SKU: BC.310433
SKU: BT.AMP-455-010
English-German-French- Dutch.
Between 1905 and 1934, Gustav Holst was Director of Music at St Paul’s Girls School in Brook Green, London. St Paul’s Suite, written for the school’s string orchestra, was premiered there in 1913 and consists of four movements: an energetic Jig in 6/8 and 9/8, Ostinato, based on a simple 4-note theme, Intermezzo, an energetic and rhythmic dance and Finale, adapted from the Second Suite in F in which Holst brilliantly combines The Dargason and The English Dancing Master, with the traditional melody, Greensleeves.< br>Tussen 1905 en 1934 was Gustav Holst hoofddocent muziek aan de St Paul’s Girls School in Brook Green, Londen. St. Paul’s Suite, geschreven voor het strijkorkest van de school, werd in 1913 in première gebracht. Het werk bestaat uit vier delen: een energieke Jig in 6/8 en 9/8; een Ostinato, gebaseerd op en simpel motief van vier noten; een levendig, ritmische dans in het Intermezzo; en de Finale, een bewerking van de Second Suite in F, waarin Holst op briljante wijze The Dargason uit The English Dancing Master combineert met de traditionele melodie Greensleeves.< br>Gustav Holst war von 1905 bis 1934 Musikdirektor an der St Paul’s Girls’ School in Brook Green/London. Er hat die St Paul’s Suite für das Streichorchester der Schule komponiert, und sie wurde dort 1913 uraufgeführt. Die Suite besteht aus vier Sätzen: einer schwungvollen Jig im 6/8- und 9/8-Takt, dem Ostinato, das auf einem aus vier Noten bestehenden Thema basiert, dem Intermezzo, einem schwungvollen, rhythmischen Tanz, und dem Finale, das aus der Second Suite in F übernommen wurde und in dem Holst auf meisterhafte Weise The Dargason aus der Sammlung The English Dancing Master mit der traditionellen MelodieGreensleeves kombiniert. Gustav Holst était directeur de musique de 1905 et 1934 la St Paul’s Girls’ School Brook Green, Londres. La St Paul’s Suite, une composition pour l’orchestre cordes de l’école, y connut sa première en 1913 et comprend quatre mouvements : une Jig énergique en 6/8 et 9/8, Ostinato, basé sur un thème simple de quatre notes, Intermezzo, une danse dynamique et rythmique, et Finale, adapté de la Second Suite in F dans laquelle Holst combine avec brio The Dargason, tiré du English Dancing Master, avec la mélodie traditionnelle, Greensleeves.< br>Tra il 1905 e il 1934 Gustav Holst fu direttore musicale della scuola femminile di St Paul a Brook Green Londra. Qui la St Paul’s Suite, scritta per l’orchestra d’archi scolastica, fu eseguita in prima esecuzione nel 1913. Essa si compone di 4 movimenti: una Giga energica in 6/8 e 9/8, un Ostinato basato su un semplice tema di quattro note, un Intermezzo, danza vivace e ritmica e un Finale, adattamento dalla Seconda Suite in Fa nella quale Holst combina brillantemente The Dargason e The English Dancing Master con la tradizionale melodia Greensleeves.
SKU: HL.44011072
UPC: 884088646097. 9x12 inches. English-German-French-Dut ch.
Diese Suite in c-Moll zollt einem berühmten klassischen Blaserwerk Tribut - der Ersten Suite in Es-Dur von Gustav Holst von 1909 - und erscheint zu deren 100-jahrigem Jubilaum. Die viersatzige Suite erinnert an die Stilistik von Holst, enthalt aber auch charakteristische Klangidiome sowie Strukturmerkmale von Jacob de Haan. Eine erfrischende originale Komposition, inspiriert von einem durchaus nicht angestaubten Klassiker. En 1909, Gustav Holst composa une œuvre audacieuse et novatrice, la Premiere Suite en Mib Majeur, op. 28 ndeg1 (First Suite in Eb major, Op. 28, No. 1), une suite exclusivement ecrite pour instruments a vent. A l'occasion du centenaire de cette piece, devenue un classique du repertoire pour Orchestre d'Harmonie, Jacob de Haan a compose la Memorial Suite en Ut mineur. Cette composition en quatre mouvements fait reference aux qualites stylistiques de l'œuvre de Holst, tout en s'appuyant sur le langage sonore et l'ecriture caracteristiques du style de Jacob de Haan. Le resultat est original.Comme Gustav Holst, Jacob de Haan a choisi d'ouvrir sasuite avec une chaconne, une forme de variation contrapuntique (a l'origine une danse espagnole a trois temps) dans laquelle un theme revient de facon recurrente accompagne a chaque fois par un nouveau contre-chant. Ce theme ostinato est utilise de differentes manieres tout au long des quatre mouvements, assurant ainsi l'unite de l'œuvre. Le second mouvement est un scherzo. Par sa progression et son caractere, il s'apparente a l'intermezzo central de la suite de Holst. Le troisieme mouvement, Song Without Words (Chanson sans paroles), porte le meme titre que le second mouvement de la Deuxieme Suite en Fa, op. 28 ndeg 2 (Second Suite in F, Op. 28, No. 1) composee par Holst en 1911. A mi-chemin de ce mouvement tres expressif apparait un solo de saxophone alto. Jacob de Haan conclut son œuvre par une Marche comme le fit jadis Gustav Holst.
