SKU: CA.3123703
ISBN 9790007103323. Key: C major. Language: Latin.
Score available separately - see item CA.3123700.
SKU: CA.7002330
ISBN 9790007082338.
SKU: CA.602100
ISBN 9790007009779.
SKU: BA.BA05531
ISBN 9790006472284. 33.1 x 26.3 cm inches. Key: F major.
Urtext of the New Schubert Edition.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CA.3350200
ISBN 9790007015237. Key: E flat major. Language: Latin.
Carl Philipp Emanuel Bach composed his (Latin) Sanctus in E flat from 1768-1778, when he was the director of music for the churches of Hamburg. This short and solemn work for choir and orchestra was intended for the liturgy of Communion at Christmas, Easter and Pentecost. The present edition is based on a copy of the manuscript which is preserved in the music archives of the Sing-Akademie zu Berlin. It was believed to have been lost following the second world war, but was recently discovered by Professor Christoph Wolff in Kiev.
SKU: CA.3350249
ISBN 9790007212421. Key: E flat major. Language: Latin.
Carl Philipp Emanuel Bach composed his (Latin) Sanctus in E flat from 1768-1778, when he was the director of music for the churches of Hamburg. This short and solemn work for choir and orchestra was intended for the liturgy of Communion at Christmas, Easter and Pentecost. The present edition is based on a copy of the manuscript which is preserved in the music archives of the Sing-Akademie zu Berlin. It was believed to have been lost following the second world war, but was recently discovered by Professor Christoph Wolff in Kiev. Score and part available separately - see item CA.3350200.
SKU: CA.3350203
ISBN 9790007022211. Key: E flat major. Language: Latin.
Carl Philipp Emanuel Bach composed his (Latin) Sanctus in E flat from 1768-1778, when he was the director of music for the churches of Hamburg. This short and solemn work for choir and orchestra was intended for the liturgy of Communion at Christmas, Easter and Pentecost. The present edition is based on a copy of the manuscript which is preserved in the music archives of the Sing-Akademie zu Berlin. It was believed to have been lost following the second world war, but was recently discovered by Professor Christoph Wolff in Kiev. Score available separately - see item CA.3350200.
SKU: CA.3350212
ISBN 9790007212391. Key: E flat major. Language: Latin.
SKU: CA.3350211
ISBN 9790007212384. Key: E flat major. Language: Latin.
SKU: CA.3350209
ISBN 9790007212377. Key: E flat major. Language: Latin.
Carl Philipp Emanuel Bach composed his (Latin) Sanctus in E flat from 1768-1778, when he was the director of music for the churches of Hamburg. This short and solemn work for choir and orchestra was intended for the liturgy of Communion at Christmas, Easter and Pentecost. The present edition is based on a copy of the manuscript which is preserved in the music archives of the Sing-Akademie zu Berlin. It was believed to have been lost following the second world war, but was recently discovered by Professor Christoph Wolff in Kiev. Score and parts available separately - see item CA.3350200.
SKU: CA.3350214
ISBN 9790007212414. Key: E flat major. Language: Latin.
SKU: CA.3350219
ISBN 9790007144470. Key: E flat major. Language: Latin.
SKU: CA.3350213
ISBN 9790007212407. Key: E flat major. Language: Latin.
SKU: CA.2708703
ISBN 9790007166021. Key: F major. Text language: Latin.
Ultimately, he is a pupil for whom I need not feel embarrassed, wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C: Altnickol. Altnickol's two settings of the Sanctus, based on a Gregorian cantus firmus, are among his few works which have survived. While in the second of these compositions he chose to write a polyphonic choral setting, in the present Sanctus he allows all four voices of the choir to sing unisono, accompanied by a polyphonically treated string ensemble. In both compositions, however, he proves himself to be a contrapuntalist fully worthy of Bach's appraisal. Score available separately - see item CA.2708700.
SKU: CA.2708800
ISBN 9790007165987. Key: F major. Text language: Latin.
