Génère des sous-harmoniques pour plus de graves et un son puissant sur jusqu'à 4 bandes configurables individuellement- Filtre global à pente plate pour limiter la plage de fréquence traitée- Graphique interactif pour régler le niveau de la bande de fréquence, la fréquence médium et la lar...(+)
Génère des sous-harmoniques pour plus de graves et un son puissant sur jusqu'à 4 bandes configurables individuellement- Filtre global à pente plate pour limiter la plage de fréquence traitée- Graphique interactif pour régler le niveau de la bande de fréquence, la fréquence médium et la largeur de bande- Fonction Solo par bande pour surveiller le signal sous-grave généré- Contrôle Drive pour ajouter des harmoniques avec 3 caractéristiques différentes- Compresseur intégré avec affichage de réduction de niveau et contrôle de gain pour plus de cohésion et de contrôle du signal généré- Sections d'effets individuelles chacune avec une option Bypass pour une comparaison A/B ciblée- Indicateurs et commandes de niveau d'entrée et de sortie- Gestion des préréglages et comparaison A/B indépendantes de la plateforme- Prise en charge Undo/Redo
Dynamic equaliser with five fully parametric bands- Edge bands with switchable shelf characteristics- Per band adjustable compressor / expander with adjustable control times, threshold and gain as well as switchable control characteristics- Colour control uses a specific set of filters to boost the ...(+)
Dynamic equaliser with five fully parametric bands- Edge bands with switchable shelf characteristics- Per band adjustable compressor / expander with adjustable control times, threshold and gain as well as switchable control characteristics- Colour control uses a specific set of filters to boost the harmonic and sub-harmonic frequencies per band- Distortion control simulates classic triode tube saturation for each band- Input with low-pass and high-pass filters- A/B switching for quick comparison of different settings
Lee Filter Roll Zircon 803; 80 Zircon Minus Green 3; Longer life filter for use by photographers to remove tint green casts produced by some LEDs; Size: 3,05 x 1,2 m; longer life span (200x), when used with LED lighting, in comparison with standard filters; Double thickness (180 micron);
Visualisation of the correlation between loudness and dynamics- Selectable references for matching loudness to the requirements of different platforms- Comparison with a common dynamic range of different music styles- Use of own reference tracks- Cross-track use and evaluation within a project- Leve...(+)
Visualisation of the correlation between loudness and dynamics- Selectable references for matching loudness to the requirements of different platforms- Comparison with a common dynamic range of different music styles- Use of own reference tracks- Cross-track use and evaluation within a project- Level Check provides assistance in reaching the set reference values- Histograms of the measured loudness and dynamic values
Eventide MicroPitch Immersive (ESD); immersive pitch shifter plugin; classic spreading effect extended to current multi-channel formats derived from the famous Harmonizer series; two voices of pitch shifting -50 cents respectively +50 cents detuning and up to 2 seconds of delay per voice; versatile ...(+)
Eventide MicroPitch Immersive (ESD); immersive pitch shifter plugin; classic spreading effect extended to current multi-channel formats derived from the famous Harmonizer series; two voices of pitch shifting -50 cents respectively +50 cents detuning and up to 2 seconds of delay per voice; versatile Detune options for different channel pairings; enables slapback effects due to longer delay times; modulation capabilities for chorus-like effect; Morph control allows to blend seamlessly between two effect setting; Freeze, Kill Wet and Kill Dry buttons enable drastic effect changes; syncable Predelay and Loop Delay up to 2000 ms; reverb tail with adjustable modulation; supports Mono, Stereo, LCR, Quadraphonic, 5.0 5.1.4, 7.0 7.1.6, and 9.0.4 9.1.6 channel layouts; easy-to-use UI optimized for immersive workflows using the same core controls for all channel layouts; transparent signal processing ensure always the same sounds across all channel layouts, and always maintains incoming spatial image integrity; resizable GUI with Undo/Redo and A/B comparison; 40 presets for an instant start
Newfangled Audio Punctuate (ESD); transient shaper plugin; multi-band transient modulator allows to control the transients on 26 bands, based on the critical bands in the human ear; enables the frequency-related emphasis or attenuation of transients in complex signals such as complete mixes, groups ...(+)
