/ Flûte A Bec Soprano Et Flûte A Bec Alto Avec Piano (Ou Clavecin) Et Violoncelle Ad Libitum
SKU: HL.48181188
UPC: 888680907389. 9.0x12.0x0.179 inches.
Composed by Eugène Bozza in 1947, Short Suite in Trio Form, Op. 67 is a piece for oboe, clarinet and bassoon. This edition features the parts for the three instruments and a full score. This four-movement work is quite difficult and would be perfect for advanced players. A great piece for recitals, it is also really interesting to play for each of the three instruments. The four movements are Allegro moderato, which starts with the oboe, Allegro vivo, Adagio espressivo and Allegro vivo, and the piece lasts approximatively 10 minutes. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. He composed several operas, chamber works and ballets among others.
SKU: FL.FX074265
3 short movements for an audition or classroom work, from 4 years of instrument practice. - Pascal PROUST ; Instruments:Flute Trio: 3 Flutes; Difficuly Level: Grade 3; Duration: 2 mn 10 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST.
SKU: CY.CC2784
Purcell's Trio Sonatas of 1683 are a blend or hybrid of French and Italian Baroque 17th Century musical styles. The six Sonatas of Volume 1 alternate between major and minor keys. Each work consists of several short movements, ranging between melancholy and joyous.Especial ly delightful are the dissonances that the composer intersperses throughout each work. Each Sonata is about 6-7 minutes in length and they are an absolute delight to perform.For advanced performers.
SKU: CY.CC2793
Purcell's Trio Sonatas of 1683 are a blend or hybrid of French and Italian Baroque 17th Century musical styles. The six Sonatas of Volume 2 alternate between major and minor keys. Each work consists of several short movements, ranging between melancholy and joyous. Volume 2 is a continuation of the six sonatas from volume one, with more surprises and enjoyment for performers and listeners alike.Especiall y delightful are the dissonances that the composer intersperses throughout each work.Each Sonata is about 6-7 minutes in length and they are an absolute delight to perform.For advanced performers.
SKU: FL.FX074262
3 short movements for an audition or classroom work, from 4 years of instrument practice. - Pascal PROUST ; Instruments: 3 Bb Clarinets; Difficuly Level: Grade 3; Duration: 2 mn 10 s; Musical Style: Classical; Category: Original Composition; Composer: Pascal PROUST.
SKU: HL.49005896
ISBN 9790001063852. UPC: 884088051419. 9.0x12.0x0.157 inches.
Descant and treble recorder and piano (harpsichord), violoncello ad lib.
SKU: HH.HH585-FSP
ISBN 9790708213000.
Stan ley Sadie’s opinion, expressed in 1963, that the two of the twelve trio sonatas by Frederick Ernest Fisher(1711/12–176 0), divided equally between Op. 1 (c.1751) and Op. 2 (c.1761), were ‘among the finest of their time’ while some of the others were ‘remarkably inventive and original’ almost sells this composer short. Every single one of these works, scored for two violins, cello and harpsichord, is masterly and deserves a permanent place in the repertoire. Born in or near Kassel, Fisher spent several years in Holland, teaching music from 1741 to 1745 at the university of Leiden, before emigrating to England. After spending about two years in London he settled permanently in Cambridge, where he taught music to members of the local music society. His Op. 1 set, dedicated to the same society, epitomizes the ‘social’ character of the trio sonata genre, where individual virtuosity yields its place to amicable interaction between the players. Fisher was a cellist as well as a violinist, and this background is brought out by the rare eloquence of his bass lines. The diversity of movement types in these ordinarily three-movement sonatas is very attractive. They include powerful fugues, expansive movements in sonata form, languorous middle movements reminiscent of those in operatic overtures and a selection of dance movements, all of which mix baroque, galant and classical elements in a convincing synthesis.
SKU: HH.HH584-FSP
ISBN 9790708185994.
SKU: AP.12-0571530826
ISBN 9780571530823. English.
