Sonata in A minor, Opus 105

The ?Sonata in F minor? op. 57 (1804/05), a key work in the classical sonata repertoire, is part of Bärenreiter?s ongoing publication of selected Beethoven piano sonatas in Urtext editions. The nickname ?Appassionata? was ascribed to the sonata only in 1838, long after Beethoven?s death.'
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This Urtext edition is edited by the Beethoven expert Jonathan Del Mar. His editorial approach and principles are explained in a precisely formulated critical commentary. With a clear well-presented layout and optimum page turns, this edition invites you to discover this fascinating sonata anew.'
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An introduction by Misha Donat examines the genesis and significance of the work, supplemented by informative notes on questions related to historical performance practice by Jonathan Del Mar and Misha Donat.'
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?'Scholarly-critical Urtext edition incorporating the most recent research'
?'Optimum page turns'
?'Includes notes on historical performance practice (Eng/Ger)'
/ [Sonate pour Piano en Fa mineur Opus 57] / Classique / Partition / Agrafé /

Opus 13 - Grande Sonate Pathetique. Par BEETHOVEN LUDWIG VAN. In a span of only eight years, between 1794–1802, Beethoven composed twenty Piano sonatas, among them his so-called “Grande Sonate Pathétique” op. 13. It marks the consummation of his Classical style, yet also already alludes to his Heroic Period with its intensely Romantic characteristics. Composed in the “tragic” key of C minor, it foreshadows the expressive drama of later masterworks such as the Fifth Symphony or the Coriolan Overture. Of the famous sonatas, this one is the most technically manageable and thus proves immensely popular with advanced Piano students. The new Urtext edition from G. Henle Publishers hails from the successful Beethoven collaboration between Norbert Gertsch and Murray Perahia, as usual with fingering and interpretive suggestions from the great pianist. / Gertsch, Norbert / Perahia, Murray / Répertoire / Piano

Par ROMBERG BERNHARD-HEINRICH. Bernhard Romberg's Sonata in E minor, Opus 38, No. 1 for Cello and Piano accompaniment./ Répertoire / Violoncelle et Piano

In D Minor Opus 5 No. 8. Par CORELLI ARCANGELO. Arrangeur: Patrick Jee/ Répertoire / Violoncelle et Piano

[Klaviersonate a-moll Opus post. 164 D 537] / Classique / Editeur : Paul Mies / Doigtés : Hans-Martin Theopo / Partition / Broché / Edition Urtext

[Klaviersonate g-moll Opus 22] / Classique / Editeur : Wolfgang Boetticher / Doigtés : Hans-Mar / Partition / Broché / Edition Urtext

[Klaviersonate a-moll Opus post. 143 D 784] / Classique / Editeur : Paul Mies / Doigtés : Hans-Martin Theopo / Partition / Broché / Edition Urtext

[Klaviersonate h-moll Opus 58] / Classique / Editeur : Ewald Zimmermann / Doigtés : Hans-Martin / Partition / Broché / Edition Urtext

[Klaviersonate a-moll D 845 Opus 42] / Classique / Editeur : Paul Mies / Doigtés : Hans-Martin Theopo / Partition / Broché / Edition Urtext

[Klaviersonate b-moll Opus 35] / Classique / Editeur : Ewald Zimmermann / Doigtés : Hans-Martin / Partition / Broché / Edition Urtext

With his sonatas op. 31 composed in 1802 Beethoven for the last time grouped together piano sonatas under one opus number. The centrepiece of the collection is undoubtedly the dramatic Sonata in D minor nicknamed 'Tempest' which already fascinated his contemporaries. According to Anton Schindler, who asked the composer about the 'key' to this work as well as to the sonata op. 57 ('Appassionata'), Beethoven advised him: 'Just read Shakespeares Tempest'. Jonathan Del Mar, currently one of the most renowned Beethoven scholars, stands for a meticulously edited Urtext edition on the basis of an intensive study of all sources. Performers are presented with a musical text offering new readings and based on the latest research findings. The detailed Critical Commentary accounts for sources, readings and editorial emendations. In this edition great care has been given to a user-friendly layout which on the one hand reflects the flow and tempo of the music and on the other hand facilitates the study of this complex music by means of a transparent and clear appearance on the page as well as good page turns. Particularly enlightening is the chapter on period performance practice which sheds light on certain issues of Beethovens instruments and their range, the usage of the pedals, tempo, dynamics, articulation and ornaments. / Piano

In E-Flat Major / In C-Sharp Minor. Par BEETHOVEN LUDWIG VAN. At the dawn of the 19th century Beethoven struck out on new paths with his two opus 27 sonatas, each of which he called a 'sonata quasi una fantasia”. Both of them, in particular Sonata no. 2 which was later nicknamed the 'Moonlight Sonata”, were destined for immortality. Jonathan Del Mar, second to none in his knowledge of Beethoven's music,.has obtained new readings in this fastidious scholarly-critical edition of these well-known pieces. Spacious engraving and practical page turns ensure optimum pleasure for every pianist. A meticulously compiled Critical Commentary provides information on alternative readings and editorial decisions. / Date parution : 2019-08-28/ Répertoire / Piano

Sonatas Op. 28 Op. 36-From an earlier Belwin Mills edition this is Volume 5 of a series of the piano works of the great Russian-American composer. Included are Rachmaninoff's Opus 28 and Opus 36 Sonatas. The Opus 28 in D-minor in three movements was completed in 1907 and was introduced in Dresden Germany. The Opus 36 in B-flat minor also in three movements was written and 1913 but was later revised by the composer.