Søren Nils Eichberg: Only The Wind: String Ensemble: Parts

Set of parts for Only The Wind (2006) for Overtone Singer and String Quartet by Søren Nils Eichberg. The Ovetone Singer part part may be performed by the Viola Player from the String Quartet or by a singer alone ad lib. Score: WH31535

In Circles - 16 Imaginary Dances for 18 Players (2010). Parts are available on hire: hire@ewh.dk Instr.: FluteOboeClarinet in BbBass ClarinetBassoonHorn2 Trumpets In BbTenor-Bassposaune2 PercussionistsPiano2 ViolinsViola2 CellosDouble Bass Programme note About five years ago the Ensemble Modern commissioned a composition giving me relatively free rein over instrumentation duration and completion date. I was very excited about the opportunity and eager to start work but first I had to finish asymphony and a cello concerto. However when I wanted to begin writing the piece for Frankfurt inspiration became silent and remained silent for the next three years apart from the two works for chamber orchestra: I experienced my first writer’s block. This was not my first commission but the first time that I was seriously worried about a piece and started thinking about the commissioning ensemble and its expectations. If anything I held the Ensemble Modern in too high esteem. The ensemble is notorious for being a group of all-rounders who have already seen and done everything. However it was simply time for me to challenge my self-belief as composer and to search out what kind of composer I really am. Whatever the true reason was I still didn’t get anything down on paper. Nothing would gel. In 2008 a stipend from a New York foundation led me to an Italian lavender-castle from the 15th century far away from everything else deep in Umbria. The deadline for my first opera moved dangerously closer but was barely started. The next commission for an orchestra was also waiting in addition to the piece for EM: only empty sheets.  When I came home six weeks later though I hadn’t finished anything the spell was broken. Behind the massive walls drafts had been created for what within the

Par EICHBERG NILS SOREN. „Oryx and Crake“ tells the story of the only human survivor on Earth. In flash-backs, revealing only bit by bit, we must ourselves put together the pieces of the drama that lead to the apocalypse. The opera unfolds within 24 hours, beginning at dawn and finishing the next morning. Atwood’s love-triangle offers plenty of classic music drama, her dystopia is painted in complex, industrial soundscapes and the post-armageddon solitude in contemporary-contemplative open spaces. Electronics extend and augment the orchestral colours and help achieving the unreal „haunted“ atmosphere and the different reality levels of the protagonist’s memory. / Date parution : 2023-10-31/ Répertoire / Orchestre