Rota, N : The best of Rota

Amoureux de Musiques De Films et Comédies musicales, vous trouverez la partition de vos rêves, que ce soit en format séparé ou en recueil. Composée par Rota Nino cette partition THE BEST OF. ORIGINAL SOUNDTRACK COLLECTION WITH CD est idéale pour les amateurs ou professionnels de musique qui souhaitent acquérir une partition pour Piano. / Piano / Partition Cd

E-Z Play Today Volume 200. The updated 8th edition of this bestseller includes 71 great favorites, all in our world-famous E-Z Play® notation: At Last · Bohemian Rhapsody · Candle in the Wind · Edelweiss · Hallelujah · I Dreamed a Dream · Moon River · My Way · Night and Day · Over the Rainbow · Piano Man · Send in the Clowns · Somewhere · Tears in Heaven · Unchained Melody · When I Fall in Love · Yesterday · and many more. / Niveau : Facile / Recueil / Piano, Orgue ou Clavier

Description The Best Film Scores For Easy Piano A fantastic collection of 23 great movie themes from 23 films arranged for easy piano. Songlist Angela's Ashes [Williams, John] Chariots Of Fire [Vangelis] Chinatown (Love Theme) [Goldsmith, Jerry] Cinema Paradiso - Ennio Morricone Days Of Wine And Roses (Days Of Wine And Roses) [Mercer, Johnny] [Mancini, Henry] Forrest Gump Title Theme - Alan Silvestri Godfather Ii - Nino Rota Hymn To The Fallen (Saving Private Ryan) [Williams, John] Lawrence Of Arabia - Maurice Jarre Love Theme (The Godfather) [Rota, Nino] My Father's Favourite - Patrick Doyle On Golden Pond - Dave Grusin Psycho Prelude - Bernard Herrmann Raiders March - John Williams Spellbound - Miklos Rozsa Star Trek: The Motion Picture [Goldsmith, Jerry] Taxi Driver - Bernard Herrmann The English Patient [Yared, Gabriel] The Friendship Theme - Georges Delerue The John Dunbar Theme - John Barry The Mission - Ennio Morricone The Untouchables - Ennio Morricone

15 preludes. Rota is best known for his Oscar-winning film music, but has also left outstanding works in numerous other genres. His 15 piano preludes were originally written in 1964. The arrangements for piano four hands mostly remain close tothe original. The level of difficulty is usually at a good intermediate level, Primo is somewhat more demanding than Secondo.

A special double-CD bumper compilation. Twenty of the best-ever jazz standards for alto saxophone in melody line arrangements with specially recorded backing tracks. Hear full performance versions of all the songs on Disc 1, the alto saxophone part is then omitted from Disc 2 so you can play along with the recorded accompaniments. / Saxophone

Do you feel you've learned enough piano skills to take on some jazz tunes? This book is designed to let beginners dive into jazz standards with success. The arrangements, although easy, are full enough to make you sound great. Lyrics are also included. This collection features 50 of the best jazz standards ever, including: All the Things You Are - Autumn in New York - Body and Soul - Don't Get Around Much Anymore - Fly Me to the Moon (In Other Words) - Georgia on My Mind - The Girl from Ipanema (Gar¶ta De Ipanema) - It Could Happen to You - Misty - My Funny Valentine - Night and Day - Satin Doll - Speak Low - Summertime - The Way You Look Tonight - When I Fall in Love - You Stepped Out of a Dream - and more. / Date parution : 2020-07-03/ Recueil / Piano

Opera in three acts. ?Giulio Cesare in Egitto? is by far Handel?s most frequently performed opera owing its success not least to its subject matter, one of the best known love stories in world history. Already during Handel?s lifetime the popular work was often staged and therefore adapted by Handel for each of the performance conditions. The editor Hans Dieter Clausen has succeeded in editorially defining and practically presenting these adaptations ? essentially four versions ? on the basis of a meticulous study of the sources within the framework of the ?Halle Handel Edition?. The new edition allows for a performance of each of the four versions. The version of 1725 is particularly noteworthy because Handel newly devised the role of Sesto for the famous tenor Francesco Borosini. The libretto shows the Roman dictator Cesar in a friendly light. He instructs his enemy, the Egyptian tyrant Tolomeo, how to treat adversaries: he reconciles the widow and son of his enemy Pompeo who was murdered by Tolomeo: he is generous and just, hands on, but also diplomatic, thoughtful, aware of the limits of his power, and susceptible for art and nature. However, the actual protagonist of the opera is Cleopatra. In a masterly way Handel develops her character musically. In his extensive Foreword Hans Dieter Clausen not only decribes the genesis, historical background, reception and the edition of the opera, he also examines the musical and dramaturgical reworking of individual numbers in ?Giulio Cesare?. Handel was such an expert in adapting arias for new purposes and other characters that he did not only meet the needs at hand but often the new version surpassed the original. In this way, the reader gains, in passing, a well-founded insight into Handel?s work methods when designing and redevising his characters. The detailed Critical Commentary includes information on the comprehensive and highly complex source situation as well as on individual editorial decisions.

Libretto By Carlo Sigismondo Capece Edited By Terence Best Piano Reduction By Andreas Koehs. Par HAENDEL GEORG FRIEDRICH. L'oratorio italien La Résurrection (La Résurrection) a été écrit pendant l'époque de Haendel à Rome. Elle a été réalisée le dimanche de Pâques 1708 avec une grande splendeur et l'extravagance d'un grand orchestre Dirigé par Arcangelo Corelli. Dans sa structure dramatique et la caractérisation des protagonistes, le travail affiche une affinité frappante avec l'opéra italien. Lucifer fait rage sixty note Quatrième appel à l'esprit les personnages démon dans l'opéra vénitien airs et Maddalena sont si pleins de puissance expressive et sa virtuosité que Haendel ultérieurement incorporées dans son One Of Them par Agrippine./ Répertoire / Chant et Piano