| Sing! Play! Learn! with
Go Kid Music - Key Stage
1: Voice: Classroom
Resource Eveil Musical [Partition + CD] Collins Music
12 excellent topic-based songs-Sing! Play! Learn! with Go Kid Music brings you 1...(+)
12 excellent topic-based songs-Sing! Play! Learn! with Go Kid Music brings you 12 excellent songs that teachers and children will love! Based on popular Key Stage 1 topics these catchy tunes enable primary class teachers to teach music while supporting learning across the whole curriculum. Each song comes with an easy-to-follow teaching video with on-screen lyrics and demonstrations of Makaton signs performance and backing audio PDF lyrics for whiteboard display and teaching notes. In addition many have optional percussion parts which are also demonstrated on the videos and there?s a selection of warm-ups and focus-builders to get everyone ready for singing! Written with thegeneralist class teacher in mind the accompanying notes are divided into three main sections: SING ? Straightforward step-by-step instructions to help you teach the song from scratch; PLAY ? Ways to use the song to meet the requirements of the Primary Music Curriculum and First Access (Wider Opportunities); LEARN ? Creative extension activities relating to the song or topic. Supports the National Curriculum for Music Topic-based approach Ideas for First Access (Wider Opportunities) Supports SEND (via Makaton signs) No music reading required Promotes physical activity Ridiculously fun!
29.99 GBP - vendu par Musicroom GB Délais: En Stock | |
| Sing! Play! Learn! with
Go Kid Music - Key Stage
2: Voice: Classroom
Resource Eveil Musical Collins Music
12 excellent topic-based songs-Sing! Play! Learn! with Go Kid Music brings you 1...(+)
12 excellent topic-based songs-Sing! Play! Learn! with Go Kid Music brings you 12 excellent songs that teachers and children will love! Based on popular Key Stage 2 topics these catchy tunes enable primary class teachers to teach music while supporting learning across the whole curriculum. Each song comes with an easy-to-follow teaching video with on-screen lyrics and demonstrations of Makaton signs performance and backing audio PDF lyrics for whiteboard display and teaching notes. In addition many have optional percussion parts which are also demonstrated on the videos and there?s a selection of warm-ups and focus-builders to get everyone ready for singing! Written with thegeneralist class teacher in mind the accompanying notes are divided into three main sections: SING ? Straightforward step-by-step instructions to help you teach the song from scratch; PLAY ? Ways to use the song to meet the requirements of the Primary Music Curriculum and First Access (Wider Opportunities); LEARN ? Creative extension activities relating to the song or topic. Supports the National Curriculum for Music Topic-based approach Ideas for First Access (Wider Opportunities) Supports SEND (via Makaton signs) No music reading required Promotes physical activity Ridiculously fun! ?What a lovely voice Al Start has and I love the way she uses real instruments to accompany her songs? ~ Julia Donaldson
29.99 GBP - vendu par Musicroom GB Délais: En Stock | |
| Really Easy Piano Play
Along : Classic Hit Songs
- Book - Download Card Piano Facile [Partition + Accès audio] - Facile Amsco Wise Publications
With the Really Easy Piano Playalong songbook, you can learn 19 Classic Hit Song...(+)
With the Really Easy Piano Playalong songbook, you can learn 19 Classic Hit Songs with these simplified arrangements for Easy Piano, then use the included download card to hear demonstrations and backing tracks that you can play along to.
Featuring a wealth of some of the most famous tunes of all time by the greatest singers and songwriters ever, these Classic Hit Songs are essential playing for all pianists, and the Really Easy Piano Playalong book lets beginners immediately pick up these wonderful melodies. From classic pop songs like All Shook Up, Downtown and Waterloo to those beautiful ballads like Rocket Man, Hallelujah and Fields Of Gold, this collection offers amazing variety of tunes that can be placed right at beginner pianist's fingertips.
With the accompanying download card, you will get instant online access to fantastic-sounding demonstration and backing tracks for each tune. This means you'll be able to hear how each Classic Hit Song should sound, then learn them using the easy-to-read sheet music, before playing your own versions along to the backing tracks. With songs by such bestselling artists as Simon and Garfunkel, The Beatles, David Bowie and Louis Armstrong, this is a fantastic book for learning all of those timeless tunes that everyone loves, and with the help of some fingering hints, performance tips, lyrics and fascinating background information, the Really Easy Piano Playalong really is the perfect songbook for pianists who love pop hits.
The fantastic selection of brilliant songs from these wonderful musicians places some of the greatest tunes of all time at any beginner pianist's fingertips. Your friends and family will no doubt be wholly impressed with how great each of these songs sound on the Piano, especially when played along with the backing tracks. For a collection of 19 Classic Hit Songs, look no further than the Really Easy Piano Playalong songbook. / Niveau : Facile / Recueil / Piano
16.75 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| John Lennon: Essential
Piano Singles: Imagine:
Piano Vocal Guitar: Piano, Voix et Guitare [Partition + Accès audio] Amsco Wise Publications
The Essential Piano Singles collection is a series of collectible classic songs ...(+)
The Essential Piano Singles collection is a series of collectible classic songs in a Piano and Vocal format and easy-to-play arrangements. John Lennon's Imagine is presented here inthis innovative design with downloadable audio tracks performance hints and interesting song background notes. This is the best possible way to play and sing this all-time classic tune. All the titlesin the Essential Piano Singles series come with instantly-downloadable audio that includes demonstrations at full and half-tempo. You'll be able to gradually build up your accuracy and speed eventuallyplaying the song perfectly. Not only this but separate audio mixes for the left and right hand will let you focus on one particular part of your playing while the metronome track lets you rehearse at the correct tempo. In a special six-panel gatefold card booklet Imagine is presented without the need for page-turns. To make this the best guide to learning this fantastic song some performance hintsand tips have been included while the fascinating background notes will give you some information about the song before you start trying to play it. This stylish Essential Piano Singlesedition of John Lennon's all-time great Imagine makes learning and playing as convenient and easy as possible. With an invaluable download card and some added extras this is all you'll needto learn one of the all-time great songs.
6.99 GBP - vendu par Musicroom GB Délais: En Stock | |
| 1001 All-Time Hit Songs Ligne De Mélodie, (Paroles) et
Accords [Partition] Amsco Wise Publications
Third edition of the world's biggest songbook. This is a vast bumper collection,...(+)
Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)
54.81 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| The Beatles: Essential
Piano Singles: Let It Be:
Piano Vocal Guitar:
Single Piano, Voix et Guitare [Partition + Accès audio] Northern Songs
The Essential Piano Singles collection is a series of collectible classic songs ...(+)
The Essential Piano Singles collection is a series of collectible classic songs in a Piano and Vocal format and easy-to-play arrangements. The Beatles's Let It Be is presented here in this innovative design with downloadable audio tracks performance hints and interesting song background notes. This is the best possible way to play and sing this all-time classic tune. All the titles in the Essential Piano Singles series come with instantly-downloadable audio that includes demonstrations at full and half-tempo. You'll be able to gradually build up your accuracy and speed eventuallyplaying the song perfectly. Not only this but separate audio mixes for the left and right hand will let you focus on one particular part of your playing while the metronome track lets you rehearse at the correct tempo. In a special six-panel gatefold card booklet Let It Be by The Beatles is presented without the need for page-turns. To make this the best guide to learning this fantastic song some performance hints and tips have been included while the fascinating background notes will give you some information about the song before you start trying to play it. This stylish Essential Piano Singles edition of The Beatles's huge hit Let It Be makes learning and playing as convenient and easy as possible. With an invaluable download card and some added extras this is all you'll need to learn one of the all-time great songs.
