six flute sonatas, op.2, volume 2

SKU: HH.HH559-FSP

ISBN 9790708185741.

The flute sonatas, now published in a modern edition for the first time, are all three-movement works. They bubble with life and have moments of great drama, particularly in the development sections of the sonata-form movements. The expressive depth of their slow movements is equally impressive. Ignored for too long, Eiffert deserves respect, recognition and, above all, a chance for his music to be heard again.

SKU: HH.HH558-FSP

ISBN 9790708185734.

The flute sonatas, now published in a modern edition for the first time, are all three-movement works. They bubble with life and have moments of great drama, particularly in the development sections of the sonata-form movements. The expressive depth of their slow movements is equally impressive. Ignored for too long, Eiffert deserves respect, recognition and, above all, a chance for his music to be heard again.

SKU: HL.50485278

ISBN 9790080125496. 9.0x11.75x0.111 inches. B. J. B. Loeillet; Istvan Mariassy.

Territori al restrictions may apply. Please ask before ordering.

SKU: HL.50486059

ISBN 9781423402824. UPC: 073999922974. K/4 (23,5x31) inches. Hungarian, English, German. Jean-Baptiste Loeillet de Gant; Istvan Mariassy.

Territori al restrictions may apply. Please ask before ordering.

SKU: KU.GM-1141B

232x303 inches.

SKU: HL.49003207

ISBN 9790220119194. UPC: 073999475760. 9.0x12.0x0.264 inches.

The 6 Trio Sonatas, Op. V, for 2 Violins or Flutes and Basso continuo were originally published in Amsterdam in 1736 under the supervision of the composer. The present edition * edited by Piera Federici with realization of the Basso continuo by Filippo Ravizza * is based on the text of the Critical Edition published in association with the Stichting-Fondazione Pietro Antonio Locatelli, Amsterdam-Cremona, under the direction of Albert Dunning.

SKU: KU.GM-1141C

232x303 inches.

SKU: KU.GM-1141A

232x303 inches.

SKU: KU.GM-1141D

232x303 inches.

SKU: HL.49042434

ISBN 9783795794491. 10.25x13.5x1.141 inches. German.

Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.