Ultimately, he is a pupil for whom I need not feel embarrassed, wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C: Altnickol. Altnickol's two settings of the Sanctus, based on a Gregorian cantus firmus, are among his few works which have survived. While in the second of these compositions he chose to write a polyphonic choral setting, in the first Sanctus he allows all four voices of the choir to sing unisono, accompanied by a polyphonically treated string ensemble. In both compositions, however, he proves himself to be a contrapuntalist fully worthy of Bach's appraisal.
SKU: CA.2708700
ISBN 9790007166014. Key: F major. Text language: Latin.
Ultimately, he is a pupil for whom I need not feel embarrassed, wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C: Altnickol. Altnickol's two settings of the Sanctus, based on a Gregorian cantus firmus, are among his few works which have survived. While in the second of these compositions he chose to write a polyphonic choral setting, in the present Sanctus he allows all four voices of the choir to sing unisono, accompanied by a polyphonically treated string ensemble. In both compositions, however, he proves himself to be a contrapuntalist fully worthy of Bach's appraisal.
SKU: CA.2708719
ISBN 9790007166274. Key: F major. Text language: Latin.
Ultimately, he is a pupil for whom I need not feel embarrassed, wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C: Altnickol. Altnickol's two settings of the Sanctus, based on a Gregorian cantus firmus, are among his few works which have survived. While in the second of these compositions he chose to write a polyphonic choral setting, in the present Sanctus he allows all four voices of the choir to sing unisono, accompanied by a polyphonically treated string ensemble. In both compositions, however, he proves himself to be a contrapuntalist fully worthy of Bach's appraisal. Score and parts available separately - see item CA.2708700.
SKU: CA.2708805
ISBN 9790007200213. Key: F major. Text language: Latin.
Ultimately, he is a pupil for whom I need not feel embarrassed, wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C: Altnickol. Altnickol's two settings of the Sanctus, based on a Gregorian cantus firmus, are among his few works which have survived. While in the second of these compositions he chose to write a polyphonic choral setting, in the first Sanctus he allows all four voices of the choir to sing unisono, accompanied by a polyphonically treated string ensemble. In both compositions, however, he proves himself to be a contrapuntalist fully worthy of Bach's appraisal. Score available separately - see item CA.2708800.
SKU: CA.2708714
ISBN 9790007200206. Key: F major. Text language: Latin.
Ultimately, he is a pupil for whom I need not feel embarrassed, wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C: Altnickol. Altnickol's two settings of the Sanctus, based on a Gregorian cantus firmus, are among his few works which have survived. While in the second of these compositions he chose to write a polyphonic choral setting, in the present Sanctus he allows all four voices of the choir to sing unisono, accompanied by a polyphonically treated string ensemble. In both compositions, however, he proves himself to be a contrapuntalist fully worthy of Bach's appraisal. Score and part available separately - see item CA.2708700.
SKU: CA.2708713
ISBN 9790007200190. Key: F major. Text language: Latin.
SKU: CA.2708712
ISBN 9790007200183. Key: F major. Text language: Latin.
SKU: CA.2708711
ISBN 9790007200176. Key: F major. Text language: Latin.
SKU: CA.3123705
ISBN 9790007103330. Key: C major. Language: Latin.
SKU: CA.3530300
ISBN 9790007052393. Key: D major. Language: German/Latin.
From the music library of Johann Sebastian Bach.
SKU: CA.3123709
ISBN 9790007211103. Key: C major. Language: Latin.
SKU: MN.56-0075
UPC: 688670220784. Latin.
This mass setting was commissioned by the Friends of Christ Church Cathedral, Oxford and first performed on Ascension Sunday, 1994. Suitable for both church and concert use, the music is both lyrical and dramatic. The ââ¬ÅSanctusâ â¬Â begins quietly, with divided sopranos trading off on a major second in a mysterious and meditative way. Parts add and build until the basses enter with a cantus firmus of sorts. The major second continues to figure prominently in the ensuing material. The movement ends with a simple melody repeated in unison (ââ¬ÅHosanna in excelsisââ¬Â) fading away into the distance. Duration 3:55.
SKU: CA.3123250
ISBN 9790007103286. Key: D major. Language: Latin.
Score available separately - see item CA.3123200.