SKU: FG.55011-521-7
ISBN 9790550115217.
X'seven (2010/18) is the final piece of a solo cello suite consisting of seven compositions. Each of the seven pieces can be performed individually or detached with another X-composition. Different works are yet to be performed cronologically. The X-works are composed by using the same material viewed at different angles. Their structure can be seen like a film starting several times from the beginning and from the same settings always looked from a new perspective. In the first compositions of X-suite seemingly random fragments join together piece by piece as the work goes on combining one into another organically. The story, tale or plot of the music and the gestures and figures of it transform in a new context but still remain identifiable. Olli Koskelin's (born 16 April 1955) compositional output reflects a wide range of interests. The vast area covered by his style encompasses the neo-impressionism of the piano work Courbures (1989) to the post-expressionist echoes of his Music for String Quartet (1981) as well as the breakneck virtuosity of his clarinet piece Exalte (1985/1991) and the rich romantic textures of his orchestral piece ... like a planet silently breathing... (1993). He often uses the overtone series like the French spectral composers and avoids dramatic culmination. Soft harmonics, tranquil arching melodies, a leisurely rhythmical pulse and a coherence of mood are in evidence in his later works as in Uurre (1997) for chamber ensemble, Miniatures (1997) for string quartet and Circles within for 19 solo strings.
X'se ven (2010/18) is the final piece of a solo cello suite consisting of seven compositions. Each of the seven pieces can be performed individually or detached with another X-composition. Different works are yet to be performed cronologically. The X-works are composed by using the same material viewed at different angles. Their structure can be seen like a film starting several times from the beginning and from the same settings always looked from a new perspective. In the first compositions of X-suite seemingly random fragments join together piece by piece as the work goes on combining one into another organically. The story, tale or plot of the music and the gestures and figures of it transform in a new context but still remain identifiable. Olli Koskelin's (born 16 April 1955) compositional output reflects a wide range of interests. The vast area covered by his style encompasses the neo-impressionism of the piano work Courbures (1989) to the post-expressionist echoes of his Music for String Quartet (1981) as well as the breakneck virtuosity of his clarinet piece Exalte (1985/1991) and the rich romantic textures of his orchestral piece ... like a planet silently breathing... (1993). He often uses the overtone series like the French spectral composers and avoids dramatic culmination. Soft harmonics, tranquil arching melodies, a leisurely rhythmical pulse and a coherence of mood are in evidence in his later works as in Uurre (1997) for chamber ensemble, Miniatures (1997) for string quartet and Circles within for 19 solo strings.
SKU: FG.55011-821-8
ISBN 9790550118218.
X'Th ree (2003/2021) by Olli Koskelin is the third piece of a solo cello suite consisting of seven compositions. Each of the seven pieces can be performed individually or detached with other X'-compositions. Different works are yet to be performed chronologically. The X'-works are composed by using the same material viewed from many different angles. Their structure can be seen as a film starting several times from the beginning and from the same settings always looked from a new perspective. In some compositions of the X'-suite seemingly random fragments are joined together organically in other works of the suite. The story, tale, or plot of the music and the gestures and figures of it trans-form in a new context but remain identifiable.Olli Koskelin's (born 16 April 1955) compositional output reflects a wide range of interests. The vast area covered by his style encompasses the neo-impressionism of the piano work Courbures (1989) to the post-expressionist echoes of his Music for String Quartet (1981) as well as the breakneck virtuosity of his clarinet piece Exalte (1985/1991) and the rich romantic textures of his orchestral piece ... like a planet silently breathing... (1993). He often uses the overtone series like the French spectral composers and avoids dramatic culmination. Soft harmonics, tranquil arching melodies, a leisurely rhythmical pulse and a coherence of mood are in evidence in his later works as in Uurre (1997) for chamber ensemble, Miniatures (1997) for string quartet and Circles within for 19 solo strings.
SKU: OU.9780193359963
ISBN 9780193359963. 12 x 8 inches.
Seven is founded on the further elaboration of a simple phrase used in Second Still Life. As the number 2 is significant in that piece, the number 7 is prevalent throughout Seven: the work is for seven players and is seven minutes in duration.
SKU: IG.PM063
9 x 12 in inches.