SKU: BT.DHP-0970821-070
ISBN 9789043146432.
A lilting waltz with a modern twist, taken from the composer’s JazzSuite No.2. Der durch den Geiger André Rieu bekannt gewordene Walzer in einer Bearbeitung für variables Bläserquintett. En 1938, Dimitri Chostakovitch compose la Suite pour Orchestre de Jazz n° 2. Cette suite témoigne de l’éclat et de l’esprit qui marquent l’orchestration de Chostakovitch, mais la musique ne correspond guère l’idée que l’on se fait communément du jazz. Le compositeur recourt plutôt un style qui s’apparente la musique légère. La Suite n° 2 est enracinée dans la Vienne de Johann Strauss comme en témoigne la Valse n° 2. La trascrizione del celebre Waltz tratto dalla Jazz suite n.2 di Dimitri Schostakovich, entrata nell’immaginario collettivo anche grazie al film di Kubrik Arancia meccanica.
SKU: BR.EOS-21473-19
The new conductor's score to both suites is based on the proven edition of Richard Clarke, which is already accessible as a st udy score in the Eulenburg series.
ISBN 9790004780152. 10 x 12.5 inches.
After Henrik Ibsen obtained sensational feedback for his verse drama Peer Gynt, he decided to arrange the text for stage performances as well. He requested incidental music from Edvard Grieg, who immediately assured Ibsen of his cooperation. In its new version, Peer Gynt was given its first performance in February 1876 and also scored a tremendous success. After a further revision of his music, Grieg compiled four of the most striking pieces into an orchestral suite in 1888, and repeated this procedure three years later for a second suite. The publication of the first complete score further boosted the already exceptional acclaim of the incidental music to Grieg's Peer Gynt, which takes its place today among the composer's most beloved works.Breitkopf is now releasing a new conductor's score to both suites, based on the proven edition of Richard Clarke, which is already accessible as a study score in the Eulenburg series.The new conductor's score to both suites is based on the proven edition of Richard Clarke, which is already accessible as a study score in the Eulenburg series.
SKU: BR.EOS-21473-16
ISBN 9790004780145. 10 x 12.5 inches.
SKU: BR.EOS-21473-23
ISBN 9790004780169. 10 x 12.5 inches.
SKU: BR.EOS-21473-27
ISBN 9790004780176. 10 x 12.5 inches.
SKU: BR.EOS-21473-15
ISBN 9790004780138. 10 x 12.5 inches.
SKU: BR.EOS-21473-30
ISBN 9790004780183. 10 x 12.5 inches.
SKU: BR.EOS-21474-16
The new conductor's score to both suites is based on the proven edition of Richard Clarke, which is already accessible as a study score in the Eulenburg seriesISBN 9790004780213. 10 x 12.5 inches.
After Henrik Ibsen obtained sensational feedback for his verse drama Peer Gynt, he decided to arrange the text for stage performances as well. He requested incidental music from Edvard Grieg, who immediately assured Ibsen of his cooperation. In its new version, Peer Gynt was given its first performance in February 1876 and also scored a tremendous success. After a further revision of his music, Grieg compiled four of the most striking pieces into an orchestral suite in 1888, and repeated this procedure three years later for a second suite. The publication of the first complete score further boosted the already exceptional acclaim of the incidental music to Grieg's Peer Gynt , which takes its place today among the composer's most beloved works. Breitkopf is now releasing a new conductor's score to both suites, based on the proven edition of Richard Clarke, which is already accessible as a study score in the Eulenburg series.The new conductor's score to both suites is based on the proven edition of Richard Clarke, which is already accessible as a study score in the Eulenburg series.
SKU: BR.EOS-21474-27
The new conductor's score to both suites is based on the proven edition of Richard Clarke, which is already accessible as a study score in the Eulenburg seriesISBN 9790004780244. 10 x 12.5 inches.
SKU: BR.EOS-21474-23
The new conductor's score to both suites is based on the proven edition of Richard Clarke, which is already accessible as a study score in the Eulenburg seriesISBN 9790004780237. 10 x 12.5 inches.
SKU: BR.EOS-21474-15
The new conductor's score to both suites is based on the proven edition of Richard Clarke, which is already accessible as a study score in the Eulenburg seriesISBN 9790004780206. 10 x 12.5 inches.
SKU: BR.EOS-21474-30
The new conductor's score to both suites is based on the proven edition of Richard Clarke, which is already accessible as a study score in the Eulenburg seriesISBN 9790004780251. 10 x 12.5 inches.
SKU: BR.EOS-21474-19
The new conductor's score to both suites is based on the proven edition of Richard Clarke, which is already accessible as a study score in the Eulenburg seriesISBN 9790004780220. 10 x 12.5 inches.
