Scenes And Arias

SKU: BT.PMC3904

Arias from Sumeida's Song, an Opera in 3 Scenes.

SKU: FL.FX073679

A beautiful arrangement of the greatest opera arias for young trombone quartet: Rinaldo Aria, The Magic Flute, La Donna e Mobile, Turandot, Carmen. Don't miss it! ; Instruments: 3 Trombones 1 Bass Trombone; Difficuly Level: Grade 3.

SKU: HL.48010089

UPC: 073999935097. 9.25x12.25x0.243 inches.

Voice and Keyboard.

SKU: HL.49041679

ISBN 9783254080233. Italian - German.

Having composed five operas in the 1850s, Verdi, while looking for a suitable libretto, came across a manuscript of Eugene Scribe which had already been the subject of works by other composers. Although the political aspect only played a minor role in the plot, the censor's office demanded that the locale be moved outside Europe. The world premiere in Rome on 17 February 1859 was a huge triumph for Verdi and 'Un Ballo in Maschera' with is brilliant arias and effective choral scenes.Kurt Pahlen juxtaposes the Italian text with the translation of the libretto frequently used at German theatres, adding information on the compositional structure and context to the musical as well as external and internal dramatic action of the opera. A short synopsis and a brief outline of the genesis bring the work into relation with the composer's entire oeuvre and life, thus offering a comprehensive, richly illustrated introduction.

SKU: BA.BA04050

ISBN 9790006443598. 33 x 26 cm inches. Language: German. Text: Feustking, Friedrich Christian.

“A lmira”, Handel’s first opera, was well received when premiered in 1705 at the Theater am Gänsemarkt in Hamburg. The director was Reinhard Keiser, who, remarkably, had himself already set Friedrich Christian Feustking’s text to music. The role of Fernando was sung by Johann Mattheson. The translation used by Handel leaves several Italian arias in their original language, resulting in a delightful mixture of German and Italian.

The opera which, after sundry entangled romances, ends in the wedding of three couples, is characterised by exuberant scenes: the procession at Almira’s crowning ceremony, a duel, a prison scene and a masked-ball involving the three continents Europe, Africa and Asia.

The vocal score to “Almira” by George Frideric Handel brings about a small sensation: Whilst conducting a reenactment of this work in 1732, Georg Philipp Telemann removed the Aria no. 28 “Ingrato, spietato” from his conducting score. Since then this aria has been deemed lost. Due to necessity only the edited vocal text devoid of any music was presented in the 1994 volume of the “Halle Handel Edition”.
Thanks to a recently discovered contemporary manuscript copy from the beginning of the 18th century which was found in the music library of the Mariengymnasium in Jever, this aria has now been made available to performers for the first time in this new vocal score edition. Previous to this the corresponding pages could only be seen as a facsimile in an article of the “Göttinger Händel-Beiträgeâ� �.
Now the aria can be performed again. Furthermore, with the help of this new source, missing measures in the basso continuo which had initially been completed by the editor of the “Halle Handel Edition” volume, could be reconstructed from the basso continuo part of the Bellante aria “Ich brenne zwar” (no. 71).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding