SKU: HL.14032248
ISBN 9780853605331. 8.25x11.75x0.505 inches.
Aulis Sallinen was born in 1935 in Salmi on the northern shore of Lake Ladoga (which the Soviet Union claimed in 1944). His early musical experience was playing the violin. Improvising (including jazz) on the piano led him to write his first compositions as a teenager. After studying with Aarre Merikanto and Joonas Kokkonen at the Sibelius Academy, he joined the staff there. He was Administrator of the Finnish Radio Symphony Orchestra (1960-69); Secretary and member of the Board (1958-73), then Chairman (1971-73) of the Finnish Composers' Society; member of the board of TEOSTO (Finnish copyright society) from 1970-84, then Chairman from 1988-90; he also served for several years on the Board of the Finnish National Opera. Here is the Facsimile of the Sixth Symphony that was composed over 1989-1990, and commissioned and first performed by the New Zealand Symphony Orchestra.
SKU: SU.80603120
Sixth SymphonyOrchestra Composed: 1998 Published by: E.B. Marks.
SKU: BR.OB-5236-30
Hauschild's new edition is based on all the major primary sources: autograph, first edition of the parts, copies of the score supervised by Beethoven, and the first edition of the score.
Have a look into ISBN 9790004335093. 10 x 12.5 inches.
Beethoven's Sixth Symphony (Pastorale) was written in the summer months of 1807 and 1808. The first performance of the work - along with that of the Fifth Symphony - took place on 22 December 1808 as part of a musical Akademie, or subscription concert, in the Theater an der Wien under the direction of the composer.Peter Hauschild's Urtext edition of the Pastorale is based on all the important primary sources: autograph, first edition of the parts (Leipzig: Breitkopf & Hartel, 1809), copies of scores supervised by Beethoven and, finally, the first edition of the score. Hauschild has combined source criticism and the requirements of performance practice while also keeping the Critical Report succinct and easy to grasp; this makes the editorial decisions easy to trace.Hauschild's new edition is based on all the major primary sources: autograph, first edition of the parts, copies of the score supervised by Beethoven, and the first edition of the score.
SKU: BR.OB-5236-27
Have a look into ISBN 9790004335086. 10 x 12.5 inches.
SKU: BR.OB-5236-23
Have a look into ISBN 9790004335079. 10 x 12.5 inches.
SKU: BR.OB-5236-19
Have a look into ISBN 9790004335062. 10 x 12.5 inches.
SKU: BR.OB-5236-16
Have a look into ISBN 9790004335055. 10 x 12.5 inches.
SKU: BR.OB-5236-15
Have a look into ISBN 9790004335048. 10 x 12.5 inches.
SKU: HL.44005027
UPC: 073999670998. 9x12 inches. English-German-French-Dut ch.
This beautiful melody is taken from the final movement of Beethoven's sixth symphony and has the title “Shepherd's Song: grateful feelings towards God after the storm.” Bring the classic period alive with this great arrangement by Philip Sparke.
SKU: BR.SON-633
ISBN 9790004803684. 10 x 12.5 inches.
Symphony, symphonic poem, fantasy, or something else entirely different? For a long time while working on the Sixth Symphony, Sibelius was not certain what his new orchestral work was now about to become or what to call it. He had to interrupt work on the symphony time and again during the Finnish civil war and because of financial difficulties that forced him to earn a living with little things. So, it is not surprising that many small ideas for other works repeatedly culminated in the Sixth. In a letter to a friend, he describes his early ideas for the work: The 6th symphony is wild and turbulent in character. Gloomy with pastoral contrasts. Probably in 4 movements with a conclusion growing into a dark orchestral shower in which the main theme drowns. The editor Kai Lindberg now presents the definitive version within the context of the Sibelius Complete Edition.
SKU: BA.BA10990
ISBN 9790006575619. 31 x 24.3 cm inches. Key: C minor. Preface: Andreas Friesenhagen.
Only eleven of the over one hundred symphonies by Joseph Haydn are composed in a minor key. Written in the early 1770s, the Symphony Hob. I:52 in C minor bears some similarities to the slightly earlier Symphony in E minor Hob. I:44 (“Mourningâ€, BA 10988), not only because they both are composed in a minor key but also because they both feature a pair of horns tuned at different pitches. Haydn seems to have experimented with differently tuned horns inspired by an article in Johann Adam Hiller’s journal “Musikalische Nachrichten und Anmerkungen†of July 1770, which suggested to tune the horns a minor third apart in order to expand the total horn range. While Haydn followed this recommendation just like that in the E-minor symphony, he chose to have the horns tuned a major sixth apart (high C and E-flat) in the outer movements of the C-minor symphony Hob. I:52, resulting in an unusual horn sound within the orchestral texture.In continuation of the collaboration between Bärenreiter and G. Henle Verlag, this edition is based on the Urtext of the Complete Edition “Joseph Haydn Works†published by G. Henle Verlag.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HH.HH517-SOL
ISBN 9790708185277.
Hayd n’s Symphony No. 104 – ‘The 12th that I have composed in England’ as proudly inscribed by Haydn himself on his autograph score – was first performed on 13 April 1795 at the King’s Theatre, Haymarket, under the direction of the composer himself at the fortepiano, at the sixth concert of G.B.Viotti’s Opera Concert Series.
SKU: AP.38495S
UPC: 038081436807. English.
A bold string adaptation of this revolutionary work, this piece includes the original string parts with the essential material from the wind parts added in. Eminently playable, the second violin and viola parts remain in first position throughout. The first violin part includes some fifth position notes, usually doubled at the octave. Cellos go to fourth position and basses to sixth. Perfect for contest or festival performance!
