Second to

SKU: HL.14028681

UPC: 884088810481. 8.5x11.0x0.094 inches.

Composer's Note Second Meeting was written in January 1992. The first performance took place in Stockholm in February (Bengt Rosengren, oboe and Stefan Bojsten, piano). The work belongs to a planned series of virtuoso duos, “meetingsÃ� �€. The first one (from 1982) is written for clarinet and harpsichord. Formally, Second Meeting is very close to a familiar “theme and variations” category, although there are seven themes, or melodies, all quite closely related. In the autumn of the same year I decided to write a version of the piece for oboe and a small orchestra, trying to remain reasonably faithful to the original (a la Ravel, perhaps). The orchestral version is called Mimo 1). Esa-Pekka Salonen.

SKU: BT.AMP-417-140

English-German-French- Dutch.

Second to None is a perfectly suitable title for this work, though it actually refers to “Nulli Secundus”, the motto of the British Corps of Army Music, who gave the commission to Philip Sparke. The piece opens with a fanfare, followed by two short quotes from two of the Corp’s own marches and a festive Vivace. A more legato central section creates a nice contrast before the work closes with the opening fanfare. A perfect affair!

De titel Second to None past heel goed bij dit werk, maar verwijst eigenlijk naar ‘Nulli Secundus’, het motto van British Army Corps of Music, het orkest dat Philip Sparke de opdracht voor dit werk gaf. Second to None opent met een fanfare. Daarna volgen twee korte citaten uit twee van de eigen marsen van het orkest en een feestelijke Vivace. Een meer legato deel creëert een mooi contrast voordat het werk wordt afgesloten met de openingsfanfare. Van begin tot einde prachtig!

Secon d to None (Unübertroffen“) wurde zum 20-jährigen Jubiläum der britischen Armee komponiert. Das feierliche Werk honoriert die musikalische Tradition des Corps, indem es auf einige seiner eigenen berühmten Märsche, wie beispielsweise The Corps of Army Music Slow March (Greg Machin) und The Music Makers (Ian Mitchell), anspielt. Second to None kann auch in einer kürzeren Fassung gespielt werden und ist ein ideales Erönungsstück für jedes festliche Konzert.

Second to None est un titre qui convient parfaitement ce morceau, même s’il fait en fait référence « Nulli Secundus », la devise du British Corps of Army Music, l'orchestre qui a fait la commande auprès de Philip Sparke. La pièce commence par une fanfare, suivie de deux citations courtes de deux de leurs propres marches, et un Vivace festif. Une section plus legato crée un beau contraste avant la fin où la fanfare du début est répétée. Parfait !

Second to None (Secondo a nessuno) è un titolo perfetto per questo lavoro, anche se in realt si riferisce a “Nulli Secundus”, il motto del British Corps of Army Music, che lo ha commissionato a Philip Sparke. Il brano si apre con una fanfara, seguita da due brevi citazioni, prese da due delle marce del Corpo e da un gioioso Vivace. Una sezione centrale, che da più spazio al legato, crea un piacevole contrasto con la fanfara iniziale prima della chiusura del brano. Un connubio perfetto!

SKU: BT.AMP-417-010

English-German-French- Dutch.

Second to None is a perfectly suitable title for this work, though it actually refers to “Nulli Secundus”, the motto of the British Corps of Army Music, who gave the commission to Philip Sparke. The piece opens with a fanfare, followed by two short quotes from two of the Corp’s own marches and a festive Vivace. A more legato central section creates a nice contrast before the work closes with the opening fanfare. A perfect affair!

De titel Second to None past heel goed bij dit werk, maar verwijst eigenlijk naar ‘Nulli Secundus’, het motto van British Army Corps of Music, het orkest dat Philip Sparke de opdracht voor dit werk gaf. Second to None opent met een fanfare. Daarna volgen twee korte citaten uit twee van de eigen marsen van het orkest en een feestelijke Vivace. Een meer legato deel creëert een mooi contrast voordat het werk wordt afgesloten met de openingsfanfare. Van begin tot einde prachtig!

Secon d to None (Unübertroffen“) wurde zum 20-jährigen Jubiläum der britischen Armee komponiert. Das feierliche Werk honoriert die musikalische Tradition des Corps, indem es auf einige seiner eigenen berühmten Märsche, wie beispielsweise The Corps of Army Music Slow March (Greg Machin) und The Music Makers (Ian Mitchell), anspielt. Second to None kann auch in einer kürzeren Fassung gespielt werden und ist ein ideales Erönungsstück für jedes festliche Konzert.

Second to None est un titre qui convient parfaitement ce morceau, même s’il fait en fait référence « Nulli Secundus », la devise du British Corps of Army Music, l'orchestre qui a fait la commande auprès de Philip Sparke. La pièce commence par une fanfare, suivie de deux citations courtes de deux de leurs propres marches, et un Vivace festif. Une section plus legato crée un beau contraste avant la fin où la fanfare du début est répétée. Parfait !

