Sonata for Three Flutes, Op. 83, No. 4

SKU: FT.FM067

ISBN 9790708085669.

Flut e Trio - three flutes or two flutes and alto/bass flute. Part of the Combined Wind Trio series. Corelli's first three Trio Sonatas make a great first step into ensemble music and the music of the baroque. Each sonata consists of four movements of varying lengths and difficulty, with equal interest in all parts. Flautists of grade 4/5 standard will enjoy these pieces. Parts may be mixed with the companion arrangements for clarinet, saxophone and double reed ensembles.

SKU: AY.FRD58

ISBN 9790302115434.

Prio r to 2018, the Trio Sonata of John La Montaine might as well have not existed. When ALRY Publications became the sole representative for Fredonia Press, this work was not mentioned in the catalogs, nor was any score or manuscript included in the Fredonia archives. Suddenly it resurfaced, a paper copy, bearing a handwritten inscription to Doriot Anthony Dwyer, with the subtitle for 3 Flutes or 30 Flutes or 300 Flutes. The new and freshly re-engraved edition, featuring a full score and parts, consists of three movements: Questioning (a trio version of the opening movement of his Sonata for Solo Flute), Song and Scherzo.

SKU: FT.FM051

ISBN 9790708085508.

Flut e Trio - three flutes or two flutes and alto/bass flute. These transcriptions of Corelli's Op. 2 Trio Sonatas make great ensembles for grade 5 players. Each sonata consists of four small movements, varying in length from 8 bars to about 50 bars. Movement titles are taken from dance suites of the time, but the tempi do not necessarily reflect the titles. The top two flute parts are rhythmically independant, while the third part provides the bass line. (An alto flute part is included as an alternative to a concert flute for part 3). Key signatures are simple (C, G major and A minor), giving the players time to focus on the polyphonic lines. Flute one reaches top G very occasionally, whilst flute 2 reaches top F# once. Musically both interesting and attractive.

SKU: FT.FM050

ISBN 9790708085492.

Flut e Trio - three flutes or two flutes and alto/bass flute. These transcriptions of Corelli's Op. 2 Trio Sonatas make great ensembles for grade 5 players. Each sonata consists of four small movements, varying in length from 8 bars to about 50 bars. Movement titles are taken from dance suites of the time, but the tempi do not necessarily reflect the titles. The top two flute parts are rhythmically independant, while the third part provides the bass line. (An alto flute part is included as an alternative to a concert flute for part 3). Key signatures are simple (C, G major and A minor), giving the players time to focus on the polyphonic lines. Flute one reaches top G very occasionally, whilst flute 2 reaches top F# once. Musically both interesting and attractive.

SKU: FT.FM052

ISBN 9790708085515.

Flut e Trio - three flutes or two flutes and alto/bass flute. These transcriptions of Corelli's Op. 2 Trio Sonatas make great ensembles for grade 5 players. Each sonata consists of four small movements, varying in length from 8 bars to about 50 bars. Movement titles are taken from dance suites of the time, but the tempi do not necessarily reflect the titles. The top two flute parts are rhythmically independant, while the third part provides the bass line. (An alto flute part is included as an alternative to a concert flute for part 3). Key signatures are simple (C, G major and A minor), giving the players time to focus on the polyphonic lines. Flute one reaches top G very occasionally, whilst flute 2 reaches top F# once. Musically both interesting and attractive.

SKU: M7.BP-2713

ISBN 9790015271304.

Mit den drei Sonaten liegen jetzt alle 6 Trii des opus 2 bei Amadeus vor: F-dur (BP 2034); d-moll (BP 2035); c-moll (BP 2036).

SKU: FT.FM532

ISBN 9790570484317.

