SKU: HL.49006274
ISBN 9790001068093. Old English.
The first known canon of European art music, now in the British Museum in London, is preserved in a thirteenth-century manusript from the English abbey in Reading: This is the so-called summer canon, whose verses greet the advent of summer. An accompanying note elucidates the artistic layer-like construction of the sound structure: a two-voice foundation of bell-like, swinging pendulum tones supports an upper structure of four voices which enter at equal time intervals. The note terms the canon rota * round -, which makes reference to the turning, circling movement of the constantly pulsating sound. The circular figure originates in a vital, ages-old moving force in music-making, and it demands a dance-like execution. But the canon is also, through the interaction of the strictly ordered voice entries, convivially bound musical form. Carl Orff was able to choose no better fitting musical form for the Greetings to Youth at the Olympic Games 1972 in Munich than the medieval rota. In the connexion of the singing voices with the Orff instruments, today in world-wide use, a testimony of European tradition sounds in a living present.
Voir toutes les partitions de Carl Orff
SKU: HL.49006273
ISBN 9790001068086. 9.0x12.0x0.135 inches. Old English.
SKU: HL.44013330
Prelude to a Pageant was commissioned by Woodley Concert Band to celebrate their 40th anniversary in 2014. Celebratory in nature, Prelude to a Pageant includes a famous musical link to The Reading Rota (Sumer is icumen in), a manuscript dating from around 1240, discovered nearby Reading Abbey. This lively tune appears early in the work, after an arresting, rhythmic opening and expressive slower section, and also forms the final climax.
SKU: HL.44013331
UPC: 888680922924.
Prelu de to a Pageant was commissioned by Woodley Concert Band to celebrate their 40th anniversary in 2014. Celebratory in nature, Prelude to a Pageant includes a famous musical link to The Reading Rota (Sumer is icumen in), a manuscript dating from around 1240, discovered nearby Reading Abbey. This lively tune appears early in the work, after an arresting, rhythmic opening and expressive slower section, and also forms the final climax.