Second to None (Secondo a nessuno) è un titolo perfetto per questo lavoro, anche se in realt si riferisce a “Nulli Secundus”, il motto del British Corps of Army Music, che lo ha commissionato a Philip Sparke. Il brano si apre con una fanfara, seguita da due brevi citazioni, prese da due delle marce del Corpo e da un gioioso Vivace. Una sezione centrale, che da più spazio al legato, crea un piacevole contrasto con la fanfara iniziale prima della chiusura del brano. Un connubio perfetto!

SKU: LM.25422

ISBN 9790230954228.

Chro matismes retournes - Autour d'une septieme diminuee - Sixtes mineures et quartes justes - Secondes et tierces mineures - Seriel - Secondes majeures et neuviemes mineures.

SKU: HL.14017990

ISBN 9780711992801.

Five pieces of progressive difficulty for 4-hands at one piano! It can be used in conjunction with the Second Album and Third Album books of the Modern Course For Beginners or as supplementary material for other methods. The Primo and Secondo are of similar difficulty so can be played by pupils of the same level who are encouraged to learn both parts.

SKU: BT.AMP-417-130

English-German-French- Dutch.

Second to None is a perfectly suitable title for this work, though it actually refers to “Nulli Secundus”, the motto of the British Corps of Army Music, who gave the commission to Philip Sparke. The piece opens with a fanfare, followed by two short quotes from two of the Corp’s own marches and a festive Vivace. A more legato central section creates a nice contrast before the work closes with the opening fanfare. A perfect affair!

De titel Second to None past heel goed bij dit werk, maar verwijst eigenlijk naar ‘Nulli Secundus’, het motto van British Army Corps of Music, het orkest dat Philip Sparke de opdracht voor dit werk gaf. Second to None opent met een fanfare. Daarna volgen twee korte citaten uit twee van de eigen marsen van het orkest en een feestelijke Vivace. Een meer legato deel creëert een mooi contrast voordat het werk wordt afgesloten met de openingsfanfare. Van begin tot einde prachtig!

Secon d to None (Unübertroffen“) wurde zum 20-jährigen Jubiläum der britischen Armee komponiert. Das feierliche Werk honoriert die musikalische Tradition des Corps, indem es auf einige seiner eigenen berühmten Märsche, wie beispielsweise The Corps of Army Music Slow March (Greg Machin) und The Music Makers (Ian Mitchell), anspielt. Second to None kann auch in einer kürzeren Fassung gespielt werden und ist ein ideales Eröffnungsstück für jedes festliche Konzert.

Second to None est un titre qui convient parfaitement ce morceau, même s’il fait en fait référence « Nulli Secundus », la devise du British Corps of Army Music, l'orchestre qui a fait la commande auprès de Philip Sparke. La pièce commence par une fanfare, suivie de deux citations courtes de deux de leurs propres marches, et un Vivace festif. Une section plus legato crée un beau contraste avant la fin où la fanfare du début est répétée. Parfait !

Second to None was composed for the celebration of the 20th anniversary of the British Army Corps. Paying tribute to the musical tradition of the Corps, this celebratory work refers to some of its own famous marches like The Corps of ArmyMusic Slow March (Greg Machin) and The Music Makers (Ian Mitchell). Second to None - which can also be played in a shorter version - is an ideal opener for any festive concert.

SKU: BT.AMP-417-030

English-German-French- Dutch.

Second to None is a perfectly suitable title for this work, though it actually refers to “Nulli Secundus”, the motto of the British Corps of Army Music, who gave the commission to Philip Sparke. The piece opens with a fanfare, followed by two short quotes from two of the Corp’s own marches and a festive Vivace. A more legato central section creates a nice contrast before the work closes with the opening fanfare. A perfect affair!

De titel Second to None past heel goed bij dit werk, maar verwijst eigenlijk naar ‘Nulli Secundus’, het motto van British Army Corps of Music, het orkest dat Philip Sparke de opdracht voor dit werk gaf. Second to None opent met een fanfare. Daarna volgen twee korte citaten uit twee van de eigen marsen van het orkest en een feestelijke Vivace. Een meer legato deel creëert een mooi contrast voordat het werk wordt afgesloten met de openingsfanfare. Van begin tot einde prachtig!

Secon d to None (Unübertroffen“) wurde zum 20-jährigen Jubiläum der britischen Armee komponiert. Das feierliche Werk honoriert die musikalische Tradition des Corps, indem es auf einige seiner eigenen berühmten Märsche, wie beispielsweise The Corps of Army Music Slow March (Greg Machin) und The Music Makers (Ian Mitchell), anspielt. Second to None kann auch in einer kürzeren Fassung gespielt werden und ist ein ideales Eröffnungsstück für jedes festliche Konzert.