Tony Bridgewater's 'Sonata for Flutes' was written in 2014-2015 for the UK based National Flute Orchestra, founded by Margaret Lowe in 2008, and was performed in Birmingham, England, conducted by the composer. It is in three movements. The first is based around lively, dancing 7/8 rhythms, with playful changes in metre, and ideas thrown between the instruments in a busy texture. There is a slow, reflective middle section, much more serious in tone, featuring various flute solos. This gradually returns to the opening ideas of the movement in an abbreviated reprise, before the music ends, fading away into the distance, on the dancing rhythm of the opening. The second movement is slow, and suggests a misty dawn landscape with its spare, calm texture. This is followed by a series of lonely solo flute melodies which gradually combine and build up into a rich, imitative texture. Tension and dissonance builds, but at the climax a solemn, low melody on bass and alto flute returns the music to a reprise of the first section, which ends very quietly and mysteriously. The rousing final movement returns to the joyful dancing rhythms of the first, now based around 10/8 time. It is a rondo, with many playful variations of the returning theme shared between all of the flutes at each appearance, while contrasting episodes are a little more relaxed and lyrical. A final coda briefly reprises motifs from earlier in the piece, before building to an exciting conclusion.

SKU: FZ.5257

ISBN 9790230652575. 24.00 x 33.00 cm inches.

This facsimile of an original by Joseph Bodin de Boismortier is part of our French classical music collection. Edition : Paris, 1725. Preface by: Philippe Lescat: biography of Bodin de Boismortier. Jean Saint-Arroman: ornamentation and forms. Three separate parts: Very legible and elegant engraving.
Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the Municipal Library of Lyon (France). Anne Fuzeau Classique propose period copies of classical music scores.

SKU: FT.FM016

ISBN 9790708085157.

Oboe Trio 3 Oboes (optional Cor Anglais part replacing oboe 3) A charming work in three movements. Not technically demanding, but the first movement requires some stamina, and the second movement is in the more awkward key of F minor. Suitable for players of about grade 3-4 standard.

SKU: PR.ZM28160

UPC: 680160653058.

SKU: KV.3611773

Paul Edmund-Davies, the editor of this performing edition of Telemann!s Six Canonic Sonatas for two flutes (or violins), Op. 5, is one of the world!s leading flautists. He has appeared as a soloist with many of the greatest orchestras under such conductors as Bernstein, Rostropovich, Boulez, Michael Tilson Thomas, Daniele Gatti, Kent Nagano and Ion Marin and has partnered Andre Previn in chamber music. The Six Canonic Sonatas for two flutes (or violins), Opus 5, were composed in 1738. All contain three movements, the slow and often highly moving middle movements being sandwiched by two brisk and lively outer movements. Contains Sonata in G major, Sonata in G minor, Sonata in D Major, Sonata in D minor, Sonata in A major and Sonata in A minor. Intermediate in difficulty.

SKU: FT.FM068

ISBN 9790708085676.

Clar inet Trio (three Bb clarinets or two Bb clarinets and alto/bass clarinet) - part of the Combined Wind Trio series. Corelli's first three Trio Sonatas make a great first step into ensemble music and the music of the baroque. Each sonata consists of four movements of varying lengths and difficulty, with equal interest in all parts. Players of approximately grade 6 standard will enjoy the challenge these pieces present. Parts may be mixed with the companion arrangements for flutes, saxophones and double reeds.

SKU: HL.49001983

ISBN 9790001021531. UPC: 073999567076. 9.0x12.0x0.119 inches.

Boismortier is considered to be one of the most popular and most hard-working composers of his time. The original title of this sonata in A Minor indicates flutes, violins and other instruments as well suited for performance. The composer arranged the first melody part in such a way that it can be played by an alto recorder without any changes. Scored for string chorus, the sonata achieves a very good tonal effect. With soloistic scoring, three equal instruments (e.g. three violins) or three completely different instruments (e.g. flute, violin, oboe) are best suited for the performance of the upper parts.

SKU: HH.HH511-FSP

ISBN 9790708185215.

Trio sonatas by Italian composers from the period around 1730 that specify flutes for both upper parts are quite rare. Among the earliest known are these three concise four-movement sonatas of only moderate technical difficulty by the Venetian monk and proficient amateur composer Diogenio Bigaglia, who very likely wrote them to order for a German visitor to his city. They are delightful compositions, full of grace, euphony, wit and contrapuntal dexterity, and they also show great sensitivity towards the delicate sound of the baroque transverse flute (traverso).

SKU: HH.HH464-FSP

ISBN 9790708146735.