Newfangled Audio Punctuate (ESD); transient shaper plugin; multi-band transient modulator allows to control the transients on 26 bands, based on the critical bands in the human ear; enables the frequency-related emphasis or attenuation of transients in complex signals such as complete mixes, groups or microphone tracks; Adaptive Transient slider allows bands to work independently or smoothes them for more natural processing; transient control for each band as well as global Transient Emphasis slider to scale the overall processing; Transient Length and Adaptive Transient Length controls allow to fine tune the transient length; Scrolling meter display shows the transient modulation in each band; Mix control for parallel processing; Solo feature allows to listen to single bands; independent input and output levels; Input and Output metering visualize peak and RMS levels; Delta Listen Mode allows to hear the effect signal only; A/B comparison and multi level undo / redo feature
SSL Meter (ESD); metering plugin; an essential set of metering tools to evaluate level and consistency of audio signals, identify audio problems efficiently etc.; true peak and RMS levels as well as K-System metering; classic "digital" metering as well as "analogue" VU and PPM meters; stereo ba...(+)
SSL Meter (ESD); metering plugin; an essential set of metering tools to evaluate level and consistency of audio signals, identify audio problems efficiently etc.; true peak and RMS levels as well as K-System metering; classic "digital" metering as well as "analogue" VU and PPM meters; stereo balance bar and phase correlation meter as well as Lissajous phase scope; 31-band real time analyser; advanced settings panel allows to fully customize the configuration; full integration with the SSL 360° Plug-in Mixer; resizable user interface; cross-platform preset management and A/B settings comparison; Undo / Redo support
Newfangled Audio Saturate (ESD); saturation plugin; Spectral Clipper with up to 24 dB overdrive while maintaining the tonal balance; suitable to process single tracks, busses or the entire mix; allows to smoothly adjust from the softest to the hardest possible clipping shape; many in-depth tweaking ...(+)
Newfangled Audio Saturate (ESD); saturation plugin; Spectral Clipper with up to 24 dB overdrive while maintaining the tonal balance; suitable to process single tracks, busses or the entire mix; allows to smoothly adjust from the softest to the hardest possible clipping shape; many in-depth tweaking options to in order to precisely adjust the sound; Saturation Curve Display and Meter to show how the signal is hitting the selected clipping shape; independent input and output levels, with auto output level scaling; Input and Output metering visualize peak and RMS levels; Delta Listen Mode allows to hear the effect signal only; A/B comparison and multi level undo/redo feature
Compressor inspired by classic analogue hardware with a wide tonal range from gentle compression with saturation to heavy brickwall limiting- 10 Ratios with individual compression curves, each with its own characteristics and timbre- Drive function for colour and gentle warmth- Blitz! mode overwrite...(+)
Compressor inspired by classic analogue hardware with a wide tonal range from gentle compression with saturation to heavy brickwall limiting- 10 Ratios with individual compression curves, each with its own characteristics and timbre- Drive function for colour and gentle warmth- Blitz! mode overwrites the current ratio with the familiar all-buttons-in mode for brickwall limiting- The transients control delays the initial attack phase of transient-rich signals, similar to older analogue compressors at the load limit- Sidechain with filters and monitoring function- Mix control allows parallel compression- Auto-gain function keeps the level consistent with the threshold and compression ratio- Input and output level meters- Platform-independent preset management and A/B comparison- Undo / redo support
Three-band summing and mastering compressor- Based on the legendary SSL bus compressor- Adds cohesion, punch and punch to the mix without compromising transparency- Complete parameter set per band for detailed processing incl. the popular auto-release function- Parameter link function for simultaneo...(+)
Three-band summing and mastering compressor- Based on the legendary SSL bus compressor- Adds cohesion, punch and punch to the mix without compromising transparency- Complete parameter set per band for detailed processing incl. the popular auto-release function- Parameter link function for simultaneous editing of selected bands- 4K circuit-inspired Drive parameter per band adds warmth and character as needed- Comprehensive side-chain settings and monitoring options for each band- Input and output level meters and controls- Platform-independent preset management and A/B comparison- Undo / Redo support- Scalable user interface
Careful emulation of the legendary 1176 compressor / limiter in the three different versions Rev A, Rev E and Rev AE- Replication of the entire circuit layout including transformers, FET and other transistor stages for lively sound- All-buttons and no-ratio modes for varied, overdriven sound structu...(+)