6.99 GBP - vendu par Musicroom GB Délais: En Stock | |
| Breck Alan - Lead Singer:
DVD Rock House Method
Vocal Techniques: Heavy Rock to Metal Level 2-This program designed for both men...(+)
Vocal Techniques: Heavy Rock to Metal Level 2-This program designed for both men and women by renowned vocalist/instructor Breck Alan builds on the techniques learned in Heavy Rock to Metal Level 1. With this three part learning system that includes DVD Audio CD and 24/7online lesson support you'll learn to sing in your upper range master placement of your throat resonance develop full-voice singing and learn how to keep your voice healthy. Learn to develop key vocal techniques like directionand anchoring of resonance reflex oriented breath support and Breck's famous warm-up routines.Each Rock House product includes free lifetime membership to Rock House's online lesson support system. Enhance your learningexperience links with instructors download backing tracks access message boards and much more. You'll connect with a community of musicians around the world learning to play music using The Rock House Method.
20.40 GBP - vendu par Musicroom GB | |
| Adele: Play Piano With:
Lady Gaga Adele Alicia
Keys etc: Piano Vocal
Guitar: Piano, Voix et Guitare [Partition + CD] - Intermédiaire Amsco Wise Publications
Lady Gaga Adele Alicia Keys etc.-Learn to play the original Piano parts to eig...(+)
Lady Gaga Adele Alicia Keys etc.-Learn to play the original Piano parts to eight great songs by Lady GaGa Adele Alicia Keys and more. The Play Piano With... series puts you right there with these amazing singers also lettingyou sing along with the CD backing tracks.The Music BookFeatures authentic and accurate transcriptions of eight fantastic pop tunes by these excellent performers. Each tune in the book includes melodyline chord symbols chord boxes and full lyrics. With some of the biggest hits of the past few years including Adele's Make You Feel My Love Beyoncé's Halo and Alicia Keys' Empire State Of Mind Part II this edition of Play Piano With...?gives you a great selection of pop tunes that are just perfect for the Piano.? Not only these tracks but others by some of the best performersof today are included such as Speechless by Lady GaGa Just The Way You Are by Bruno Mars and Pixie Lott's Cry Me Out.?Each of these songs is loved by nearly everyone so they will be ideal forimpressing your friends and family with a performance. The Piano parts have been transcribed exactly as GaGa Adele or Alicia Keys plays them so you know you're getting the real thing.The CDWith full?soundalike? instrumental demonstration tracks as well as tracks with the Piano removed you are able to take the place of these pop pianists with your very own backing band. These backing and demonstration tracks areprofessionally recorded so that you can play along to them in the best quality so it sounds simply as authentic as possible. Check out the Soundcloud preview player below that lets you see for yourself how great the accompanyingbacking tracks sound.? These authentic and accurate transcriptions let you Play Piano With Lady GaGa Adele and Alicia Keys among many others with full backing tracks on the bundled
19.99 GBP - vendu par Musicroom GB Délais: En Stock | |
| Harold Arlen: Essential
Piano Singles: Over The
Rainbow: Piano Vocal
Guitar: Piano, Voix et Guitare [Partition + Accès audio] Amsco Wise Publications
The Essential Piano Singles collection is a series of collectible classic songs ...(+)
The Essential Piano Singles collection is a series of collectible classic songs in a Piano and Vocal format and easy-to-play arrangements. Over The Rainbow from the classic 1939 film TheWizard Of Oz is presented here in this innovative design with downloadable audio tracks performance hints and interesting song background notes. This is the best possible way to play and sing this all-time classictune. All the titles in the Essential Piano Singles series come with instantly-downloadable audio that includes demonstrations at full and half-tempo. You'll be able to gradually build upyour accuracy and speed eventually playing the song perfectly. Not only this but separate audio mixes for the left and right hand will let you focus on one particular part of your playing while the metronome track lets yourehearse at the correct tempo. In a special six-panel gatefold card booklet Over The Rainbow is presented without the need for page-turns. To make this the best guide to learningthis fantastic song some performance hints and tips have been included while the fascinating background notes will give you some information about the song before you start trying to play it. Thisstylish Essential Piano Singles edition of The Wizard Of Oz hit Over The Rainbow makes learning and playing as convenient and easy as possible. With an invaluable downloadcard and some added extras this is all you'll need to learn one of the all-time great songs.
6.99 GBP - vendu par Musicroom GB Délais: En Stock | |
| Dix Bruce: Parking Lot
Picker's Play-Along:
Guitar: Guitar:
Instrumental Tutor Guitare [Partition + CD] Mel Bay
The best way to learn a musical instrument is to play it as much as possible an...(+)
The best way to learn a musical instrument is to play it as much as possible and the most enjoyable way is with other musicians in a band setting. Trading songs interacting with other instrumentalists and building anensemble sound help you learn much faster than approaching a new instrument on your own.Parking Lot Picker's Play-Along: Guitar promotes a fun way of learning by providing you with a band to play alongwith. You can practice chords and rhythm singing and lyrics melodies solos licks and back-up playing along with a real band.The accompanying audio includes Dix Bruce on the Guitar Mandolin and Vocals Bill Evans on theBanjo and Vocals Julie Cline on Vocals and Cindy Browne on the String Bass.The songs are recorded just as they would be played at a jam session or performance with introductions (kickoffs) vocals and solos. By playing(back-up/melody) and singing along you will have a lot of fun while you learn.Open solo spaces in the recordings allow you to play the chords and solos from the book create your own improvised solos or sing the lyricswhile the band provides accompaniment.The book includes fifteen of the most popular Bluegrass Old-Time and Gospel songs recorded at slow and regular tempos in the audio. No matter what your ability level is on the Guitar you can enjoy playing along with the band.