SKU: CY.CC3015
These TWO SUITES were composed in response to a request form Heini Schneebeli, the musical director of 'TROMBONANZA 2017'. Santa Fe in Argentina is the backdrop for this exciting annual event involving many hundreds of student and professional players. The SECOND SUITE has five movements and is intended for a quartet of younger tenor trombonists working with a teacher on the fifth part on bass trombone who will add richness and depth to the ensemble sound.It is my hope that this piece will encourage, entertain and challenge student players and provide useful concert material for use in the promotion of this unique and versatile instrument. John Frith - 2017This work is appropriate for younger performers at an intermediate level all in bass clef. The five movements total about 9 minutes in length and have the following titles:1. Latin Dance2. Ballad3. Give Me a Break!4. Bass Waltz5. Cruisin' Along (swing)
SKU: IS.BCE7276EM
ISBN 9790365072767.
Thou gh most clarinetists are more than familiar with Holst’s two suites for military band, his St. Paul’s Suite should not be overlooked. In fact, it was composed shortly after he completed the Second Suite in F and is considered the most famous piece he composed while working at the St. Paul’s Girls School from 1905-34.
SKU: HL.49010354
ISBN 9790200207613. UPC: 073999921113. 5.25x7.5x0.075 inches.
With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
SKU: BT.EMBZ13147
9x12 inches.
Frigyes Hidas (1928-2007) was the most prolific Hungarian composer for wind ensembles, and his works are the most often performed. His extremely popular folk song suites are the finest examples of Hidas's mature style. Few composers are capable of tackling folk song arrangement in a worthy manner. Bartók himself had the following to say about the challenges with which this genre confronted the 20th-century composer: 'Knowing how to deal with folk melodies is one of the most difficult tasks. I venture to claim that it is as difficult as, if not more difficult than, writing a large-scale original work This much is certain: for folk song arrangement the appropriateinspiration is just as essential as for the writing of any other kind of work.' The second suite with its recurrent structure makes use of five folk songs in a modern harmonic environment that highlights even more the beauty of the melodies. (Hungaroton HCD 31612).
SKU: BT.EMBZ13147SET
Frigyes Hidas (1928-2007) was the most prolific Hungarian composer for wind ensembles, and his works are the most often performed. His extremely popular folk song suites are the finest examples of Hidas's mature style. Few composers are capable of tackling folk song arrangement in a worthy manner. Bartók himself had the following to say about the challenges with which this genre confronted the 20th-century composer: 'Knowing how to deal with folk melodies is one of the most difficult tasks. I venture to claim that it is as difficult as, if not more difficult than, writing a large-scale original work This much is certain: for folk song arrangement the appropriateinspiration is just as essential as for the writing of any other kind of work.' The second suite with its recurrent structure makes use of five folk songs in a modern harmonic environment that highlights even more the beauty of the melodies.
SKU: CL.026-4223-01
Scott Stanton's arrangement of this classic Gustav Holst band composition now makes Holst's entire Second Suite in F available in the Build-A-Band format. Playable with any instrumentation as long as you have the four main parts covered by the instrument of your choice, the arrangement includes optional piano, guitar, mallet percussion and percussion parts. Now bands with extreme instrumentation problems or groups of very small size can experience performing this staple of the concert band repertoire. A true classic!
About Build-A-Band Series
The Build-A-Band Series provides educational and enjoyable music for bands with incomplete or unbalanced instrumentation. Written using just four or five parts (plus percussion), these effective arrangements will work with any combination of brass, woodwind, string and percussion instruments as long as you distribute the parts so that each of the five parts is covered. All of the publications in the Build-A-Band Series have been arranged to be playable with any instrumentation as long as each part is used: 1st Part, 2nd Part, 3rd Part, 4th Part, and Bass Part. (Please note: In some of these arrangements the 4th Part, and the Bass Part are the same, making it possible to play those arrangements with only 4 parts.)
SKU: HL.14008392
ISBN 9780711936942.
The story centres on the English princess Caroline Mathilde (1751-1775), sister of George III, who at the age of 15 was sent to Denmark to marry the 17-year-old eccentric and schizophrenic Danish King, Christian VII. The ballet portrays her unhappy marriage, the King's growing madness and her fatal love-affair with Struensee, the King's influential physician, which leads to their arrest, his execution and her exile, at the age of 20, separated from her two young children. In keeping with the period, and perhaps also with the traditions of Romantic ballet, the music is relatively simple in harmony and form, and most of the action is conveyed in set-piece dances. The suite, which consists essentially of the second half of Act I, begins with one of these, a bristling interplay of wind and string ensembles in D major, portraying in the ballet a curious nuptial game with the king and princess on movable pedestals. The slow music that follows has to do with the king's healing by Dr. Struensee and the new queen's unquiet reverie (oboe and cor anglais solos). Then the suite, like the act, is capped by a pair of pas-de-deux, the first savage and bizarre for the royal couple, the second rich and passionate for the queen and the miracle-working doctor. Score (miniature). Duration c. 25mins.
