SKU: AP.JE9703
UPC: 029156273748. English.
This sultry, bluesy ballad gets the Dave Wolpe treatment. Dave has written a chart that features your best alto sax player. This version of an ever-popular tune is smooth from start to finish. Great chord changes! (duration 4:22).
SKU: ST.W36
ISBN 9790220218217.
ATB. Edited and adapted for men's voices by E H Fellowes.
SKU: ST.EM13
ISBN 9790220218019.
CONT ENTS Alas! tarry but one half hour (SST ) As deadly serpents lurking (SA (or S) T ) As Vesta was descending (SSATTB ) Ay me, alas, hey ho (SST ) Come lets begin to revel At out (SSA (or T) ) Come sirrah, Jack ho (SSA (or T) ) Death hath deprived me (SS (or A) T (or A) TBB ) Donna il vostro bel viso (SSA (or T) ) Fa la. Now weep and sing (SA (or S) T (or B) ) Four arms, two necks, one wreathing (SSA ) Ha ha! this world doth pass (SST (or A) ) I bei ligustri e rose (SSA ) Jockey thine horn-pipeAs dull (SSA (or T) ) Late in my rash accounting (SSA (or T) ) Lord when I think (SSA (or T) ) No, though I shrink still (SSA ) Say, wanton, will you love me? (SSA (or T) ) Since Robin Hood (SA (or S) T ) Some men desire spouses (SSA ) Strike it up, Tabor (SST ) Tan ta ra cries Mars (SSA (or T) ) The Ape, the Monkey and Baboon (SSA ) The gods have heard my vows (SSA ) The nightingale, the organ of delight (SSA (or T) ) Though my carriage be but careless (SSA ) Tomorrow is the marriage day (SSA (or T) ) Upon a hill the bonny boy (SSA ).
SKU: HL.44006692
UPC: 884088142025. 9x12 inches. English-German-French-Dut ch.
Händel's opera Scipio was written in 1725 and performed the following year in the King's Theatre, London. After Händel's death his operas fell into obscurity until the 1960s, when they experienced a major revival. This famous march from Scipio has however remained popular since its first performance and has been the Regimental Slow March of the British Grenadier Guards since the 18th century. The march is fairly simple and gives young bands the opportunity to play a well-known baroque melody which should be well within their technical ability.
SKU: FG.55011-529-3
ISBN 9790550115293.
Vene zuelan trumpet virtuoso Pacho Flores asked Tuomas Turriago to write a piece for their recital in Tampere (Finland) in April 2019. The composer tells: My half-Colombian soul fell in love with the Venezuelan merengue at once when it was introduced to me by Pacho, and it has been an important construction material in my music ever since. It was featured in my children's opera Prinsessa Papupata (2013-15) as well as in my Sonatas for Tuba and Piano (2010) and Alto Saxophone and Piano (2018), just to mention a few works. In Tanguerengue I decided to combine two of my favourite rhythms, tango and merengue. Hence the name Tanguerengue. This is one of my happiest compositions and gives an enormous amount of room for groovy rhythmical play and limitless trumpet virtuosity. The form is one typical of virtuoso works, a slow introduction followed by a fast movement. The career of the composer, pianist and conductor Tuomas Turriago (b. 1979) has been very versatile, the main motivator being a passion for music, regardless of instrument, style or genre. As a pianist, he has focused on chamber music, and has worked as a lecturer in collaborating piano at Tampere Music Academy since 2004. He has been soloist of various Finnish orchestras and has performed at numerous music festivals in Finland and all over Europe, the US, Colombia, Near East and Far East.
SKU: BR.CHB-3145-02
ISBN 9790004403501. 7.5 x 10.5 inches.
Palestrina' s Missa Paternoster is one of the masses by this composer that were published neither during his lifetime nor after his death. The work has come down to us in one single manuscript source from the collections of the Cappella Sistina in Rome, a copy transcribed by D. Brancadore in 1618.The mass is written on motifs from the ancient plainchant Pater noster melody from the mass liturgy, which underlays the movements in an admirable multiplicity of melodic forms. New counterpoints are repeatedly intertwined with the themes of the title melody over the course of the mass. Certain idiosyncrasies in the voice-leading and the austere sonorities that recall the late Netherlandish tradition give rise to the hypothesis that this is a relatively early work of Palestrina.Several decades ago, the Missa Paternoster was published by Breitkopf & Hartel in a performance edition prepared by Hermann Bauerle. The present edition is based on the copy of the work printed in the Choirbook 68 (Cappella Sistina) of the Biblioteca Vaticana in Rome. The poor condition of the source made it necessary to compare it with Haberl's Complete Edition as weil, after which two errors have to be corrected. Our edition cannot pretend to offer a definitive reading of the accidentals, since they are difficult to distinguish in the original. The work was transposed, as this seemed more appropriate to present-day choral practice. Finally, the note values were reduced by a half and the closing notes reproduced uniforrnly as longae. Palestrina's Missa ,,Pater noster occupies a distinguished position next to its better known, four-part fellow works. lt deserves this rank thanks to its dignified and broadly sweeping themes, the archaic loftiness of its sound, and the wealth of motivic work contained within it. We sincerely hope that this new edition will stimulate choirs to turn their attention once again to this rarely sung mass by the great Roman master.Rudolf Ewerhart,January 1962, Munster (Westf.).