Careful emulation of the legendary 1176 compressor / limiter in the three different versions Rev A, Rev E and Rev AE- Replication of the entire circuit layout including transformers, FET and other transistor stages for lively sound- All-buttons and no-ratio modes for varied, overdriven sound structures- 1176 Rev A "Bluestripe" represents the original Putnam FET limiter design, complete with its higher distortion and unique FET gain amplifier characteristics- 1176 Rev E "Blackface" corresponds to the low-noise era of the 1176 circuit from the early 1970s with more straightforward compression behaviour, transistor gain and changed program dependency- 1176AE "Anniversary Edition" is the same as the rare 1176 40th- Anniversary Edition with the "Hot-Rod" modifications including 2:1 compression ratio and additional 10ms attack mode- In comparison to the hardware extended possibilities with parallel compression- Sidechain filter and adjustable headroom- Numerous artist presets
SSL X-DynEQ (ESD); equalizer plugin; versatile dynamic 24-band fully parametric equalizer, featuring SSL Anti-Cramping EQ technology; optional HQ mode provide a high-accuracy EQ response; 20 different types of EQs and filter from Notch and Bandpass to Tilt-EQ and cut filters to bell shapes as well a...(+)
SSL X-DynEQ (ESD); equalizer plugin; versatile dynamic 24-band fully parametric equalizer, featuring SSL Anti-Cramping EQ technology; optional HQ mode provide a high-accuracy EQ response; 20 different types of EQs and filter from Notch and Bandpass to Tilt-EQ and cut filters to bell shapes as well as high and low shelf filters; all bands feature a comprehensive set of parameters for detailed adjustment of the signal behaviour as well as extended sidechain settings per band; Stereo, Left / Right and Mid / Side spatial processing options as well as individual solo and bypass per band; Piano Roll view to visualise and navigate the filter cutoffs and center frequencies aligned with musical tones; intuitive Node-based Interface with drag and move graphic, mouse wheel and numeric editing; inclusion of Phase and Step response graphs to show the effect of EQ processing; real-time FFT analysis display as well input and output level metering; seamlessly translates presets from X-EQ 2, A/B settings comparison and Undo / Redo support
Lee Filter Roll Zircon 804; 804 Zircon Minus Green 4; Longer life filter for use by photographers to remove tint green casts produced by some LEDs; Size: 3,05 x 1,2 m; longer life span (200x), when used with LED lighting, in comparison with standard filters; Double thickness (180 micron);
Consisting of Sonible true:balance and true:level- Allows the estimation of the spectral balance of mixes- true:level analysis of the input signal and display of the average spectral distribution- Visualisation of average levels in bass, midrange and treble relative to a selected reference- Target i...(+)
Consisting of Sonible true:balance and true:level- Allows the estimation of the spectral balance of mixes- true:level analysis of the input signal and display of the average spectral distribution- Visualisation of average levels in bass, midrange and treble relative to a selected reference- Target indicators show the matches to the reference track- Display of stereo width and correlation by frequency range as well as for the overall signal- Visualisation of the correlation of loudness and dynamics- Selectable references for matching loudness to the requirements of different platforms- Comparison with common dynamic range of different music styles- Use of own reference tracks- Cross-track use and evaluation within a project- Level Check provides assistance in reaching the set reference values- Histograms of the measured loudness and dynamic values
Creative tool for producers, DJs, beatmakers etc.- Developed in collaboration with Scott Storch- Different sections for filters, effects and autofilters- Different filter characteristics with selectable slope steepness- Five selectable effects: Verb, Chorus, Saturation, Spread and Phase- Cutoff and ...(+)
Creative tool for producers, DJs, beatmakers etc.- Developed in collaboration with Scott Storch- Different sections for filters, effects and autofilters- Different filter characteristics with selectable slope steepness- Five selectable effects: Verb, Chorus, Saturation, Spread and Phase- Cutoff and resonance controls linked to effect macros- Auto filter with six waveforms for modulation and DAW synchronisation- Undo and redo function- A/B comparison function- Numerous factory presets by Scott Storch
Four carefully selected effects for editing guitar sounds- Universal tool for processing electric and acoustic guitars as well as basses- Quick adjustment of compression, EQ and tube distortion- Drive module offers two classic tube amps for guitar and bass with adjustable overdrive and gain compensa...(+)
Four carefully selected effects for editing guitar sounds- Universal tool for processing electric and acoustic guitars as well as basses- Quick adjustment of compression, EQ and tube distortion- Drive module offers two classic tube amps for guitar and bass with adjustable overdrive and gain compensation as well as boost, punch, edge and shape parameters for sound customisation- Phase Correction module serves as a simple and intuitive processor for correcting phase problems, e.g. between guitar amp and DI recordings with different modes, adjustable delay and phase invert, correlation display as well as all-pass filter- High-pass filter with 24 dB / oct. slope at input- EQ module features simplified three-band EQ with asymmetric low gain, pre/post switching and auto listen function- Input and output level meters- Platform-independent preset management and A/B comparison- Undo / redo support