16.99 GBP - vendu par Musicroom GB Délais: En Stock | |
| Bing Crosby Irving
Berlin: Essential Piano
Singles: White Christmas:
Piano Piano, Voix et Guitare [Partition + Accès audio] Amsco Wise Publications
The Essential Piano Singles collection is a series of collectible classic songs ...(+)
The Essential Piano Singles collection is a series of collectible classic songs in a Piano and Vocal format and easy-to-play arrangements. Bing Crosby's White Christmas is presentedhere in this innovative design with downloadable audio tracks performance hints and interesting song background notes. This is the best possible way to play and sing this all-time classic tune. All the titlesin the Essential Piano Singles series come with instantly-downloadable audio that includes demonstrations at full and half-tempo. You'll be able to gradually build up your accuracy and speed eventuallyplaying the song perfectly. Not only this but separate audio mixes for the left and right hand will let you focus on one particular part of your playing while the metronome track lets you rehearse at the correcttempo. In a special six-panel gatefold card booklet White Christmas is presented without the need for page-turns. To make this the best guide to learning this fantastic song someperformance hints and tips have been included while the fascinating background notes will give you some information about the song before you start trying to play it. This stylish EssentialPiano Singles edition of Bing Crosby's enduring hit White Christmas makes learning and playing as convenient and easy as possible. With an invaluable download card and some added extras this is all you'll need to learn one of the all-time great songs.
6.99 GBP - vendu par Musicroom GB Délais: En Stock | |
| Muse: Play Piano With...
Muse: Piano: Vocal Album
Piano, Voix et Guitare [Partition + CD] - Intermédiaire Amsco Wise Publications
For the first time you learn to play the original Piano parts to eight fantasti...(+)
For the first time you learn to play the original Piano parts to eight fantastically great Muse songs with some exceptional backing tracks. This book is the only way that you can experience what it's like to Play PianoWith... Muse. Muse have more than earned their status as one of the UK's most exciting rock bands. They are a powerful three-piece whose experimental and magical alternative rocktranslates well to their energetic and spectacular live shows. Frontman Matt Bellamy is a unique talent at singing playing the Guitar and the Piano and it's the latter which is celebrated in this special book. He is often seenas one of the greatest modern rock guitarists working today but his abilities as a pianist are arguably equal to his riff-making talents. Featuring eight fan-favourites these Muse tracksare some of their best work and certainly some of Matt Bellamy's best writing. Including their incredible cover of Feeling Good the simply brilliant Butterflies And Hurricanes the emotional Sing ForAbsolution and many more. The indisputably great Piano playing on many of Muse's albums is nothing short of inspirational and just listening to them will definitely make you want to Play PianoWith them. With this CD you can listen to the professionally recorded 'soundalike' performances to hear exactly how each of these songs should sound and then the backing tracks have thePiano part removed so you can play along as if you were a part of this great contemporary rock band. Then using the sheet music you can learn every precise note and chord as Bellamy wrote them. The songs are presented instandard notation with melody line as well as Guitar chord boxes and full lyrics. For fans of Muse great contemporary Piano playing or just rock music in general this book and CD will
19.99 GBP - vendu par Musicroom GB Délais: En Stock | |
| Sam Smith: Essential
Piano Singles: Stay With
Me: Piano Vocal Guitar:
Single Piano, Voix et Guitare [Partition + Accès audio] Amsco Wise Publications
The Essential Piano Singles collection is a series of collectible classic songs ...(+)
The Essential Piano Singles collection is a series of collectible classic songs in a Piano and Vocal format and easy-to-play arrangements. Sam Smith's Stay With Me is presented here inthis innovative design with downloadable audio tracks performance hints and interesting song background notes. This is the best possible way to play and sing this all-time classic tune. All the titles in theEssential Piano Singles series come with instantly-downloadable audio that includes demonstrations at full and half-tempo. You'll be able to gradually build up your accuracy and speed eventually playing thesong perfectly. Not only this but separate audio mixes for the left and right hand will let you focus on one particular part of your playing while the metronome track lets you rehearse at the correcttempo. In a special six-panel gatefold card booklet Stay With Me is presented without the need for page-turns. To make this the best guide to learning this fantastic song someperformance hints and tips have been included while the fascinating background notes will give you some information about the song before you start trying to play it. This stylish EssentialPiano Singles edition of Sam Smith's worldwide smash-hit Stay With Me makes learning and playing as convenient and easy as possible. With an invaluable download card and some added extras this is all you'll need to learn one of the all-time great songs.
6.99 GBP - vendu par Musicroom GB Délais: En Stock | |
| Essential Piano Singles :
Simon And Garfunkel -
Bridge Over Troubled
Water - Single Sheet -
Audio Download Piano, Voix et Guitare [Partition + Accès audio] Amsco Wise Publications
The Essential Piano Singles collection is a series of collectible classic songs ...(+)
The Essential Piano Singles collection is a series of collectible classic songs in a Piano and Vocal format and easy-to-play arrangements. Simon and Garfunkel's Bridge Over Troubled Water is presented here in this innovative design, with downloadable audio tracks, performance hints and interesting song background notes. This is the best possible way to play and sing this all-time classic tune.All the titles in the Essential Piano Singles series come with instantly-downloadable audio that includes demonstrations at full and half-tempo. You'll be able to gradually build up your accuracy and speed, eventually playing the song perfectly. Not only this, but separate audio mixes for the left and right hand will let you focus on one particular part of your playing, while the metronome track lets you rehearse at the correct tempo.In a special six-panel, gatefold card booklet, Bridge Over Troubled Water is presented without the need for page-turns. To make this the best guide to learning this fantastic song, some performance hints and tips have been included, while the fascinating background notes will give you some information about the song before you start trying to play it.This stylish Essential Piano Singles edition of Simon and Garfunkel's well-loved Bridge Over Troubled Water makes learning and playing as convenient and easy as possible. With an invaluable download card and some added extras, this is all you'll need to learn one of the all-time great songs. / Piano/Vocal/Guitare (PVG)
8.86 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Essential Piano Singles :
Leonard Cohen -
Hallelujah - Single Sheet
- Audio Download Piano, Voix et Guitare [Partition + Accès audio] Amsco Wise Publications
The Essential Piano Singles collection is a series of collectible classic songs ...(+)
The Essential Piano Singles collection is a series of collectible classic songs in a Piano and Vocal format and easy-to-play arrangements. Leonard Cohen's Hallelujah is presented here in this innovative design, with downloadable audio tracks, performance hints and interesting song background notes. This is the best possible way to play and sing this all-time classic tune.All the titles in the Essential Piano Singles series come with instantly-downloadable audio that includes demonstrations at full and half-tempo. You'll be able to gradually build up your accuracy and speed, eventually playing the song perfectly. Not only this, but separate audio mixes for the left and right hand will let you focus on one particular part of your playing, while the metronome track lets you rehearse at the correct tempo.In a special six-panel, gatefold card booklet, Leonard Cohen's Hallelujah is presented without the need for page-turns. To make this the best guide to learning this fantastic song, there is suggested fingering throughout, some performance hints and tips have been included, while the fascinating background notes will give you some information about the song before you start trying to play it.This stylish Essential Piano Singles edition of Leonard Cohen's hit Hallelujah makes learning and playing as convenient and easy as possible. With an invaluable download card and some added extras, this is all you'll need to learn one of the all-time great songs. / Piano/Vocal/Guitare (PVG)
22.58 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
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| Play Music Together Book And DVD Guitare [Partition + DVD] - Débutant iPlay Music
iPlayMusic Play Music Together (Learn Guitar and Sing with Your Kids!). Edited b...(+)
iPlayMusic Play Music
Together (Learn Guitar
and Sing with Your
Kids!). Edited by Quincy
Carroll. Education.