Formally, the Trio has a classical shape. The first movement is in sonata form, with an expanded recapitulation. The second movement combines a forceful Presto and an eerie, unworldly trio episode, both recapitulated, and 'squeezed together' in a short coda. The third movement is a rather free Adagio, with the three players used more as soloists than elsewhere in the work. The finale is a kind of rondo with variations, in which all the subsidiary themes are derived from the preceding movements. Thematically and in terms of tempo, all the movements are closely linked.
SKU: SU.27040250
The trio is cast in three short movements, all showcasing a constant bustle of contrapuntal activity and angular rhythms. The harmonic language is atonal, employing cellular collections of pitches. Duration: 10' Composed: 2001 Published by: Hutter Music.
SKU: HL.49045531
ISBN 9781495094767. UPC: 888680685058. 9.0x12.0x0.401 inches.
My Piano Quintet consists of four contrasting movements. The first movement, entitled Mannheim Rocket, is a modern take on the 18th-century musical technique in which a rising figure speeds up and grows louder. Marked 'Furioso', the movement is gradually filled with rising scalar figures which build in volume and finally 'launch' into space with ethereal string harmonics. At this point, the music becomes almost static, though the inner rhythm continues.The second movement, entitled Kyrie, is marked 'Still, chant-like'. The principal idea, stated between first violin and viola, is a chromatically transformed chant-like motive. It also features a long, lyrical cello line, made up exclusively of natural harmonics, emphasizing the non-tempered ('out of tune') 7th and 11th partials.The third movement is a scherzo in which the strings and piano sometimes alternate and imitate each other, reacting to each other's gestures, and at other times, combine and synchronize to produce a more blended sound. A short Trio-like section appears before the return of the scherzo music.The last movement, Pulse, is made up of perpetually moving 8th notes, sometimes harmonically static, but always pushing forward. The work is interrupted twice with short, freer sections, but always returns to its pulse-oriented nature.- Pierre Jalbert.
SKU: BA.BA11012
ISBN 9790006498864. 29 x 21 cm inches.
The French titles and tempo markings in this four-movement, twenty-minute-long trio point to the composer’s particular affinity to French culture. The “Prlude†is followed by an impressive “Invocationâ€, an homage to Schlee’s highly regarded former teacher Olivier Messiaen in commemoration of the 100th anniversary of his birth. This movement, composed somewhat earlier than the others, was the departing point for the work. Amongst contemporary music one is not likely to find titles like those that were chosen for the final two movements: “Allgresse†(exultation, joy) and “Eglogue†(eclogue – a short pastoral poem). The titles give the music a lasting dramaturgical quality. They reflect the lyrical, serene atmosphere of this extraordinary masterpiece.
SKU: FP.FJD01
ISBN 979-0-57050-158-8.
The scoring of this attractive trio in eight short movements is for descant, treble and tenor recorders and it shows another facet of David Johnson's talents. The work has been broadcast but demands only modest technical skills.
SKU: HL.49045997
ISBN 9781540033918. UPC: 888680787004. 9.5x12.0x0.681 inches.
Wind Dances is in seven short contrasting movements, each containing dance-like rhythms, both slow and fast. Having two sons who both play the clarinet, I've heard many a woodwind quintet, so I've been wanting to write for the medium for quite a while. In this instance, I also added my own instrument, the piano.The work opens with a fast movement containing driving rhythms in the winds, which are then answered by the piano. The second movement features colorful effects in the winds and piano (slap tongue, air sounds, muted tones) leading to a long extended lyrical line, gradually orchestrated to involve all the winds. The third movement is a dynamic scherzo, with a separate middle section similar to a traditional Trio section. The slowly unfolding fourth movement is the longest of the piece and anchors the middle of the work. The fifth movement is a kind of echo of the third movement, though this time the dynamic scherzo is high and light, rather than low and dark. The sixth movement is related to the second movement, and is basically a solo cadenza for the clarinet, with a few accompanimental gestures in the piano. The seventh and final movement reprises material from the first movement, this time with new and driving dance-like gestures added.- Pierre Jalbert.
