Sonata in D major, opus 113

At the dawn of the 19th century Beethoven struck out on new paths with his two opus 27 sonatas, each of which he called a 'sonata quasi una fantasia?. Both of them, in particular Sonata #2 which was later nicknamed the 'Moonlight Sonata?, were destined for immortality.Jonathan Del Mar, second to none in his knowledge of Beethoven's music,.has obtained new readings in this fastidious scholarly-critical edition of these well-known pieces. Spacious engraving and practical page turns ensure optimum pleasure for every pianist. A meticulously compiled Critical Commentary provides information on alternative readings and editorial decisions.- Scholarly-critical performance edition at the cutting edge of scholarship- Informative Introduction and notes on period performance practice (Ger/Eng)- Detailed Critical Commentary (Eng) / Piano

[Klaviersonate D-Dur Opus 10 Nr. 3] / Classique / Partition / Broché / Edition Urtext

[Klaviersonate As-Dur Opus 110] / Classique / Editeur : Bertha Antonia Wallner / Doigtés : Conra / Partition / Broché / Edition Urtext

[Klaviersonate C-dur Opus 2 Nr. 3] / Classique / Partition / Broché / Edition Urtext

[Klaviersonate Es-Dur Opus 31 Nr. 3 (La Chasse)] / Classique / Editeurs : Gertsch & Perahia / Doigtés : Perahia / Partition / Broché / Edition Urtext

In D Major Opus 58. Par MENDELSSOHN BARTHOLDY FELIX. Arrangeur: Paul Neubauer/ Répertoire / Alto et Piano

[Klaviersonate A-Dur Opus 101] / Classique / Editeurs : Gertsch and Perahia / Doigtés / Partition / Broché /

With his sonatas op. 31 composed in 1802 Beethoven for the last time grouped together piano sonatas under one opus number. The centrepiece of the collection is undoubtedly the dramatic Sonata in D minor nicknamed 'Tempest' which already fascinated his contemporaries. According to Anton Schindler, who asked the composer about the 'key' to this work as well as to the sonata op. 57 ('Appassionata'), Beethoven advised him: 'Just read Shakespeares Tempest'. Jonathan Del Mar, currently one of the most renowned Beethoven scholars, stands for a meticulously edited Urtext edition on the basis of an intensive study of all sources. Performers are presented with a musical text offering new readings and based on the latest research findings. The detailed Critical Commentary accounts for sources, readings and editorial emendations. In this edition great care has been given to a user-friendly layout which on the one hand reflects the flow and tempo of the music and on the other hand facilitates the study of this complex music by means of a transparent and clear appearance on the page as well as good page turns. Particularly enlightening is the chapter on period performance practice which sheds light on certain issues of Beethovens instruments and their range, the usage of the pedals, tempo, dynamics, articulation and ornaments. / Piano

Scriabin's ten complete piano sonatas offer a fascinating insight into the Russian composer's stylistic development. While his first works still fully reflect the late-romantic tradition, the late works keep bursting the bounds of tonality. The boldly outlined, two-movement Fourth Sonata marks a turning point, for it evokes the world of the 'Poème de l'extase? with its mystical atmosphere hovering between ethereal rapture and ecstatic flight. The publication of opus 30 means that all of Scriabin's sonatas are now available in Henle Urtext quality and edited by the expert Valentina Rubcova of Moscow - an invitation to all pianists to plunge into this unique cosmos. / Piano

Mendelssohn-Felix Mendelssohn’s Opus 65 1-6 comprises the six Organ sonatas in F minor C minor A major Eb major D major and D minor which are essential repertoire forall organists. Some of the shorter movements are within the grasp of players of Grade 4 standard whilst many showcase movements are recital staples.

udwig van Beethoven
Sonate pour piano n° 6 en Fa majeur op. 10 n° 2
Norbert Gertsch (Editeur)
Murray Perahia (Editeur, Doigtés)
Edition Urtext, reliure paperback
remplace HN 1309
Après les trois Sonates pour piano op. 2 datant des années 1794/1795, Beethoven projetait probablement rapidement la composition d?un nouveau groupe de trois sonates. La Grande Sonate op. 7 fut, en raison de ses vastes dimensions, dissociée de ce projet et publiée à part. Et pourtant, avec les Sonates en ut mineur, Fa majeur et Ré majeur, la prochaine triade fut prête début 1798 et imprimée et publiée à Vienne encore la même année en tant qu?op. 10. Comme déjà la Sonate en ut mineur op. 10 n° 1, celle en Fa majeur, ne comporte que trois mouvements et se distingue du modèle en quatre mouvements établi par les opus 2 et 7 - résultat d?une expérimentation intensive avec différentes variantes de menuets, qui furent d?ailleurs finalement toutes rejetées. Les manuscrits de Beethoven de l?opus 10 n?ont pas été conservés, si bien que cette édition Urtext en provenance de l?atelier Perahia/Gertsch se base elle aussi essentiellement à l?édition originale, largement commentée comme toujours, et complétée par les précieux doigtés de Murray Perahia. / Partitions classique / Piano - instruments à clavier / Piano / HENLE VERLAG

[Klaviersonate B-Dur Opus 960] / Classique / Editeur : Paul Mies / Doigtés : Hans-Martin Theopo / Partition / Broché / Edition Urtext