Softcover with DVD. 64
pages. IPlay Music
#IP10024. Published by
iPlay Music
$14.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Gustave Vogt's Musical Album of Autographs Cor anglais, Piano Carl Fischer
Chamber Music English Horn, Oboe SKU: CF.WF229 15 Pieces for Oboe and ...(+)
Chamber Music English
Horn, Oboe SKU:
CF.WF229 15 Pieces
for Oboe and English
Horn. Composed by
Gustave Vogt. Edited by
Kristin Jean Leitterman.
Collection - Performance.
32+8 pages. Carl Fischer
Music #WF229. Published
by Carl Fischer Music
(CF.WF229). ISBN
9781491153789. UPC:
680160911288. Intro
duction Gustave Vogt's
Musical Paris Gustave
Vogt (1781-1870) was born
into the Age of
Enlightenment, at the
apex of the
Enlightenment's outreach.
During his lifetime he
would observe its effect
on the world. Over the
course of his life he
lived through many
changes in musical style.
When he was born,
composers such as Mozart
and Haydn were still
writing masterworks
revered today, and
eighty-nine years later,
as he departed the world,
the new realm of
Romanticism was beginning
to emerge with Mahler,
Richard Strauss and
Debussy, who were soon to
make their respective
marks on the musical
world. Vogt himself left
a huge mark on the
musical world, with
critics referring to him
as the grandfather of the
modern oboe and the
premier oboist of Europe.
Through his eighty-nine
years, Vogt would live
through what was perhaps
the most turbulent period
of French history. He
witnessed the French
Revolution of 1789,
followed by the many
newly established
governments, only to die
just months before the
establishment of the
Third Republic in 1870,
which would be the
longest lasting
government since the
beginning of the
revolution. He also
witnessed the
transformation of the
French musical world from
one in which opera
reigned supreme, to one
in which virtuosi,
chamber music, and
symphonic music ruled.
Additionally, he
experienced the
development of the oboe
right before his eyes.
When he began playing in
the late eighteenth
century, the standard
oboe had two keys (E and
Eb) and at the time of
his death in 1870, the
System Six Triebert oboe
(the instrument adopted
by Conservatoire
professor, Georges
Gillet, in 1882) was only
five years from being
developed. Vogt was born
March 18, 1781 in the
ancient town of
Strasbourg, part of the
Alsace region along the
German border. At the
time of his birth,
Strasbourg had been
annexed by Louis XIV, and
while heavily influenced
by Germanic culture, had
been loosely governed by
the French for a hundred
years. Although it is
unclear when Vogt began
studying the oboe and
when his family made its
move to the French
capital, the Vogts may
have fled Strasbourg in
1792 after much of the
city was destroyed during
the French Revolution. He
was without question
living in Paris by 1798,
as he enrolled on June 8
at the newly established
Conservatoire national de
Musique to study oboe
with the school's first
oboe professor,
Alexandre-Antoine
Sallantin (1775-1830).
Vogt's relationship with
the Conservatoire would
span over half a century,
moving seamlessly from
the role of student to
professor. In 1799, just
a year after enrolling,
he was awarded the
premier prix, becoming
the fourth oboist to
achieve this award. By
1802 he had been
appointed repetiteur,
which involved teaching
the younger students and
filling in for Sallantin
in exchange for a free
education. He maintained
this rank until 1809,
when he was promoted to
professor adjoint and
finally to professor
titulaire in 1816 when
Sallantin retired. This
was a position he held
for thirty-seven years,
retiring in 1853, making
him the longest serving
oboe professor in the
school's history. During
his tenure, he became the
most influential oboist
in France, teaching
eighty-nine students,
plus sixteen he taught
while he was professor
adjoint and professor
titulaire. Many of these
students went on to be
famous in their own
right, such as Henri Brod
(1799-1839), Apollon
Marie-Rose Barret
(1804-1879), Charles
Triebert (1810-1867),
Stanislas Verroust
(1814-1863), and Charles
Colin (1832-1881). His
influence stretches from
French to American oboe
playing in a direct line
from Charles Colin to
Georges Gillet
(1854-1920), and then to
Marcel Tabuteau
(1887-1966), the oboist
Americans lovingly
describe as the father of
American oboe playing.
Opera was an important
part of Vogt's life. His
first performing position
was with the
Theatre-Montansier while
he was still studying at
the Conservatoire.
Shortly after, he moved
to the Ambigu-Comique
and, in 1801 was
appointed as first oboist
with the Theatre-Italien
in Paris. He had been in
this position for only a
year, when he began
playing first oboe at the
Opera-Comique. He
remained there until
1814, when he succeeded
his teacher,
Alexandre-Antoine
Sallantin, as soloist
with the Paris Opera, the
top orchestra in Paris at
the time. He played with
the Paris Opera until
1834, all the while
bringing in his current
and past students to fill
out the section. In this
position, he began to
make a name for himself;
so much so that specific
performances were
immortalized in memoirs
and letters. One comes
from a young Hector
Berlioz (1803-1865) after
having just arrived in
Paris in 1822 and
attended the Paris
Opera's performance of
Mehul's Stratonice and
Persuis' ballet Nina. It
was in response to the
song Quand le bien-amie
reviendra that Berlioz
wrote: I find it
difficult to believe that
that song as sung by her
could ever have made as
true and touching an
effect as the combination
of Vogt's instrument...
Shortly after this,
Berlioz gave up studying
medicine and focused on
music. Vogt frequently
made solo and chamber
appearances throughout
Europe. His busiest
period of solo work was
during the 1820s. In 1825
and 1828 he went to
London to perform as a
soloist with the London
Philharmonic Society.
Vogt also traveled to
Northern France in 1826
for concerts, and then in
1830 traveled to Munich
and Stuttgart, visiting
his hometown of
Strasbourg on the way.
While on tour, Vogt
performed Luigi
Cherubini's (1760-1842)
Ave Maria, with soprano
Anna (Nanette) Schechner
(1806-1860), and a
Concertino, presumably
written by himself. As a
virtuoso performer in
pursuit of repertoire to
play, Vogt found himself
writing much of his own
music. His catalog
includes chamber music,
variation sets, vocal
music, concerted works,
religious music, wind
band arrangements, and
pedagogical material. He
most frequently performed
his variation sets, which
were largely based on
themes from popular
operas he had, presumably
played while he was at
the Opera. He made his
final tour in 1839,
traveling to Tours and
Bordeaux. During this
tour he appeared with the
singer Caroline Naldi,
Countess de Sparre, and
the violinist Joseph
Artot (1815-1845). This
ended his active career
as a soloist. His
performance was described
in the Revue et gazette
musicale de Paris as
having lost none of his
superiority over the
oboe.... It's always the
same grace, the same
sweetness. We made a trip
to Switzerland, just by
closing your eyes and
listening to Vogt's oboe.