By Jennifer Castellano. Spectrum, Seven Preludes for Piano was inspired by a work by the American artist, Ellsworth Kelly (b. 1923). The composer writes, When I was a freshman in college, I saw his work entitled Spectrum at the Metropolitan Museum of Art. The work consisted of thirteen large panels, and each contained a different color or shade of color. The first panel was yellow and the last was yellow. To me this work was a visual representation of a chromatic scale played one full octave up the piano keyboard. Five years after the magnificent sighting at the Met, I decided that I wanted to make an audio representation of the seven colors of the rainbow, each represented by a different tonality or pitch center: A being red, B orange, C yellow, D green, E blue, F indigo, and G violet. Spectrum abandons the use of the conventional major-minor key systems and instead uses a scale which the composer invented called the Castellonian Mode. In it's original form the scale is spelled C D E F G G# (or Ab) A Bb C. The sound of this new tonal system exhibits both major and minor-like qualities and yet has a new sonority of its own. The Castellonian Mode was invented in the summer of 2004 and has served as the basis of many of her tonal compositions.
SKU: PR.114413280
ISBN 9781491112694. UPC: 680160597062. 8.5 x 11 inches.
In this 19-minute recital work, a rarity for tenor saxophone, Dorff depicts the spirit and energyof the body’s seven chakras, or nerve plexuses. The seven connected sections of the work fire thelisteners’ imagination, while giving saxophonists an integrated composition showing the gamut ofcolors and textures. A “must have†recital work for the dedicated tenor saxophonist.
SKU: OU.9780193355446
ISBN 9780193355446. 12 x 8 inches.
For children's choir, SATB choir, and ensemble. A cycle of songs taking their subject from the seven 'themed' floors of the Evelina Children's Hospital, London, opened in 2005. Texts are by John Mole.
SKU: FZ.5625
ISBN 9790230656252. 24.00 x 32.00 cm inches.
This facsimile of an original by Francois Couperin is part of our in facsimile on French classical music collection. Edition : Paris, Ballard, 1704. Seven versets of the motet Qui regis Israel sung at Versailles in 1705. The preface deals with bibliography, notation and performance problems of these versets. Preface by: Philippe Lescat: historical context. Jean Saint-Arroman: hints about the score (ornamentation). Other details on the formation: Bass voice, flute, continuo. Tenors in unisson, basses in unisson, violins, continuo. Bass, 2 violin parts, continuo. 2 castrato voices, continuo. Soprano, violins, continuo. Soprano, flute, oboe. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the British Library of London (England). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: CY.CC3044
ISBN 9790530110195. 8.5 x 11 in inches.
Pachelbel's grand Chorale Partita with Seven Variations in G is based on the 17th Century Protestant German hymn tune Alle Menschen mussen sterben (All of Mankind is Mortal) by Jakob Hintze. The original form of the work was in C major with eight variations, composed for Organ. Bach, being greatly influenced by Pachelbel, later took up the melody for use in one of his Cantatas. Keith Terrett has done a great job arranging these elaborate variations of about 6 minutes in length for a Tuba Ensemble quintet of advanced performers.
SKU: OU.9780193860087
ISBN 9780193860087. 12 x 8 inches.
For SATB, solo soprano, brass quintet, piano, and percussion A brilliant choral celebration of seven American legends (Phillis Wheatley, George Washington, Jenny Lind, Harriet Beecher Stowe, Clyde William Thornbaugh, Charles Lindbergh, Louis Armstrong). Energetic and appealing, the music culminates in a wordless finale which celebrates Louis Armstrong and the jazz clubs of the 1930s by mixing up six familiar classics.
SKU: MB.93235M
ISBN 9780786692781. 8.75 x 11.75 inches.
The most widely used beginning bass method available. Presents note reading, solo playing, and chord arpeggio studies. Included are handy charts of arpeggios featuring major, minor, augmented, diminished, seventh chords, and even upper harmonic extensions. Applicable to any style of music, this method has gained acceptance as the foundational text for electric bass study. Includes access to online audio and video.
SKU: KU.OCT-10098
German.
SKU: HL.50487628
ISBN 9790080134566. Bach (23 x 30,2 cm) inches. English. Oleg Gotskosik.
SKU: OU.9780193558403
ISBN 9780193558403. 12 x 8 inches.
For violin and piano From the first sporadic drops to showers, monsoons and drenching sheets, the instruments in this piece (the piano prepared with blu-tack) work closely together to effectively capture the mood.
SKU: BA.BA04026-40
ISBN 9790006443253. 24 x 17 cm inches.
SKU: GI.001151
These colorful notecard packs are just the thing to have on hand for thank-you notes, impromptu birthday or holiday greetings, or for special occasions throughout the year. They are blank inside, ready for you to personalize by hand or by running through your computer printer. The low price allows you to keep several styles on hand at home or in the office. They make great gifts, too! 4 x 5 cards with envelopes, 20 cards per pack.
SKU: FT.FM1193
ISBN 9790570790920. 8.25 x 11.75 inches.