SKU: CF.PL1061
ISBN 9781491158555. UPC: 680160917167. 9 x 12 inches.
The three movements of Color Codas can be played individually or, preferably, as a set. aIn the Reda flirts with extremes in dynamics and register; aPurple Passiona wears its heart on its sleeve; aOut of the Blue,a well what can I say... (aOut of the Bluea is an arrangement of the fourth movement, aKeep It Short,a of my trio for horn, violin and piano, Etudes and Parodies.) The work is written for the wonderful piano duo, Quattro Mani.The three movements of Color Codas can be played individually or, preferably, as a set. In the Red flirts with extremes in dynamics and register; Purple Passion wears its heart on its sleeve; Out of the Blue, well what can I say... (Out of the Blue is an arrangement of the fourth movement, Keep It Short, of my trio for horn, violin and piano, Etudes and Parodies.) The work is written for the wonderful piano duo, Quattro Mani.The three movements of Color Codas can be played individually or, preferably, as a set. “In the Red†flirts with extremes in dynamics and register; “Purple Passion†wears its heart on its sleeve; “Out of the Blue,†well what can I say... (“Out of the Blue†is an arrangement of the fourth movement, “Keep It Short,†of my trio for horn, violin and piano, Etudes and Parodies.)The work is written for the wonderful piano duo, Quattro Mani.
SKU: PR.114406980
UPC: 680160010806.
Shula mit Ran’s second string quartet, subtitled “Vistas,†occupies a large canvas that is cast in a traditional fourmovement mold, where the outer movements present, explore, and later return to the work’s principal musical materials, surrounding a slow movement and scherzo-type third movement with a trio. In addition to tempo-based titles, the individual movements have subtitles that are evocative of each movement’s character, as follows: I. Concentric: from the inside out II. Stasis III. Flashes IV. Vistas.My second string quartet, “Vistasâ€, is a work cast in a traditional four-movement formal mold, with the outer movements, presenting and later returning to the work’s principal musical materials, surrounding a slow movement and a scherzo-type third movement.While the four movements’ “proper†names -- Maestoso con forza, Lento, Scherzo impetuoso, and Introduzione; Maestoso e grande – give some indication of the general character of the individual movements, I have also subtitled, less formally, each movement as follows: 1) Concentric: from the inside out 2) Stasis 3) Flashes 4) Vista. The images evoked by these titles tell one, I think, a bit more about the inner workings of the quartet.In the first movement, a prominently presented opening pitch (E) reveals itself, as the movement unfolds, to be a center of gravity from which ever-growing cycles of activity gradually evolve. While various important themes come into being as the movement progresses, their impact on the listener has, I believe, a great deal to do with their juxtaposition and relationship to the initial central point of gravity.Stasis is, as the name implies, a movement where activity seems, at times, almost suspended. Being also, as Webster’s Dictionary reminds us, “a state of static balance and equilibrium among opposing tendencies or forces,†it develops various materials, including ones from the first movement, without bringing them to points of resolution.Flashes is short and very fast, evoking in my mind the quick shimmer of fireflies, a “sudden burst of lightâ€, but also a “brief timeâ€. Perhaps, even, a “smileâ€?Final ly, the last movement, Vista, is not only “a view or outlookâ€, but also “a comprehensive mental view of a series of remembered or anticipated events.â€Â After a brief recall of the opening of the second movement, this movement brings back all the important themes of the first movement in their original order. But just as going back can never really mean going back in time, the movement is much more than recapitulatory. By cutting through previously transitory passages and presenting the main ideas in a fashion more direct yet more evolved, it also sheds new light on earlier events, offering a retrospective, synoptic view of the first movement as it brings to culmination the work as a whole. “Vistasâ € was commissioned by C. Geraldine Freund for the Taneyev String Quartet of what was then Leningrad. It was the first commission given in this country to a Soviet chamber ensemble since the 1985 cultural exchange accord between the Soviet Union and the United States.