Vogt was also active
performing in Paris as a
chamber and orchestral
musician. He was one of
the founding members of
the Societe des Concerts
du Conservatoire, a group
established in 1828 by
violinist and conductor
Francois-Antoine Habeneck
(1781-1849). The group
featured faculty and
students performing
alongside each other and
works such as Beethoven
symphonies, which had
never been heard in
France. He also premiered
the groundbreaking
woodwind quintets of
Antonin Reicha
(1770-1836). After his
retirement from the Opera
in 1834 and from the
Societe des Concerts du
Conservatoire in 1842,
Vogt began to slow down.
His final known
performance was of
Cherubini's Ave Maria on
English horn with tenor
Alexis Dupont (1796-1874)
in 1843. He then began to
reflect on his life and
the people he had known.
When he reached his 60s,
he began gathering
entries for his Musical
Album of Autographs.
Autograph Albums Vogt's
Musical Album of
Autographs is part of a
larger practice of
keeping autograph albums,
also commonly known as
Stammbuch or Album
Amicorum (meaning book of
friendship or friendship
book), which date back to
the time of the
Reformation and the
University of Wittenberg.
It was during the
mid-sixteenth century
that students at the
University of Wittenberg
began passing around
bibles for their fellow
students and professors
to sign, leaving messages
to remember them by as
they moved on to the next
part of their lives. The
things people wrote were
mottos, quotes, and even
drawings of their family
coat of arms or some
other scene that meant
something to the owner.
These albums became the
way these young students
remembered their school
family once they had
moved on to another
school or town. It was
also common for the
entrants to comment on
other entries and for the
owner to amend entries
when they learned of
important life details
such as marriage or
death. As the practice
continued, bibles were
set aside for emblem
books, which was a
popular book genre that
featured allegorical
illustrations (emblems)
in a tripartite form:
image, motto, epigram.
The first emblem book
used for autographs was
published in 1531 by
Andrea Alciato
(1492-1550), a collection
of 212 Latin emblem
poems. In 1558, the first
book conceived for the
purpose of the album
amicorum was published by
Lyon de Tournes
(1504-1564) called the
Thesaurus Amicorum. These
books continued to
evolve, and spread to
wider circles away from
universities. Albums
could be found being kept
by noblemen, physicians,
lawyers, teachers,
painters, musicians, and
artisans. The albums
eventually became more
specialized, leading to
Musical Autograph Albums
(or Notestammbucher).
Before this
specialization, musicians
contributed in one form
or another, but our
knowledge of them in
these albums is mostly
limited to individual
people or events. Some
would simply sign their
name while others would
insert a fragment of
music, usually a canon
(titled fuga) with text
in Latin. Canons were
popular because they
displayed the
craftsmanship of the
composer in a limited
space. Composers
well-known today,
including J. S. Bach,
Telemann, Mozart,
Beethoven, Dowland, and
Brahms, all participated
in the practice, with
Beethoven being the first
to indicate an interest
in creating an album only
of music. This interest
came around 1815. In an
1845 letter from Johann
Friedrich Naue to
Heinrich Carl
Breidenstein, Naue
recalled an 1813 visit
with Beethoven, who
presented a book
suggesting Naue to
collect entries from
celebrated musicians as
he traveled. Shortly
after we find Louis Spohr
speaking about leaving on
his grand tour through
Europe in 1815 and of his
desire to carry an album
with entries from the
many artists he would
come across. He wrote in
his autobiography that
his most valuable
contribution came from
Beethoven in 1815.
Spohr's Notenstammbuch,
comprised only of musical
entries, is
groundbreaking because it
was coupled with a
concert tour, allowing
him to reach beyond the
Germanic world, where the
creation of these books
had been nearly
exclusive. Spohr brought
the practice of
Notenstammbucher to
France, and in turn
indirectly inspired Vogt
to create a book of his
own some fifteen years
later. Vogt's Musical
Album of Autographs
Vogt's Musical Album of
Autographs acts as a form
of a memoir, displaying
mementos of musicians who
held special meaning in
his life as well as
showing those with whom
he was enamored from the
younger generation. The
anonymous Pie Jesu
submitted to Vogt in 1831
marks the beginning of an
album that would span
nearly three decades by
the time the final entry,
an excerpt from Charles
Gounod's (1818-1893)
Faust, which premiered in
1859, was submitted.
Within this album we find
sixty-two entries from
musicians whom he must
have known very well
because they were
colleagues at the
Conservatoire, or
composers of opera whose
works he was performing
with the Paris Opera.
Other entries came from
performers with whom he
had performed and some
who were simply passing
through Paris, such as
Joseph Joachim
(1831-1907). Of the
sixty-three total
entries, some are
original, unpublished
works, while others came
from well-known existing
works. Nineteen of these
works are for solo piano,
sixteen utilize the oboe
or English horn, thirteen
feature the voice (in
many different
combinations, including
vocal solos with piano,
and small choral settings
up to one with double
choir), two feature
violin as a solo
instrument, and one even
features the now obscure
ophicleide. The
connections among the
sixty-two contributors to
Vogt's album are
virtually never-ending.
All were acquainted with
Vogt in some capacity,
from long-time
friendships to
relationships that were
created when Vogt
requested their entry.
Thus, while Vogt is the
person who is central to
each of these musicians,
the web can be greatly
expanded. In general, the
connections are centered
around the Conservatoire,
teacher lineages, the
Opera, and performing
circles. The
relationships between all
the contributors in the
album parallel the
current musical world, as
many of these kinds of
relationships still
exist, and permit us to
fantasize who might be
found in an album created
today by a musician of
the same standing. Also
important, is what sort
of entries the
contributors chose to
pen. The sixty-three
entries are varied, but
can be divided into
published and unpublished
works. Within the
published works, we find
opera excerpts, symphony
excerpts, mass excerpts,
and canons, while the
unpublished works include
music for solo piano,
oboe or English horn,
string instruments
(violin and cello), and
voice (voice with piano
and choral). The music
for oboe and English horn
works largely belong in
the unpublished works of
the album. These entries
were most likely written
to honor Vogt. Seven are
for oboe and piano and
were contributed by
Joseph Joachim, Pauline
Garcia Viardot
(1821-1910), Joseph
Artot, Anton Bohrer
(1783-1852), Georges
Onslow (1784-1853),
Desire Beaulieu
(1791-1863), and Narcisse
Girard (1797-1860). The
common thread between
these entries is the
simplicity of the melody
and structure. Many are
repetitive, especially
Beaulieu's entry, which
features a two-note
ostinato throughout the
work, which he even
included in his
signature. Two composers
contributed pieces for
English horn and piano,
and like the previous
oboe entries, are simple
and repetitive. These
were written by Michele
Carafa (1787-1872) and
Louis Clapisson
(1808-1866). There are
two other entries that
were unpublished works
and are chamber music.
One is an oboe trio by
Jacques Halevy
(1799-1862) and the other
is for oboe and strings
(string trio) by J. B.