Eventide Blackhole Immersive (ESD); immersive reverb effect plugin; reverb effect for immersive, Dolby Atmos, and surround workflows that offers extraordinary sounds; powerful and flexible reverberation algorithm allow to create spaces from subtle ambience all the way up to supernatural decays and d...(+)
Eventide Blackhole Immersive (ESD); immersive reverb effect plugin; reverb effect for immersive, Dolby Atmos, and surround workflows that offers extraordinary sounds; powerful and flexible reverberation algorithm allow to create spaces from subtle ambience all the way up to supernatural decays and drones; especially suitable for guitars sounds from outer space, pad sounds, abstract spatial effects; Morph control allows to blend seamlessly between two effect setting; unique Gravity control reverses the arrow of time by inverting the reverb's decay; Freeze button for endless reverbs; Kill Wet and Kill Dry buttons enable dramatic effect changes; syncable Predelay and Loop Delay up to 2000 ms; reverb tail with adjustable modulation; supports Mono, Stereo, LCR, Quadraphonic, 5.0 5.1.4, 7.0 7.1.6, and 9.0.4 9.1.6 channel layouts; easy-to-use UI optimized for immersive workflows using the same core controls for all channel layouts; transparent signal processing ensure always the same sounds across all channel layouts, and always maintains incoming spatial image integrity; resizable GUI with Undo/Redo and A/B comparison; 150 presets for an instant start
Détecte précisément les frappes dans les enregistrements d'instruments de percussion individuels ainsi que dans les sessions de percussions mixées- Offre 4 modulateurs : LFO, suiveur de niveau, enveloppe ADSR et détecteur de Pitch ou de randomisation- Offre la possibilité de remplacer complèt...(+)
Détecte précisément les frappes dans les enregistrements d'instruments de percussion individuels ainsi que dans les sessions de percussions mixées- Offre 4 modulateurs : LFO, suiveur de niveau, enveloppe ADSR et détecteur de Pitch ou de randomisation- Offre la possibilité de remplacer complètement ou de mélanger les vitesses avec des échantillons existants- Avec niveleur de batterie intégré pour le montage des performances live- Système de mesure complet pour le retour d'information visuel comme l'entrée, la sortie, la largeur stéréo, le volume sonore, etc- Fonction d'entrée et d'apprentissage MIDI- Avec fonction d'écoute pour entendre séparément le signal filtré- Avecc une bibliothèque d'échantillons, de multi-échantillons, de rythmes, de batteries et de boucles (téléchargement)- Avec des paramètres et des outils utiles tels que la compensation automatique de gain, limiteur Brickwall et une interface utilisateur personnalisable- Options de comparaison A/B complètes
Jusqu'à 4 amplificateurs de guitare et 2x2 baffles connectés à une source de signal- Comparaison sonore directe 1:1 des amplificateurs et baffles connectés sans distorsion du signal- Commutation passive avec relais- Convient pour tous les amplificateurs (lampe / transistor)- 4 entrées : jack 6,...(+)
Jusqu'à 4 amplificateurs de guitare et 2x2 baffles connectés à une source de signal- Comparaison sonore directe 1:1 des amplificateurs et baffles connectés sans distorsion du signal- Commutation passive avec relais- Convient pour tous les amplificateurs (lampe / transistor)- 4 entrées : jack 6,3 mm- 4 sorties pour enceinte amplifiée : jack 6,3 mm- 4 sorties baffle (2 x 2) : jack 6,3 mm- Sortie esclave 1:1 pour l'enregistrement- Alimentation électrique intégrée 230 V- Format rack 19" - 1U- Dimensions (L x H x P) : 480 x 45 x 120 mm- Poids : 1,5 kg
Outil créatif pour producteurs, DJs, beatmakers, etc.- Développé en collaboration avec Murda Beatz- 8 contrôles d'effets : modulation, saturation, réverbération, rythme, clarté, ice, synchronisation, délai, etc. Delays et Reverse- Fonction Bypass par contrôle d'effet- Fonction Pitch Shift e...(+)
Outil créatif pour producteurs, DJs, beatmakers, etc.- Développé en collaboration avec Murda Beatz- 8 contrôles d'effets : modulation, saturation, réverbération, rythme, clarté, ice, synchronisation, délai, etc. Delays et Reverse- Fonction Bypass par contrôle d'effet- Fonction Pitch Shift et Pitch Jitter sur 4 octaves- Filtres passe-haut et passe-bas avec fonction Bypass et Link- Contrôle Spread pour manipuler la largeur stéréo- Régulateur Amount pour contrôler et mélanger la part d'effet et les signaux décalés en hauteur pour les effets d'harmonisation- Régulateur d'effet Wobble pour un effet classique de disque vinyle ou Wow & Flutter- Fonction Global Bypass- Fonction Undo et Redo- Fonction de comparaison A/B- Avec plus de 50 préréglages d'usine