The individual works are expertly crafted, and collectively they contain much charming music, including two excellent three-part fugues and several dances that surely typify popular music heard in the French capital in the late 1730s. Since they were evidently written for amateur musicians, the Op. 78 sonatas are technically accessible and set in comfortable tonalites for the one-keyed flute; this makes them particularly attractive for today’s students of the instrument.

SKU: SU.00220550

This CD Sheet Music� collection makes available fourteen essential flute methods, studies and exercises, as well as over 150 works for flute duos, trios and quartets by over 30 composers from the 18th and 19th centuries. Methods, Studies and Exercises include: Altès (Method for the Boehm Flute, 26 Selected Studies), J.S. Bach (24 Flute Concert Studies), Andersen (24 Etudes, Op. 33), Gariboldi (20 Studies, Op. 132, 30 Easy and Progressive Studies), Hughes (24 Studies, Op. 32/75); Karg-Elert (30 Studies, Op. 107), Köhler (25 Romantic Etudes, Op. 66, 20 Easy Melodic Progressive Exercises, Op. 93), Reichert (7 Daily Exercises, Op. 5), Wagner (Flute Studies in Old and Modern Styles) Duets, Trios and Quartets include: W.F. Bach (6 Duets), de la Barre (Prelude), Beethoven (Allegro and Mineut), Berbiguier (Six Duets, Op. 59), Boismortier (Two Sonatas), Bordet (Timbourins), Briccaldi (Eight Duos, Op. 132), Chinzer/Bordet (The Hunt), Devienne (6 Duets, Op. 82), Dietter(Romance), Finger Fugue); Fürstenau (6 Duets, Op. 137), Gariboldi (Six Easy Duets), Hotteterre (Les Fargis sur les délices), Hugot/Wunderlich (Four Duets), Koechlin (Sonata for Two Flutes), Köhler (Forty Progressive Duets), Kuhlau (Three Brilliant Duos, Op. 81 and 102, Three Grand Duets, Op. 39, Three Grand Trios, Op. 86), Kummer (Trio, Op. 24)), de Lasso (Two Fantasies), Legoux/Bordet (Musette), Le Loup (Sarabande), Loeillet (Sonata in E minor and Sonata in G minor for two flutes and piano), Mozart (3 Duets, Op. 156 and 157), Müller (Theme with Variations), Naudot (Gavotte), Quantz (Three Duets, Op. 2), Reicha (Sinfonico for Four Flutes), Soussman (Twelve Duets, Op. 53), Stamitz (Three Duets, Op. 27), Sweelinck (Duo), Telemann (Sonata in E major, Sonata in A major for two flutes and piano), Tulou (Three Easy Duets, Op. 102 and 103) Also includes composer biographies and relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians 1800 pages

Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.

SKU: ST.C523

ISBN 9790570815234.

For Flute, Flute or Violin and Cello or Bassoon.
Score and Parts included.

Françoi s Devienne was born in Joinville in 1759 and died in Paris in 1803. He was a flautist, bassoonist, composer and teacher. He arrived in Paris in 1779 and soon became a chamber musician to the Cardinal de Rohan. He made solo appearances playing his own concerti and was employed as an orchestral bassoonist. He eventually transferred his allegiance to the Band of the Paris National Guard (who paid better!) and to their Free School of Music where he became a teacher and administrator. He wrote comic operas and in 1794 published a method for the one-key flute. This includes useful duets and gives insights into late 18th century articulation. He became Professor of Flute at the Paris Conservatoire when it opened in 1795. Devienne was also a prolific composer of chamber music, producing 25 quartets, 46 trios, 147 duos and 67 sonatas.

The Trio, Opus 19 is sometimes referred to as Opus 60 and the publication date is around 1787. A one movement work, the Trio Op. 19 No. 1 features two melody lines with a supporting cello or bassoon part, characteristic of Devienne’s composition technique. The variation form of the last movement is also a device associated with Devienne, who helped to raise the standard of music written for wind instruments. The source is a copy of the earlier publication, used with the permission of the Syndics of Cambridge University Library. The music was typeset by C.M.M. and F.H. Nex and replaces PP564 and includes both score and set of three parts.

Former Spartan Press Cat. No.: PP564.