Sacred Masterpieces for Soprano

SKU: CA.4068705

ISBN 9790007130794. Key: C minor. Language: Latin.

According to statements by the composer, the Missa sacra is suitable for both worship services, as well as for concerts, and at the same time it is not difficult to perform. The expressive harmonies, precise use of counterpoint and its concise themes show that the Missa sacra is a highly romantic work which belongs among the great masterpieces of 19th century sacred music. Following a performance in 1861 Clara Schumann wrote to Johannes Brahms: The Kyrie is deeply moving, and as if cast from one mold; in the Sanctus individual movements had such a wonderful sonorous effect that chills ran down my spine. For the present edition Zsigmond Szathmary has made a new arrangement for organ of the original orchestra accompaniment. Additional editions in the Series Choir & Organ.

SKU: HL.14006558

ISBN 9780853606444. 8.75x11.75x0.521 inches.

A perfect bouquet of sweet flowers of melody and a masterpiece of simplicity' as described by Heine in a letter to Berlioz. This sacred trilogy was written in 1854 for soprano, baritone, two tenors and three basses. This version, with English words by Paul England, contains all vocal parts and a piano reduction of the orchestral score.

SKU: CA.3116803

ISBN 9790007166724. Language: German/English. Text: Franck, Salomo. Text by Salomo Franck.

The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score available separately - see item CA.3116800.

SKU: CA.3104907

ISBN 9790007137465. Language: German/English.

The beginning of Cantata no. 49 (I go and search for thee with yearning) may also be the most well-known part of this work: in the introductory sinfonia for organ and orchestra Bach refers back to the final movement of a lost concerto with concertante melody instrument which he later reworked into the Harpsichord Concerto in E major BWV 1053. The cantata, conceived as a composition in dialogue between the faithful soul (soprano) and Jesus (bass), is characterized by the expressiveness of the love poetry from the biblical Song of Songs, which finds its lyrical expression especially in the virtuosity and charm of its instrumentation - a masterpiece in the Bachian art of characterization. (Alfred Durr). Score available separately - see item CA.3104900.

SKU: CA.3104914

ISBN 9790007206215. Language: German/English.

The beginning of Cantata no. 49 (I go and search for thee with yearning) may also be the most well-known part of this work: in the introductory sinfonia for organ and orchestra Bach refers back to the final movement of a lost concerto with concertante melody instrument which he later reworked into the Harpsichord Concerto in E major BWV 1053. The cantata, conceived as a composition in dialogue between the faithful soul (soprano) and Jesus (bass), is characterized by the expressiveness of the love poetry from the biblical Song of Songs, which finds its lyrical expression especially in the virtuosity and charm of its instrumentation - a masterpiece in the Bachian art of characterization. (Alfred Durr). Score and part available separately - see item CA.3104900.

SKU: CA.3104913

ISBN 9790007206208. Language: German/English.

The beginning of Cantata no. 49 (I go and search for thee with yearning) may also be the most well-known part of this work: in the introductory sinfonia for organ and orchestra Bach refers back to the final movement of a lost concerto with concertante melody instrument which he later reworked into the Harpsichord Concerto in E major BWV 1053. The cantata, conceived as a composition in dialogue between the faithful soul (soprano) and Jesus (bass), is characterized by the expressiveness of the love poetry from the biblical Song of Songs, which finds its lyrical expression especially in the virtuosity and charm of its instrumentation - a masterpiece in the Bachian art of characterization. (Alfred Durr). Score and part available separately - see item CA.3104900.

SKU: CA.3104911

ISBN 9790007206185. Language: German/English.

The beginning of Cantata no. 49 (I go and search for thee with yearning) may also be the most well-known part of this work: in the introductory sinfonia for organ and orchestra Bach refers back to the final movement of a lost concerto with concertante melody instrument which he later reworked into the Harpsichord Concerto in E major BWV 1053. The cantata, conceived as a composition in dialogue between the faithful soul (soprano) and Jesus (bass), is characterized by the expressiveness of the love poetry from the biblical Song of Songs, which finds its lyrical expression especially in the virtuosity and charm of its instrumentation - a masterpiece in the Bachian art of characterization. (Alfred Durr). Score and part available separately - see item CA.3104900.

SKU: CA.3116807

ISBN 9790007242220. Language: German/English. Text: Franck, Salomo.

The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score available separately - see item CA.3116800.

SKU: CA.3116819

ISBN 9790007166786. Language: German/English. Text: Franck, Salomo. Text by Salomo Franck.

The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score and parts available separately - see item CA.3116800.

SKU: FZ.1992

ISBN 9790230619929. 22.00 x 31.00 cm inches.

This facsimile of an original by Joseph Valette de Montigny is part of our French classical music collection. Edition : Paris, C. Ballard, 1711. Little known today, these very fine motets had a great reputation in the 18th century. The motet super flumina is a masterpiece. Preface by: Philippe Lescat: biography of Valette de Montigny,Jean Saint-Arroman: differences between the two editions - Avis of the publisher.

Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the Municipal Library of Toulouse (France). Anne Fuzeau Classique propose period copies of classical music scores.

SKU: CA.3104949

ISBN 9790007206239. Language: German/English.

The beginning of Cantata no. 49 (I go and search for thee with yearning) may also be the most well-known part of this work: in the introductory sinfonia for organ and orchestra Bach refers back to the final movement of a lost concerto with concertante melody instrument which he later reworked into the Harpsichord Concerto in E major BWV 1053. The cantata, conceived as a composition in dialogue between the faithful soul (soprano) and Jesus (bass), is characterized by the expressiveness of the love poetry from the biblical Song of Songs, which finds its lyrical expression especially in the virtuosity and charm of its instrumentation - a masterpiece in the Bachian art of characterization. (Alfred Durr). Score and part available separately - see item CA.3104900.

SKU: HL.14029543

ISBN 9780853603122.

This oratorio for SATB soli, SATB chorus and orchestra is a masterpiece from one of the most influential composers of the classical era. Vocal score including piano accompaniment arranged by Vincent Novello.

SKU: CA.3104915

ISBN 9790007206222. Language: German/English.

The beginning of Cantata no. 49 (I go and search for thee with yearning) may also be the most well-known part of this work: in the introductory sinfonia for organ and orchestra Bach refers back to the final movement of a lost concerto with concertante melody instrument which he later reworked into the Harpsichord Concerto in E major BWV 1053. The cantata, conceived as a composition in dialogue between the faithful soul (soprano) and Jesus (bass), is characterized by the expressiveness of the love poetry from the biblical Song of Songs, which finds its lyrical expression especially in the virtuosity and charm of its instrumentation - a masterpiece in the Bachian art of characterization. (Alfred Durr). Score and part available separately - see item CA.3104900.

SKU: CA.3104912

ISBN 9790007206192. Language: German/English.

The beginning of Cantata no. 49 (I go and search for thee with yearning) may also be the most well-known part of this work: in the introductory sinfonia for organ and orchestra Bach refers back to the final movement of a lost concerto with concertante melody instrument which he later reworked into the Harpsichord Concerto in E major BWV 1053. The cantata, conceived as a composition in dialogue between the faithful soul (soprano) and Jesus (bass), is characterized by the expressiveness of the love poetry from the biblical Song of Songs, which finds its lyrical expression especially in the virtuosity and charm of its instrumentation - a masterpiece in the Bachian art of characterization. (Alfred Durr). Score and part available separately - see item CA.3104900.