Sonatas Book 1 Flt Pno

Four sonatas for solo Piano edited and annotated for the ABRSM by Howard Ferguson.

This incredible new comprehensive resource presents over 150 pieces by J.S. Bach in lead sheet format. It includes instrumental music from concertos fantasias fugues inventions partitas passacaglias pastorales preludes sonatas suites and toccatas as well as vocal music from arias cantatas chorales hymns mass and Magnifact settings and oratorios.

Description Franz Joseph Haydn: Complete Piano Sonatas Book 1 This volume contains the Piano Sonatas Hob nos. 1-30. Songlist Piano Sonatas 1-30

About Complete Church Sonatas. Volume 1Nine Sonatas for two Violins Organ and Violoncello/Bass. By Wolfgang Amadeus Mozart. Edited by Minos E. Dounias. For Organ Violin 1 Violin 2 Violoncello/Contrabass. Playing Score; Set of Parts; Urtext Edition. Published by Baerenreiter-Ausgaben (German import). (BA4731) ISBN M006454488. Contents:KV 67 (41h) Es-dur /2`KV 68 (41i) /4`KV 69 (41k) /3`KV 144 (124a) D-dur /4`KV 145 (124b) F-dur /3`KV 212 B-dur /4`KV 224 (241a) F-dur /5`KV 225 (241b) A-dur /5`KV 241 G-dur /3`

Five Haydn sonatas edited and annotated for the ABRSM by Howard Ferguson. Set for the Harpsichord grade 7 examination.

Nine sonatas edited and annotated for the ABRSM by Howard Ferguson. Set for the ABRSM Harpsichord syllabus grades 4-6.

A 'must-have' collection for the serious pianist! Mozart is regarded by many as the greatest composer of music for the piano. The complete sonatas in two volumes represent a milestone in the history of piano writing.

Book 3-Edited by Christopher KiteCONTENTSSonata in B minor K.87 (L.33)Sonata pair in A K.219 (L.393); K.220 (L.342)Sonata pair in C K.270 (L.459); K.271 (L.155)Sonata pair in D K.281 (L.56); K.282 (L.484)Sonata pair in Eb K.370 (L.316); K.371 (L.17)Sonata pair in Bb K.439 (L.47); K.440 (L.97)Sonata pair in C K.501 (L.137); K.502 (L.3)

Arranged For Mandolin-This book contains the first three of J.S. Bach's solo Violin Sonatas and Partitas arranged for Mandolin. The goal of the material is to make learning these challenging pieces easier. Mandolin tablature isincluded throughout the book. Mandolinists who have little or no experience reading standard notation will find this to be an essential learning tool. For good reason there has been widespread interest in learning thesepieces in the Mandolin community. The pieces were originally written for Violin. As a result Bach's use of string crossing patterns and open-string pedals work brilliantly on the Mandolin.Also as solo works theyare a useful addition to anyone's performing repertoire. Lastly even if never performed learning all or some of these is wonderful for building Mandolin technique. Violinists often say that if you can play the Bach SoloSonatas and Partitas you can play anything-the same is certainly true for Mandolinists.

Unlocking the Masters Series-Ludwig van Beethoven's chamber works are some of his most revered compositions. Victor Lederer guides the serious nonprofessional listener through this oeuvre in his new book Beethoven's Chamber Music: A Listener'sGuide.Lederer shows how Beethoven's sonatas for violin and piano overflow with high energy and spirits showing a creative force that transcended personal struggles. The “Kreutzer” sonata Op. 47 displaysall the power of the master's middle period while the G Major sonata Op. 96 foreshadows Beethoven's mellower late works. The author also considers the sonatas for cello and piano which span Beethoven's early middle and lateperiods and examines the piano trios including the immense “Archduke” trio.A highlight of the book is an exploration of the sixteen string quartets which represent the pinnacle of Beethoven's achievement inchamber music. Lederer explains how the middle-period quartets starting with the epic “Razumovsky” set shatter molds and create new procedures often on a stunning scale and why the five late quartets and the GreatFugue are considered the peaks of the quartet literature and of Beethoven's own output. Lederer helps both new and experienced listeners grasp the strangeness and grandeur of these astonishing creations.The book comes witha compact disc containing musical selections drawn from critically acclaimed performances on Naxos Records.

Barenreiter Urtext Edition of Brahms' Sonatas In F Minor And E-Flat Op.120 for Clarinet and Piano.Features:A pioneering Urtext edition with an extensive Performance Practice CommentaryFor further information on Romantic performance practice we recommend the text booklet: ?Performance Practices in Johannes Brahms? Chamber Music? BA 9600Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter renewed Brahms' enthusiasm for Mühlfeld?s muchadmired playing and inspired him to write two new Clarinet sonatas in the summer of the same year. Brahms and Mühlfeld premiered the works and played them in several performances until the Sonatas Op.120 were first published in June 1895. These two works remain pivotal in the Clarinet?s recital repertoire establishing the Clarinet sonata as a distinct and viable chamber music genre.This edition features an extensive preface that informs about the sonatas? origins their compositional process pre-publication performances and their publication history as well as their early reception. Another truly remarkable aspect of this publication is the unique Performance Practice Commentary. Here the editors start from the premise that only a few decades after Brahms' death a widening gulf was already developing between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. The editors provide an indispensable assistance for a historically informed interpretation of the work through a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation Clarinet vibrato and portamento. At the same time the edition offers an exciting and often surprising

Sonatas From Opus 1-This first volume comprises seven of Handel's elegant Flute sonatas from Opus 1. This edition was edited and realised by Lionel Salter and aims to provide Flautists and Recorder players with as authentic atext as possible in a practical form. The Flute part is also included in a separate booklet.

Easier Piano Pieces 66-From Domenico Scarlatti's vast output of 555 harpsichord sonatas a number have been edited and published by the Associated Board. Thirty-two of the easier sonatas have been edited by Howard Ferguson and published in three volumes within the Easier Piano Pieces series and these have been edited for performance on the piano and include dynamics and marks of articulation. Fergusonâ??s selection of sonatas seems to have been made on the basis of musical effectiveness and originality and there are wonderful pieces in each book. Piano Quarterly