SKU: GI.G-9897
ISBN 9780854022809.
This book provides a comprehensive collection of 30 anthems by 23 composers, for church and school choirs. It includes specially commissioned anthems by established composers including Philip Moore, Richard Shephard and Philip Wilby, as well as works by such newer writers as Joanna Forbes Lâ??Estrange, Owain Park, Ghislaine Reece Trapp, Amy Summers and Toby Young. There are also some new arrangements of classics such as Brother Jamesâ?? Air and John Rutterâ??s A Gaelic Blessing. Popular RSCM composers Thomas Hewitt Jones, Piers Maxim, Sarah MacDonald, Peter Nardone and Geoff Weaver have also contributed new works. Many of the pieces have been tried and tested by choirs in worship. They employ a wide range of interesting and inspiring texts that echo the themes of the Sunday readings, as well as familiar words that have been given a new lease of life by inventive and imaginative settings. No choir will feel short-changed by these three-part settings. Each composer has set about creating something original rather than reducing existing material. Many of the pieces are flexible so they can comfortably be sung by smaller groups. The organ parts are straightforward and can be also be played on the piano.
This book provides a comprehensive collection of 30 anthems by 23 composers, for church and school choirs. It includes specially commissioned anthems by established composers including Philip Moore, Richard Shephard and Philip Wilby, as well as works by such newer writers as Joanna Forbes L’Estrange, Owain Park, Ghislaine Reece Trapp, Amy Summers and Toby Young. There are also some new arrangements of classics such as Brother James’ Air and John Rutter’s A Gaelic Blessing. Popular RSCM composers Thomas Hewitt Jones, Piers Maxim, Sarah MacDonald, Peter Nardone and Geoff Weaver have also contributed new works. Many of the pieces have been tried and tested by choirs in worship. They employ a wide range of interesting and inspiring texts that echo the themes of the Sunday readings, as well as familiar words that have been given a new lease of life by inventive and imaginative settings. No choir will feel short-changed by these three-part settings. Each composer has set about creating something original rather than reducing existing material. Many of the pieces are flexible so they can comfortably be sung by smaller groups. The organ parts are straightforward and can be also be played on the piano.
