SKU: PR.14440757S
ISBN 9781491136539. UPC: 680160689347.
Ellen Taaffe Zwilich??s Septet is the first major work written for this combination of instruments, and the pioneering process was greatly enjoyed by the composer: ??While the instrumentation of the Septet provides an almost orchestral palette, and it was interesting to explore that, I love the idea of seven artist-performers, each of whom can be a stunning virtuoso one moment and a thoughtful partner the next, and I relish the electricity that results from those shifting roles.? Septet was written for the Kalichstein-Laredo-Robinson Trio and the Miami String Quartet, to whom it is dedicated. String parts available on rental. For advanced ensembles. Duration: 24??.Writing music is a labor of love for me. My greatest joy is writing for performers whom I can be sure will not only deliver the notes accurately, but will project the meaning behind the notes. To have performers in the wings who will bring their own imagination and deep understanding to a performance is an inspiration to me. So I approached the writing of my Septet for the Kalichstein-Laredo-Robinson Trio and the Miami String Quartet with great anticipation and pleasure.The fact that there is no model for such a Septet made the pre-composition process a most enjoyable exploration. I liked the idea of having two strong ensemble personalities in the mix, and I thought that there must be some sort of challenging interchange at the outset. The first movement, ??Introductions,? (note the plural) starts with the piano trio throwing down the gauntlet and the string quartet entering quietly, but gradually (almost one by one) joining with the trio to make a true septet with multi-faceted relations. The second movement, ??Quasi una Passacaglia,? is based on a repeated phrase pattern. Part of the formal design is a contrast between ??Baroque? style performance and modern, more romantic ways of playing. ??Games,? the third movement, involves much playful interplay and the fourth movement, ??Au revoir,? offers both reminiscence and farewell ?? not ??good-bye,? but ??until we meet again.?Throughout the piece, two of my persistent fascinations are explored: firstly, my interest in designing initial material that can evolve into large-scale form, and secondly, the pleasure I take in chamber music. While the instrumentation of the Septet provides an almost orchestral palette and it was interesting to explore that, I love the idea of 7 artist-performers, each of whom can be a stunning virtuoso one moment and a thoughtful partner the next, and I relish the electricity that results form those shifting roles.
Ellen Taaffe Zwilich’s Septet is the first major work written for this combination of instruments, and the pioneering process was greatly enjoyed by the composer: “While the instrumentation of the Septet provides an almost orchestral palette, and it was interesting to explore that, I love the idea of seven artist-performers, each of whom can be a stunning virtuoso one moment and a thoughtful partner the next, and I relish the electricity that results from those shifting roles.†Septet was written for the Kalichstein-Laredo-Robins on Trio and the Miami String Quartet, to whom it is dedicated. String parts available on rental. For advanced ensembles. Duration: 24’.Writing music is a labor of love for me. My greatest joy is writing for performers whom I can be sure will not only deliver the notes accurately, but will project the meaning behind the notes. To have performers in the wings who will bring their own imagination and deep understanding to a performance is an inspiration to me. So I approached the writing of my Septet for the Kalichstein-Laredo-Robins on Trio and the Miami String Quartet with great anticipation and pleasure.The fact that there is no model for such a Septet made the pre-composition process a most enjoyable exploration. I liked the idea of having two strong ensemble personalities in the mix, and I thought that there must be some sort of challenging interchange at the outset. The first movement, “Introductions,â (note the plural) starts with the piano trio throwing down the gauntlet and the string quartet entering quietly, but gradually (almost one by one) joining with the trio to make a true septet with multi-faceted relations. The second movement, “Quasi una Passacaglia,†is based on a repeated phrase pattern. Part of the formal design is a contrast between “Baroque†style performance and modern, more romantic ways of playing. “Games,†the third movement, involves much playful interplay and the fourth movement, “Au revoir,†offers both reminiscence and farewell – not “good-bye,†but “until we meet again.â€Throughout the piece, two of my persistent fascinations are explored: firstly, my interest in designing initial material that can evolve into large-scale form, and secondly, the pleasure I take in chamber music. While the instrumentation of the Septet provides an almost orchestral palette and it was interesting to explore that, I love the idea of 7 artist-performers, each of whom can be a stunning virtuoso one moment and a thoughtful partner the next, and I relish the electricity that results form those shifting roles.
SKU: PR.144407570
ISBN 9781491136522. UPC: 680160689330.
SKU: IS.CM4608BEM
ISBN 9790365006724.
Lode wijk Mortelmans was born in Antwerp on February 5, 1868, as second son of printer Karel Mortelmans. He died on June 24, 1952. He was an outstanding, universal Belgian musician and composer. His unique and poetic classical songs, his intimate and delicate piano music and his imaginative orchestral pieces rank among the European masterworks of the end of the 19th and the early 20th century. Eenzame Herder by was originally composed as a piano solo in 1920. In this arrangement for wind septet, the oboe is featured and the texture reminiscent of The Little Shepherd from Claude Debussy's Children's Corner suite.
SKU: CY.CC2807
Pachelbel's Kanon (Canon) is among the most recognized and popular works in the classical repertoire. There is true genius in this work, which has been arranged for every conceivable combination of instruments. This arrangement of about 4 minutes by Sonny Ausman for 7-part Trombone Ensemble is in the original key of D and is appropriate for moderately advanced performers.It works for weddings and other celebrations, as background music, or even a recital.
SKU: FP.FBW01
ISBN 979-0-57050-014-7.
This work in concerto grosso style was composed in 1945 for famous music broadcaster and author John Amis. Bergmann's original compositions for the recorder, though few, are now a much-loved part of the repertoire. This recently discovered Septet will be welcomed by recorder players everywhere. The opening prelude (Andante Sostenuto) is followed by an extended Fugue. The final movement is a Little March in the composer's most ebullient style. The work radiates joy throughout.
SKU: HL.48182570
UPC: 888680833251. 7.25x10.5x0.142 inches.
Jean Meyer: Hymne a l'Aurore (Septet-Brass).
SKU: HL.48183390
Eugene Bozza: 3 Pieces (Septet-Brass).
SKU: HL.48182454
Pierre Max Dubois: 3 Preludes en Fanfare (Septet-Brass).
SKU: BR.KM-4
ISBN 9790004500002. 9 x 12 inches.
SKU: HL.14009081
ISBN 9780711928763. 8.25x11.75x0.268 inches.
Edited by Philip Jones & Elgar Howarth. The Just Brass series is regarded by brass players worldwide as the most important brass ensemble series available. There are more than 100 titles subdivided into Just Brass (mainstream), Junior Just Brass, Just Brass Lollipops and Giant Just Brass. Supplied as score and parts together.
SKU: HL.50510321
ISBN 9790080123058. UPC: 073999894387. 9.25x12.25x0.087 inches. Endre Szekely.
Playing score.
SKU: HL.48000704
UPC: 073999874631. 8.75x11.75x0.21 inches.
Contents: Prelude * Andantino * Minuet.
