Scenes III

SKU: HL.14015603

ISBN 9788759858882. 8.25x11.75x0.112 inches.

Work for Violin and Piano by Jeno Hubay.

SKU: BR.PB-5545-07

ISBN 9790004213551. 6.5 x 9 inches.

The question Why add music to such perfect poetry? preoccupied Schumann long and intensively. His first compositional approach to Goethes Faust began in 1844, but it was not until 1851 that he finally completed the Scenes. At Liszts suggestion, Schumann added an overture in 1853, a symphonic instrumental introduction which atmospherically evokes the action of the Scenes but has no direct thematic reference to them. As an independent overture, the work has been played relatively rarely in concert halls to this day; the general prejudice towards Schumanns late works was no doubt partly responsible for this. The first Urtext edition of the overture was based on the autograph score that was revised by Schumann and served as the principal source. It should give new impulses to the future reception of this work which Paul Dukas hailed as a miracle, from beginning to end.

The Faust Overture in its First Urtext Edition.

SKU: BR.OB-5362-27

The Faust Overture in its First Urtext Edition

ISBN 9790004341452. 10 x 12.5 inches.

The question Why add music to such perfect poetry? preoccupied Schumann long and intensively. His first compositional approach to Goethes Faust began in 1844, but it was not until 1851 that he finally completed the Scenes. At Liszts suggestion, Schumann added an overture in 1853, a symphonic instrumental introduction which atmospherically evokes the action of the Scenes but has no direct thematic reference to them. As an independent overture, the work has been played relatively rarely in concert halls to this day; the general prejudice towards Schumanns late works was no doubt partly responsible for this. The first Urtext edition of the overture was based on the autograph score that was revised by Schumann and served as the principal source. It should give new impulses to the future reception of this work which Paul Dukas hailed as a miracle, from beginning to end.

The Faust Overture in its First Urtext Edition.

SKU: BR.OB-5362-15

The Faust Overture in its First Urtext Edition

ISBN 9790004341414. 10 x 12.5 inches.

The question Why add music to such perfect poetry? preoccupied Schumann long and intensively. His first compositional approach to Goethes Faust began in 1844, but it was not until 1851 that he finally completed the Scenes. At Liszts suggestion, Schumann added an overture in 1853, a symphonic instrumental introduction which atmospherically evokes the action of the Scenes but has no direct thematic reference to them. As an independent overture, the work has been played relatively rarely in concert halls to this day; the general prejudice towards Schumanns late works was no doubt partly responsible for this. The first Urtext edition of the overture was based on the autograph score that was revised by Schumann and served as the principal source. It should give new impulses to the future reception of this work which Paul Dukas hailed as a miracle, from beginning to end.

The Faust Overture in its First Urtext Edition.

SKU: BR.OB-5362-16

The Faust Overture in its First Urtext Edition

ISBN 9790004341421. 10 x 12.5 inches.

The question Why add music to such perfect poetry? preoccupied Schumann long and intensively. His first compositional approach to Goethes Faust began in 1844, but it was not until 1851 that he finally completed the Scenes. At Liszts suggestion, Schumann added an overture in 1853, a symphonic instrumental introduction which atmospherically evokes the action of the Scenes but has no direct thematic reference to them. As an independent overture, the work has been played relatively rarely in concert halls to this day; the general prejudice towards Schumanns late works was no doubt partly responsible for this. The first Urtext edition of the overture was based on the autograph score that was revised by Schumann and served as the principal source. It should give new impulses to the future reception of this work which Paul Dukas hailed as a miracle, from beginning to end.

The Faust Overture in its First Urtext Edition.

SKU: HL.288108

Three Scenes for Percussion and Six Instruments (2009) by Per Norgard. Preface / Program Note: The perpetrator soloist is the continuous figure and protagonist in the three scenes of the music. The term scene can be understood as ambiguous, both as the physical place, the platform where you perform and play music and drama - and as the term of narrative course and section in a dramatic performance. My musical scenes unfold in three different stage performances and ensembles. The first stage is characterized by discrete and melodic instruments, vibraphone and marimba, with counterplay from the three riders. In the second stage, the spotlight is on the butcher soloist alone; we meet the protagonist / soloist in a monologue, performed mainly on singing saw, which is intended to treat the utmost microton precision. We also hear the soloist playing at Kalimba, also a popular instrument, but now with African background - unlike the domestic courthouse's musical saw - an often-heard soundtrack from the childhood comrade at Norrebro. In the third stage there is a fan trio, which initially plays up to the impactor's various powerful drums. After a drum cadence, all seven music ends together for the first time. The work ends with a short sleigh solo.

SKU: BR.OB-5362-23

The Faust Overture in its First Urtext Edition

ISBN 9790004341445. 10 x 12.5 inches.

The question Why add music to such perfect poetry? preoccupied Schumann long and intensively. His first compositional approach to Goethes Faust began in 1844, but it was not until 1851 that he finally completed the Scenes. At Liszts suggestion, Schumann added an overture in 1853, a symphonic instrumental introduction which atmospherically evokes the action of the Scenes but has no direct thematic reference to them. As an independent overture, the work has been played relatively rarely in concert halls to this day; the general prejudice towards Schumanns late works was no doubt partly responsible for this. The first Urtext edition of the overture was based on the autograph score that was revised by Schumann and served as the principal source. It should give new impulses to the future reception of this work which Paul Dukas hailed as a miracle, from beginning to end.

The Faust Overture in its First Urtext Edition.

SKU: BR.OB-5362-19

The Faust Overture in its First Urtext Edition

ISBN 9790004341438. 10 x 12.5 inches.

The question Why add music to such perfect poetry? preoccupied Schumann long and intensively. His first compositional approach to Goethes Faust began in 1844, but it was not until 1851 that he finally completed the Scenes. At Liszts suggestion, Schumann added an overture in 1853, a symphonic instrumental introduction which atmospherically evokes the action of the Scenes but has no direct thematic reference to them. As an independent overture, the work has been played relatively rarely in concert halls to this day; the general prejudice towards Schumanns late works was no doubt partly responsible for this. The first Urtext edition of the overture was based on the autograph score that was revised by Schumann and served as the principal source. It should give new impulses to the future reception of this work which Paul Dukas hailed as a miracle, from beginning to end.

The Faust Overture in its First Urtext Edition.