Cramer (1771-1858). There
are five published works
in the album for oboe and
English horn. There are
three from operas and the
other two from symphonic
works. Ambroise Thomas
(1811-1896) contributed
an excerpt from the
Entr'acte of his opera La
Guerillero, and was
likely chosen because the
oboe was featured at this
moment. Hippolyte Chelard
(1789-1861) also chose to
honor Vogt by writing for
English horn. His entry,
for English horn and
piano, is taken from his
biggest success, Macbeth.
The English horn part was
actually taken from Lady
Macbeth's solo in the
sleepwalking scene.
Vogt's own entry also
falls into this category,
as he entered an excerpt
from Donizetti's Maria di
Rohan. The excerpt he
chose is a duet between
soprano and English horn.
There are two entries
featuring oboe that are
excerpted from symphonic
repertoire. One is a
familiar oboe melody from
Beethoven's Pastoral
Symphony entered by his
first biographer, Anton
Schindler (1796-1864).
The other is an excerpt
from Berlioz's choral
symphony, Romeo et
Juliette. He entered an
oboe solo from the Grand
Fete section of the
piece. Pedagogical
benefit All of these
works are lovely, and fit
within the album
wonderfully, but these
works also are great oboe
and English horn music
for young students. The
common thread between
these entries is the
simplicity of the melody
and structure. Many are
repetitive, especially
Beaulieu's entry, which
features a two-note
ostinato throughout the
work in the piano. This
repetitive structure is
beneficial for young
students for searching
for a short solo to
present at a studio
recital, or simply to
learn. They also work
many technical issues a
young player may
encounter, such as
mastering the rolling
finger to uncover and
recover the half hole.
This is true of Bealieu's
Pensee as well as
Onslow's Andantino.
Berlioz's entry from
Romeo et Juliette
features very long
phrases, which helps with
endurance and helps keep
the air spinning through
the oboe. Some of the
pieces also use various
levels of ornamentation,
from trills to grace
notes, and short
cadenzas. This allows the
student to learn
appropriate ways to
phrase with these added
notes. The chamber music
is a valuable way to
start younger students
with chamber music,
especially the short
quartet by Cramer for
oboe and string trio. All
of these pieces will not
tax the student to learn
a work that is more
advanced, as well as give
them a full piece that
they can work on from
beginning to end in a
couple weeks, instead of
months. Editorial Policy
The works found in this
edition are based on the
manuscript housed at the
Morgan Library in New
York City (call number
Cary 348, V886. A3). When
possible, published
scores were consulted and
compared to clarify pitch
and text. The general
difficulties in creating
an edition of these works
stem from entries that
appear to be hastily
written, and thus omit
complete articulations
and dynamic indications
for all passages and
parts. The manuscript has
been modernized into a
performance edition. The
score order from the
manuscript has been
retained. If an entry
also exists in a
published work, and this
was not indicated on the
manuscript, appropriate
titles and subtitles have
been added tacitly. For
entries that were
untitled, the beginning
tempo marking or
expressive directive has
been added as its title
tacitly. Part names have
been changed from the
original language to
English. If no part name
was present, it was added
tacitly. All scores are
transposing where
applicable. Measure
numbers have been added
at the beginning of every
system. Written
directives have been
retained in the original
language and are placed
relative to where they
appear in the manuscript.
Tempo markings from the
manuscript have been
retained, even if they
were abbreviated, i.e.,
Andte. The barlines,
braces, brackets, and
clefs are modernized. The
beaming and stem
direction has been
modernized. Key
signatures have been
modernized as some of the
flats/sharps do not
appear on the correct
lines or spaces. Time
signatures have been
modernized. In a few
cases, when a time
signature was missing in
the manuscript, it has
been added tacitly.
Triplet and rhythmic
groupings have been
modernized. Slurs, ties,
and articulations
(staccato and accent)
have been modernized.
Slurs, ties, and
articulations have been
added to parallel
passages tacitly.
Courtesy accidentals
found in the manuscript
have been removed, unless
it appeared to be helpful
to the performer. Dynamic
indications from the
manuscript have been
retained, except where
noted. --Kristin
Leitterman. Introducti
onGustave Vogt’s
Musical ParisGustave Vogt
(1781–1870) was
born into the “Age
of Enlightenment,â€
at the apex of the
Enlightenment’s
outreach. During his
lifetime he would observe
its effect on the world.
Over the course of his
life he lived through
many changes in musical
style. When he was born,
composers such as Mozart
and Haydn were still
writing masterworks
revered today, and
eighty-nine years later,
as he departed the world,
the new realm of
Romanticism was beginning
to emerge with Mahler,
Richard Strauss and
Debussy, who were soon to
make their respective
marks on the musical
world. Vogt himself left
a huge mark on the
musical world, with
critics referring to him
as the “grandfather
of the modern oboeâ€
and the “premier
oboist of
Europe.â€Through his
eighty-nine years, Vogt
would live through what
was perhaps the most
turbulent period of
French history. He
witnessed the French
Revolution of 1789,
followed by the many
newly established
governments, only to die
just months before the
establishment of the
Third Republic in 1870,
which would be the
longest lasting
government since the
beginning of the
revolution. He also
witnessed the
transformation of the
French musical world from
one in which opera
reigned supreme, to one
in which virtuosi,
chamber music, and
symphonic music ruled.
Additionally, he
experienced the
development of the oboe
right before his eyes.
When he began playing in
the late eighteenth
century, the standard
oboe had two keys (E and
Eb) and at the time of
his death in 1870, the
“System Sixâ€
Triébert oboe (the
instrument adopted by
Conservatoire professor,
Georges Gillet, in 1882)
was only five years from
being developed.Vogt was
born March 18, 1781 in
the ancient town of
Strasbourg, part of the
Alsace region along the
German border. At the
time of his birth,
Strasbourg had been
annexed by Louis XIV, and
while heavily influenced
by Germanic culture, had
been loosely governed by
the French for a hundred
years. Although it is
unclear when Vogt began
studying the oboe and
when his family made its
move to the French
capital, the Vogts may
have fled Strasbourg in
1792 after much of the
city was destroyed during
the French Revolution. He
was without question
living in Paris by 1798,
as he enrolled on June 8
at the newly established
Conservatoire national de
Musique to study oboe
with the school’s
first oboe professor,
Alexandre-Antoine
Sallantin
(1775–1830).Vogtâ
€™s relationship with
the Conservatoire would
span over half a century,
moving seamlessly from
the role of student to
professor. In 1799, just
a year after enrolling,
he was awarded the
premier prix, becoming
the fourth oboist to
achieve this award. By
1802 he had been
appointed
répétiteur, which
involved teaching the
younger students and
filling in for Sallantin
in exchange for a free
education. He maintained
this rank until 1809,
when he was promoted to
professor adjoint and
finally to professor
titulaire in 1816 when
Sallantin retired. This
was a position he held
for thirty-seven years,
retiring in 1853, making
him the longest serving
oboe professor in the
school’s history.
