rossini)Roberto Tagliamacco: Soirée RossiniennePaolo Ugoletti: Fantasia su un tema di Rossini
SKU: HL.49019327
ISBN 9783795747558. UPC: 841886018204. 9.0x12.0x0.2 inches.
This volume contains everything needed for guitar lessons: 58 easy original guitar pieces by Aguado, Mertz, Diabelli, Carulli, Sor or Carcassi, but also easy-to-play arrangements of classical music from the fields of orchestral music, chamber music or opera. Among them are themes from Vivaldi's Four Seasons, from Handel's Music for the Royal Fireworks, Mozart's Magic Flute, Beethoven's Symphony No. 9 or Verdi's Chorus of the Hebrew Slaves. It is this volume's concern to make classical masterpieces of concert literature accessible to children by means of such rather easy arrangements and make them enjoy classical music. All pieces are recorded on the accompanying CD to make it easier for the pupils to study and master the works.
SKU: HL.49010665
ISBN 9790001094733. UPC: 884088021979. 9.0x12.0x0.147 inches.
SKU: HL.50566004
ISBN 9781705150580. UPC: 196288017639. 9.0x12.0x0.48 inches.
Mauro Giuliani's Rossiniane, published between 1821 and 1828, are a series of six musical potpourris entirely based on the music of Gioachino Rossini. The potpourri was one of the most popular instrumental genres of the early 1800s, an assembly of musical themes with different origins combined into a single composition. In the absence of the modern means of reproducing music, they had a very important function: of bringing music, most often created for the theatre, into the home. Some important points can be deduced from Giuliani's epistolary exchanges: the first is that the Rossiniane were part of his own concert repertoire: the second is that Rossini was not only aware of the project which would bear his name, but also collaborated with Giuliani in some ways, providing him with some themes expressly composed for his works. The third is that Giuliani was well aware that these pieces represented a new development for his own compositions and for the musical panorama of the time, “a hitherto-unknown style.†This edition of the Rossiniane is based on the contemporary musical sources that have come down to us. It is enhanced by some remarks on interpretation that should help towards making an accurate and coherent reading of this distinctive and original musical text.
