SKU: CA.1819000
ISBN 9790007188337.
Now that the manuscripts of the organ sonatas have resurfaced, it has finally become possible to form an acquaintance with the major part of Giacomo Puccini's early compositions in Lucca, which until now were known only from anecdotes. The present selection with 12 works sheds light on this segment of his oeuvre, scheduled to appear in a complete single-volume scholarly edition in the Edizione Nazionale delle Opere di Giacomo Puccini (ENOGP, II/2.1).
SKU: BR.EB-8729
ISBN 9790004169490. 12 x 9 inches.
This anthology is an engrossing introduction to the organ composer Theophil Forchhammer and, with its 35 works, provides an ideal cross-section of his oeuvre. There are 18 free pieces in which Forchhammer, a contemporary of Reger, manifests his Romantic spirit; and 17 chorale settings which this new edition presents in commonly encountered keys and which do not coincide with Forchhammer's 11 chorale settings contained in hier preisen auf der Erd (EB 8628/29). A rarity - and first edition! - is the Orgelweihe (Organ Consecration) in which Forchhammer incorporates no fewer than 13 melodies from Advent to Pentecost.
SKU: HL.49019853
ISBN 9790001177726. UPC: 841886023093. 9.0x12.0x0.63 inches.
SKU: BR.EB-8604
ISBN 9790004180143. 9 x 12 inches.
Gerard Bunk worked in Dortmund and was highly esteemed as a composer and organist by such illustrious contemporaries as Sigfrid Karg-Elert, Max Reger and Albert Schweitzer. His works in the late-romantic vein fell into oblivion in the 1930s with the rise of the Baroque-oriented organ movement. This edition, with commentaries by Jan Bocker, invites us to discover three of Bunk's masterpieces.
SKU: HL.50486570
ISBN 9790080131220. 9.25x12.5x0.208 inches. Hungarian, English, German. Dezso Antalffy-Zsiross; Istvan Koloss.
The performance of these genre pieces requires extremely colourful playing on the organ. The occasional registrations and changes of manual in the manuscripts indicate that Dezso Antalffy-Zsiross stressed even the shortest musical idea, if need be, at the expense of playing with one hand on two manuals. His manner of performance was never metronom-like but shaped with munch agogic which never failed to exert a tremendous effect on his audience.