During his tenure, he
became the most
influential oboist in
France, teaching
eighty-nine students,
plus sixteen he taught
while he was professor
adjoint and professor
titulaire. Many of these
students went on to be
famous in their own
right, such as Henri Brod
(1799–1839),
Apollon Marie-Rose Barret
(1804–1879),
Charles Triebert
(1810–1867),
Stanislas Verroust
(1814–1863), and
Charles Colin
(1832–1881). His
influence stretches from
French to American oboe
playing in a direct line
from Charles Colin to
Georges Gillet
(1854–1920), and
then to Marcel Tabuteau
(1887–1966), the
oboist Americans lovingly
describe as the
“father of American
oboe playing.â€Opera
was an important part of
Vogt’s life. His
first performing position
was with the
Théâtre-Montansier
while he was still
studying at the
Conservatoire. Shortly
after, he moved to the
Ambigu-Comique and, in
1801 was appointed as
first oboist with the
Théâtre-Italien in
Paris. He had been in
this position for only a
year, when he began
playing first oboe at the
Opéra-Comique. He
remained there until
1814, when he succeeded
his teacher,
Alexandre-Antoine
Sallantin, as soloist
with the Paris Opéra,
the top orchestra in
Paris at the time. He
played with the Paris
Opéra until 1834, all
the while bringing in his
current and past students
to fill out the section.
In this position, he
began to make a name for
himself; so much so that
specific performances
were immortalized in
memoirs and letters. One
comes from a young Hector
Berlioz
(1803–1865) after
having just arrived in
Paris in 1822 and
attended the Paris
Opéra’s
performance of
Mehul’s Stratonice
and Persuis’
ballet Nina. It was in
response to the song
Quand le bien-amié
reviendra that Berlioz
wrote: “I find it
difficult to believe that
that song as sung by her
could ever have made as
true and touching an
effect as the combination
of Vogt’s
instrument…â€
Shortly after this,
Berlioz gave up studying
medicine and focused on
music.Vogt frequently
made solo and chamber
appearances throughout
Europe. His busiest
period of solo work was
during the 1820s. In 1825
and 1828 he went to
London to perform as a
soloist with the London
Philharmonic Society.
Vogt also traveled to
Northern France in 1826
for concerts, and then in
1830 traveled to Munich
and Stuttgart, visiting
his hometown of
Strasbourg on the way.
While on tour, Vogt
performed Luigi
Cherubini’s
(1760–1842) Ave
Maria, with soprano Anna
(Nanette) Schechner
(1806–1860), and a
Concertino, presumably
written by himself. As a
virtuoso performer in
pursuit of repertoire to
play, Vogt found himself
writing much of his own
music. His catalog
includes chamber music,
variation sets, vocal
music, concerted works,
religious music, wind
band arrangements, and
pedagogical material. He
most frequently performed
his variation sets, which
were largely based on
themes from popular
operas he had, presumably
played while he was at
the Opéra.He made his
final tour in 1839,
traveling to Tours and
Bordeaux. During this
tour he appeared with the
singer Caroline Naldi,
Countess de Sparre, and
the violinist Joseph
Artôt
(1815–1845). This
ended his active career
as a soloist. His
performance was described
in the Revue et gazette
musicale de Paris as
having “lost none
of his superiority over
the oboe….
It’s always the
same grace, the same
sweetness. We made a trip
to Switzerland, just by
closing your eyes and
listening to
Vogt’s
oboe.â€Vogt was also
active performing in
Paris as a chamber and
orchestral musician. He
was one of the founding
members of the
Société des
Concerts du
Conservatoire, a group
established in 1828 by
violinist and conductor
François-Antoine
Habeneck
(1781–1849). The
group featured faculty
and students performing
alongside each other and
works such as Beethoven
symphonies, which had
never been heard in
France. He also premiered
the groundbreaking
woodwind quintets of
Antonin Reicha
(1770–1836).After
his retirement from the
Opéra in 1834 and from
the Société des
Concerts du Conservatoire
in 1842, Vogt began to
slow down. His final
known performance was of
Cherubini’s Ave
Maria on English horn
with tenor Alexis Dupont
(1796–1874) in
1843. He then began to
reflect on his life and
the people he had known.
When he reached his 60s,
he began gathering
entries for his Musical
Album of
Autographs.Autograph
AlbumsVogt’s
Musical Album of
Autographs is part of a
larger practice of
keeping autograph albums,
also commonly known as
Stammbuch or Album
Amicorum (meaning book of
friendship or friendship
book), which date back to
the time of the
Reformation and the
University of Wittenberg.
It was during the
mid-sixteenth century
that students at the
University of Wittenberg
began passing around
bibles for their fellow
students and professors
to sign, leaving messages
to remember them by as
they moved on to the next
part of their lives. The
things people wrote were
mottos, quotes, and even
drawings of their family
coat of arms or some
other scene that meant
something to the owner.
These albums became the
way these young students
remembered their school
family once they had
moved on to another
school or town. It was
also common for the
entrants to comment on
other entries and for the
owner to amend entries
when they learned of
important life details
such as marriage or
death.As the practice
continued, bibles were
set aside for emblem
books, which was a
popular book genre that
featured allegorical
illustrations (emblems)
in a tripartite form:
image, motto, epigram.
The first emblem book
used for autographs was
published in 1531 by
Andrea Alciato
(1492–1550), a
collection of 212 Latin
emblem poems. In 1558,
the first book conceived
for the purpose of the
album amicorum was
published by Lyon de
Tournes
(1504–1564) called
the Thesaurus Amicorum.
These books continued to
evolve, and spread to
wider circles away from
universities. Albums
could be found being kept
by noblemen, physicians,
lawyers, teachers,
painters, musicians, and
artisans.The albums
eventually became more
specialized, leading to
Musical Autograph Albums
(or Notestammbücher).
Before this
specialization, musicians
contributed in one form
or another, but our
knowledge of them in
these albums is mostly
limited to individual
people or events. Some
would simply sign their
name while others would
insert a fragment of
music, usually a canon
(titled fuga) with text
in Latin. Canons were
popular because they
displayed the
craftsmanship of the
composer in a limited
space. Composers
well-known today,
including J. S. Bach,
Telemann, Mozart,
Beethoven, Dowland, and
Brahms, all participated
in the practice, with
Beethoven being the first
to indicate an interest
in creating an album only
of music.This interest
came around 1815. In an
1845 letter from Johann
Friedrich Naue to
Heinrich Carl
Breidenstein, Naue
recalled an 1813 visit
with Beethoven, who
presented a book
suggesting Naue to
collect entries from
celebrated musicians as
he traveled. Shortly
after we find Louis Spohr
speaking about leaving on
his “grand
tour†through
Europe in 1815 and of his
desire to carry an album
with entries from the
many artists he would
come across. He wrote in
his autobiography that
his “most valuable
contribution†came
from Beethoven in 1815.
