Sonata for Harpsichord

Six sonates pour le clavecin ou le piano forte. Oeuvre V - - Editions : (c.1766)Six sonatas for the harpsichord or piano forte. Opera XVII - Edition : Londres, s.d. = (c.1779)Présentation par Jeanne Roudet : introduction - éléments d'interprétation (ornementation, dynamique) - appendice 1 (erreurs et approximations) - appendice 2 (aménagements proposés).Ces sonates peuvent être interprétées aussi bien sur un clavecin que sur un piano forte. / Clavecin Et Piano-Forte / 136 pages / niveau : 1 / Fac-Similés - Format: 23.5 X 32.5

In 1790, during the lifetime of Mozart and Haydn, Ernst Ludwig Gerber wrote of Ko?eluch in his famous handbook for musicians, 'without opposition, by young and old, (?) generally the best-loved composer alive today?. His works display 'liveliness and grace, the noblest of melodies with the purest of harmonies, and a pleasing organisation of rhythm and modulation.? Until now, pianists have had little chance to acquaint themselves with the complete range of Ko?eluch's sonatas since very few modern editions were available. For the first time, this new complete edition by Christopher Hogwood presents all of Ko?eluch's sonatas for keyboard solo. The four volumes each contain 12 to 13 sonatas, and the works are presented chronologically according to the date of their first publication. Volume IV will contain those sonatas that are found only in hand-written sources.- First complete edition of the sonatas for keyboard by Leopold Ko?eluch- Fills a gap in Czech and Middle-European Classical repertoire- Suitable for amateurs as well as professionals- ideal for teaching purposes- Includes a detailed introduction (Eng/Czech/Ger), critical commentary (Eng) and facsimile pages from the sources / Piano

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition 6 Sonatas for Violin and Piano (Harpsichord) BWV 1014 - 1019 qui a été écrite pourViolon Et Piano. Les éditions Henle qui ont éditées cette oeuvre l'ont répertoriée sour la référence 223. / Violon Et Piano / Chanson En Séparée

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Sonatas for Viola da Gamba and Harpsichord BWV 1027-1029 (Version for Viola da Gamba or Violoncello) qui a été écrite pourVioloncelle Et Piano. Les éditions Henle qui ont éditées cette oeuvre l'ont répertoriée sour la référence 676. / Violoncelle Et Piano / Chanson En Séparée

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Flute Sonatas, Volume I (The four authentic Sonatas - with Violoncello part) qui a été écrite pourFlûte Traversière Et Piano. Les éditions Henle qui ont éditées cette oeuvre l'ont répertoriée sour la référence 269. / Flûte Traversière Et Piano / Chanson En Séparée

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Three Sonatas for Violin and Piano (Harpsichord) BWV 1020, 1021,1023 qui a été écrite pourViolon Et Piano. Les éditions Henle qui ont éditées cette oeuvre l'ont répertoriée sour la référence 458. / Violon Et Piano / Chanson En Séparée

The composer, pianist and piano teacher Leopold Ko?eluch (1747-1818) was one of the leading Czech musicians in 18th-century Vienna. His 50 sonatas for keyboard bear witness not only to the transition from the harpsichord or clavichord to the pianoforte, but also to the evolution of the classical sonata at the turn of the 19th century.Until now there have been few modern editions of this music. Our new edition, prepared by Christopher Hogwood, is the first to present all of Ko?eluch's sonatas for solo keyboard. Each of the four volumes contains 12 to 13 sonatas in chronological order by date of initial publication. The fourth volume, edited with the assistance of Ryan Mark, contains the last sonatas and those handed down only in manuscript form.- First complete edition of the sonatas for keyboard- Suitable for professionals and amateurs alike - Ideal for teaching purposes- Detailed Foreword (Eng/Cz/Ger), Critical Commentary (Eng) and facsimile pages / Piano

Nine sonatas edited and annotated for the ABRSM by Howard Ferguson. Set for the ABRSM Harpsichord syllabus grades 4-6.

Five Haydn sonatas edited and annotated for the ABRSM by Howard Ferguson. Set for the Harpsichord grade 7 examination.

An ABRSM collection of ten keyboard works edited by Arnold Goldsborough. Set for the Harpsichord examinations grades 6-8.

Essercizi per gravicembalo - A cura di M. Moiraghi (supervisione E. Fadini). The 10th volume of Domenico Scarlatti?s Sonate per clavicembalo represents a crucial landmark of this series, i.e. the thirty Essercizi per gravicembalo (London, 1738-39) at the heart of the composer?s production. For a long time, the style of these sonatas and their role in the history of keyboard music has been debated. But nobody had ever examined thoroughly the key aspects of textual criticism, intended not only as a detailed reconstruction of the text, but as a philological study with a full scope. This volume is the first step in such direction. The musical text of this edition is the result of a systematic comparison of all the eighteenth century printed and manuscript sources preserving Scarlatti?s treasured Essercizi. In some cases, the edition presents an alternative version of the same sonata, based on the sources? examination and sometimes showing an intricate web of authorial variants. The detailed Critical Notes take into account all the variants handed down by the sources. Many topics are discussed in the rich Introduction, first and foremost the historical context and the genesis of Scarlatti?s sonatas. Furthermore, other important topics are investigated, such as: the relationship between the Essercizi and the rival Londonese edition by Roseingrave: the role and chronology of the contemporary French editions, known under the name of Boivin: the early interventions of anonymous performers.

An ABRSM collection of seventeen keyboard works edited and selected by Arnold Goldsbrough. Set for the ABRSM Harpsicord Syllabus grades 4-8.