Second to None est un titre qui convient parfaitement ce morceau, même s’il fait en fait référence « Nulli Secundus », la devise du British Corps of Army Music, l'orchestre qui a fait la commande auprès de Philip Sparke. La pièce commence par une fanfare, suivie de deux citations courtes de deux de leurs propres marches, et un Vivace festif. Une section plus legato crée un beau contraste avant la fin où la fanfare du début est répétée. Parfait !

Second to None was composed for the celebration of the 20th anniversary of the British Army Corps. Paying tribute to the musical tradition of the Corps, this celebratory work refers to some of its own famous marches like The Corps of ArmyMusic Slow March (Greg Machin) and The Music Makers (Ian Mitchell). Second to None - which can also be played in a shorter version - is an ideal opener for any festive concert.

SKU: GI.G-CD-924

THIS IS THE SECOND SET OF RECORDINGS FROM LEAD ME, GUIDE ME—SECOND EDITION It includes the CD set titled Lead Me, Guide Me—Second Edtion: HYMNS. This collection of recordings is designed to enhance the exploration of Lead Me, Guide Me—Second Edition and to be of help to parishes in the learning of new music. There are three distinct CD sets. The first, Rites, Psalms, and Service Music, contains music for the Liturgy of the Hours and rites of the church along with recordings of new and revised Mass settings. The second, Hymns, includes over 160 selections of newly composed music, recently authored texts, and lesser-known hymns and songs that are appear- ing for the first time in Lead Me, Guide Me—Second Edition. Lastly, the third CD set, Lectionary Psalms, recorded by M. Roger Holland II and a group of professional singers from New York has 48 psalms from the final section of the hymnal. These psalms use texts from The Revised Grail Psalms set by some of today’s finest African American composers. The recorded tracks in these three CD sets follow the order of the hymnal and are numbered using the actual hymnal numbers. The recordings are a compilation of tracks recorded specifically for this project and of existing tracks drawn from previous projects that are, nonetheless, fully compatible with this one. In all, we have recorded approximately 300 of the items in Lead Me, Guide Me—Second Edition.

SKU: GI.G-CD-923

SKU: LM.VV147

ISBN 9790560051475.

HAEN DEL G.F. : Sarabande - BACH J.S. : Polonaise - HAYDN F.J. : Andantino - SCHUMANN R. : Le poete parle - GRIEG E. : Arietta - Melodie Populaire - KABALEVSKI D. : Toccatina - BARTOK B. : Chanson a boire - Ronde - HINDEMITH P. : La Marche - LUMET D. : Ballade a 5/4 - DESORMIERES B. : Modulations - CHARTREUX A. : 18 images/secondes - LEVY K. : La petite plaisanterie - FLENDER D. : Rochers dans la brune.

SKU: LM.28839

ISBN 9790230988391.

Tier ces - Quintes - Sixtes - Octaves et neuviemes - Secondes - Septiemes - Quartes - Dixiemes - Onziemes.

SKU: LM.VV216

ISBN 9790560052168.

DESO RMIERES Bernard : Modulations - Opus six - CHARTREUX Annick : 18 images par secondes - FLENDER Reinhard David : Rochers dans la brume - GAGNEUX Renaud : Carillons lointains - Signal continu - LEVY Krishna : La petite plaisanterie - LUMET Dominique : Ballade en 5/4.

SKU: GI.G-CD-926

SKU: GI.G-CD-925

UPC: 785147092520.

THIS IS THE THIRD SET OF RECORDINGS FROM LEAD ME, GUIDE ME—SECOND EDITION It includes the CD set titled Lectionary Psalms. This collection of recordings is designed to enhance the exploration of Lead Me, Guide Me—Second Edition and to be of help to parishes in the learning of new music. There are three distinct CD sets. The first, Rites, Psalms, and Service Music, contains music for the Liturgy of the Hours and rites of the church along with recordings of new and revised Mass settings. The second, Hymns, includes over 160 selections of newly composed music, recently authored texts, and lesser-known hymns and songs that are appear- ing for the first time in Lead Me, Guide Me—Second Edition. Lastly, the third CD set, Lectionary Psalms, recorded by M. Roger Holland II and a group of professional singers from New York has 48 psalms from the final section of the hymnal. These psalms use texts from The Revised Grail Psalms set by some of today’s finest African American composers. The recorded tracks in these three CD sets follow the order of the hymnal and are numbered using the actual hymnal numbers. The recordings are a compilation of tracks recorded specifically for this project and of existing tracks drawn from previous projects that are, nonetheless, fully compatible with this one. In all, we have recorded approximately 300 of the items in Lead Me, Guide Me—Second Edition.