Spohr’s
Notenstammbuch, comprised
only of musical entries,
is groundbreaking because
it was coupled with a
concert tour, allowing
him to reach beyond the
Germanic world, where the
creation of these books
had been nearly
exclusive. Spohr brought
the practice of
Notenstammbücher to
France, and in turn
indirectly inspired Vogt
to create a book of his
own some fifteen years
later.Vogt’s
Musical Album of
AutographsVogt’s
Musical Album of
Autographs acts as a form
of a memoir, displaying
mementos of musicians who
held special meaning in
his life as well as
showing those with whom
he was enamored from the
younger generation. The
anonymous Pie Jesu
submitted to Vogt in 1831
marks the beginning of an
album that would span
nearly three decades by
the time the final entry,
an excerpt from Charles
Gounod’s
(1818–1893) Faust,
which premiered in 1859,
was submitted.Within this
album ... $16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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The Method for a New Generation. Rock House. Instruction. Softcover with CD. ...(+)
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72 pages. Published by
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Complete Course for All Singers. Rock House. Instruction, Method. Softcover M...(+)
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(Trombone). Composed by
Gordon
Goodwin. For Trombone.
Book;
Brass - Trombone and
Baritone
Method or Collection;
DVD;
Play-Along. Jazz. 6 ;
Grade 5.
76 pages. Published by
Alfred
Music
$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Gordon Goodwin's Big Phat Play Along, Volume 2 Batterie [Partition + DVD] Alfred Publishing
(Drums). Composed by Gordon Goodwin. For Drums. Book; DVD; Percussion - Drum...(+)
(Drums). Composed by
Gordon
Goodwin. For Drums. Book;
DVD;
Percussion - Drum Set
Method
or Collection;
Play-Along.
Jazz. 6 ; Grade 5. 76
pages.
Published by Alfred Music
$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Gordon Goodwin's Big Phat Play Along, Volume 2
Saxophone Tenor [Partition + DVD] Alfred Publishing
(Tenor Saxophone). Composed by Gordon Goodwin. For Tenor Saxophone. Book; DVD;...(+)
(Tenor Saxophone).
Composed by
Gordon Goodwin. For Tenor
Saxophone. Book; DVD;
Play-
Along; Woodwind -
Saxophone
Method or Collection.
Jazz.
6 ; Grade 5. 76 pages.
Published by Alfred Music
$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Gordon Goodwin's Big Phat Play Along, Volume 2
Saxophone Alto [Partition + DVD] Alfred Publishing
(Alto Saxophone). Composed by Gordon Goodwin. For Alto Saxophone. Book; DVD; P...(+)
(Alto Saxophone).
Composed by
Gordon Goodwin. For Alto
Saxophone. Book; DVD;
Play-
Along; Woodwind -
Saxophone
Method or Collection.
Jazz.
6 ; Grade 5. 76 pages.
Published by Alfred Music
$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Real Little Ultimate Fake Book - 3rd Edition (C Edition) [Fake Book] Hal Leonard
Fakebook (spiral bound) for voice and C instrument. With vocal melody, lyrics, c...(+)
Fakebook (spiral bound)
for voice and C
instrument. With vocal
melody, lyrics, chord
names, leadsheet notation
and guitar chord chart.
Series: Hal Leonard Fake
Books. 813 pages.
Published by Hal Leonard.
(4)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ultimate Play-Along Drum Trax: Carmine Appice Guitar Zeus Batterie [Livre + CD] Alfred Publishing
By Rick Gratton with Carmine Appice. For Drum Set. Percussion - Drum Set Method ...(+)
By Rick Gratton with
Carmine Appice. For Drum
Set. Percussion - Drum
Set Method or Collection.
Ultimate Play-Along. Play
along. Book and 2 CDs. 76
pages. Published by
Alfred Publishing.
$24.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Ultimate Play-Along - Carmine Appice Drum Trax Batterie [Partition + DVD] Modern Drummer Publications
Jam with Seven Rockin' Carmine Appice Charts. Percussion. Rock. Softcover wit...(+)
Jam with Seven Rockin'
Carmine Appice Charts.
Percussion. Rock.
Softcover
with DVD. 76 pages.
Modern
Drummer Publications
#0739MD.
Published by Modern
Drummer
Publications
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| How to Play Blues Bass Basse electrique [Partition + Accès audio] Cherry Lane
Learn, Create and Apply Your Own Blues Bass Lines. Bass Instruction. Blue...(+)
Learn, Create and
Apply Your Own Blues Bass
Lines. Bass
Instruction. Blues
Instruction. Softcover
Audio Online. With guitar
tablature. 32 pages.
Published by Cherry Lane
Music (HL.260179).
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| Learn to Play Bass with Metallica Basse electrique [Partition + Accès audio] - Facile Cherry Lane
Bass SKU: HL.2500189 Everything You Need To Know About Starting To Pla...(+)
Bass SKU:
HL.2500189
Everything You Need To
Know About Starting To
Play Bass!. By
Metallica. Hal Leonard
Guitar Method. Metal,
Hard Rock and
Instructional. Softcover
Audio Online. With bass
tablature, standard
notation, chord names,
instructional text,
instructional photos and
introductory text. 48
pages. Published by
Cherry Lane Music
(HL.2500189). ISBN
9781575603339. UPC:
073999196351. 9x12
inches. Joe Charupakorn
Book/Online
Audio. Discover the
basics of playing bass as
you learn hands-on how to
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tracks with complete
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Battery â?¢ Blackened
â?¢ The Call of Ktulu
â?¢ Damage, Inc. â?¢
Enter Sandman â?¢ Eye
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Fade to Black â?¢ Fuel
â?¢ Hero of the Day
â?¢ Mama Said â?¢
Master of Puppets â?¢
One â?¢ Ride the
Lightning â?¢ Seek and
Destroy â?¢ The
Unforgiven â?¢ Until It
Sleeps â?¢ and more.
Audio is accessed online
using the unique code
inside the book and can
be streamed or
downloaded. The audio
files include PLAYBACK ,
a multi-functional audio
player that allows you to
slow down audio without
changing pitch, set loop
points, change keys, and
pan left or right.
About Hal
Leonard Guitar
Method The
world-famous Hal Leonard
Guitar Method is
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Students enjoy its
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| Fingerstyle Funk Bass Lines Basse electrique [Partition + Accès audio] Berklee
Edited by Jonathan Feist. Berklee Guide. Funk, Instruction. Softcover Audio Onli...(+)
Edited by Jonathan Feist.
Berklee Guide. Funk,
Instruction. Softcover
Audio Online. With guitar
tablature. 64 pages.
Published by Berklee
Press
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 3 Steps to Sing Handel Messiah (Tenor) Voix Tenor [DVD] Hal Leonard
(Learn to Sing the Tenor Part of the Handel Messiah in Three Easy Steps). Te...(+)
(Learn to Sing the Tenor
Part
of the Handel Messiah in
Three
Easy Steps). Tenor. Music
Sales America. DVD. Hal
Leonard #CLNSTS0003.
Published
by Hal Leonard
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