SKU: LO.70-2184S
ISBN 9780787765019.
Following his Simply Lent collection, J. William Greene has written a collection of sophisticated yet practical hymn settings for the weeks before Christmas. Greene's rich compositional craft and love for traditional forms and techniques are evident in music that expresses the anticipation of the Advent season.
Foll owing his Simply Lent collection, J. William Greene has written a collection of sophisticated yet practical hymn settings for the weeks before Christmas. Greene's rich compositional craft and love for traditional forms and techniques are evident in music that expresses the anticipation of the Advent season.
SKU: GI.G-009604
This inventl y interpreted and cherished prayer is set simply for two-part women's voices and organ. Reminiscent of an art song, the organ's supporting harmonies create a rich tonal background under the treble voices. A worthy affirmation of our devotion to the Blessed Virgin.
SKU: GI.G-7419
UPC: 785147741909. English. Text Source: Original Sacred Harp, 1971 ed. Text by John Leland.
A favorite hymn from The Sacred Harp for many people, the opening measures are reflective of the version that was originally published, but then Heider expands the piece in a style that brings to mind the great choral settings of shape-note tunes. There is divisi in all parts as the piece progresses, but much of it is simply doubling of the melody in octaves. A great choral anthem for worship, but also a crowd pleaser for concerts! Â .
SKU: GI.G-007801
Voiced for SATB, assembly, guitar, and keyboard, you may choose the option of adding a children's choir to sing a solo on the final refrain, before the choir and and assembly return. The keyboard writing is simply beautiful and the vocals are intuitive, making this piece easy to learn. This would be a wonderful choice to sing over the four Sundays of Advent.
SKU: HP.2855
UPC: 763628128555.
Medle y of familiar Christmas Carols This reflective piece combines Twas in the Moon of Wintertime' with O Come, O Come, Emmanuel, making it perfect for Advent and Christmas. Echo and LV make for a warm tone in the chordal and arpeggio accompaniment while the melody floats above. The ending encompasses both tunes simply conversing to a close on an open chord, emphasizing the mystery of that holy night.
SKU: GI.G-018000
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Befo re the implementation of the new translation of The Roman Missal, the Mass of Redemption enjoyed a high level of popularity in parishes across the country and beyond. With the advent of the new translation, this Mass has become even more popular. Steve Janco rewrote the Gloria for the new translation and his through-composed setting is energetic and bright, bringing a sparkle to the new text. The Mass is written in the bright key of D major, bringing a joyful quality to the celebration of Sunday Mass, especially during the Christmas and Easter seasons, as well as the Sundays of Ordinary Time. Set for cantor, choir, assembly, keyboard, and guitar (with optional instrumental parts for brass quartet and timpani, two woodwinds, and handbells), the choral writing is in two parts (SA/TB) with optional third voice, often a soprano descant, at climaxes in various sections. Music directors agree that the simple choral arranging makes this a setting appropriate for parishes that do not have the musical “forces†to sing many of the more vocally complex Mass settings. Mass of Redemption brings the choir, musicians, and assembly together in a symphony of praise and thanksgiving for the great gift of redemption in Christ—a wonderful setting to raise hearts and voices to God at Sunday Mass. Join the hundreds of parishes that have made Mass of Redemption a musical staple and a reliable setting of the Mass. Parishes simply never grow weary of singing this setting!  Highlights: Highly popular among parishes before the implementation of new texts, now even more widely used! Written in the key of D major, bringing jubilance to the celebration of Mass. A variety of options for instrumentation with simple choral arrangements—ideal for smaller choirs. A delightful setting for the Christmas and Easter seasons and ideal for Sundays during Ordinary Time.  .
SKU: HL.1220755
UPC: 196288142508. 6.75x10.5x0.029 inches.
Now available for SAB! âIn a far land upon a day where never snow did fall, Three kings went riding on the way, bearing presents all.â The beautiful poetry of Eleanor Farjeon provides the perfect canvas for Philip Lawson's musical talents. Simply stunning!
SKU: GI.G-001218
UPC: 641151012186.
Anoth er successful Cheri/Robertson collaboration from our In Spirit and Truth series. You'll find this psalm setting simply overflowing with energy and intensity. For choirs familiar with the gospel style, this is a required addition for Advent and Christmas.
SKU: HL.35021853
UPC: 747510000495. 8.5x11.0x0.024 inches. Gruber/Garee.
A simply beautiful setting of the well-loved carol with an impressionistic flair.
SKU: HL.35027937
UPC: 884088570606. 5x5 inches. J. Paul Williams/Joseph M. Martin.
Uses: Christmas Eve, Christmas, CommunionScrip ture: Luke 2:1-7In this tender lullaby to the newborn Christ, J. Paul Williams at his poetic best joins with Joseph Martin in a simply scored anthem that is profoundly effective for candlelight Christmas observances. The quoting of the beloved German carol Still, Still, Still, adds to the charm of this simple, beautiful, and moving anthem.
SKU: PR.114419700
ISBN 9781491132203. UPC: 680160681297. 9 x 12 inches.
This charming collection includes unaccompanied “nocturnes†on the traditional Christmas lullabies Cantique de Noël, O Bambino, Silent Night, and It Came Upon the Midnight Clear. Each of the settings is equally suitable for Advent services, seasonal recitals, and simply playing for their own beautiful inspiration.
SKU: GI.G-001211
UPC: 641151012117.
Selec ted by CREATOR Magazine as one of the Honored 10 from 2005! Part of the In Spirit and Truth series. Thomas Lucas has created a jazz waltz feel for this song of gathering. This anthem is simply set for SATB choir, cantor and assembly. Thomas Jefferson‚ piano transcription leaves room for the adventurist accompanist to improvise and have fun!