Matériel : Conducteur et Parties séparées
A Celebration of Chanukah. / Recueil / Baryton Solo, Chœur Mixte [SATB] et Piano
SKU: M7.VHR-1801
ISBN 9783940069047.
AKKO RDEONpur bietet Spezialarrangements im mittleren Schwierigkeitsgrad. A Prayer For Freedom, Everybody Needs Somebody To Love, FlashdanceWhat A Feeling, Something Stupid, Thank You For The Music, Unbreak My Heart, Yesterday, You Are Not Alone.
SKU: PR.411411690
UPC: 680160686032.
The four name arias in HARRIET TUBMAN: When I crossed that Line To Freedom, portray stages in the title character's transformation from slave to freedom-fighter. First, as a child, she introduces herself as Araminta, who is often called, Minty. Her naive prattlings establish a dramatic contrast between childhood's contentment and the harsh realities of slave existence. My name is Harriet, now. Don't call me Minty any more, declares the teenaged heroine. Having survived a series of abusive masters and a debilitating injury, she asserts her rites of womanhood through the shedding of her childhood moniker. The grown Harriet Tubman reintroduces herself as a free woman, recounting the harrowing tale of escape from slavery. Confronted by bittersweet poignancy at having crossed the line to freedom without family to welcome her, she is inspired towards a new goal: returning home to rescue loved ones. In the final aria, Tubman, a seasoned conductor on the Underground Railroad, embraces the folkloric title given to her by escapees and aspiring runaways. I am 'Moses, the Liberator,' she proclaims. Her transformation is complete.The four “name†arias in HARRIET TUBMAN: When I crossed thatLine To Freedom, portray stages in the title character's transformationfrom slave to freedom-fighter.First, as a child, she introduces herself as “Araminta,†who is oftencalled, “Minty.†Her naïve prattlings establish a dramatic contrastbetween childhood's contentment and the harsh realities of slaveexistence.“My name is Harriet, now. Don't call me Minty any more,†declares theteenaged heroine. Having survived a series of abusive masters and adebilitating injury, she asserts her rites of womanhood through theshedding of her childhood moniker.The grown Harriet Tubman reintroduces herself as a free woman,recounting the harrowing tale of escape from slavery. Confronted bybittersweet poignancy at having crossed the line to freedom withoutfamily to welcome her, she is inspired towards a new goal: returninghome to rescue loved ones.In the final aria, Tubman, a seasoned conductor on the UndergroundRailroad, embraces the folkloric title given to her by escapees andaspiring runaways. “I am 'Moses, the Liberator,'†she proclaims. Hertransformation is complete.
SKU: HL.285973
UPC: 888680892470. 6.75x10.5 inches.
A confident medley of spirituals makes this octavo suitable for school, concert, or sanctuary stage. Showcasing the choir with solid SATB writing and a crafty piano part, this anthem is a call to liberty and a testament to the resiliency of the human spirit. Creatively set and arranged for success, your ensemble will love singing this collection of favorites and encouraging the listener in the celebration of freedom!Songs include: Oh, Freedom; Go Down, Moses; Slavery Chain Done Broke at Last.
SKU: MB.30762M
ISBN 9781513465692. 8.75x11.75 inches.
Civil War Suite for Classical Guitar is a collection of ten Civil War-era songs arranged in standard notation for the advanced solo classical guitarist. The suite includes music from the Confederacy and the Union, along with soldier's songs, parlor songs, and an African American spiritual. The sequencing of the pieces is designed to create a musical narrative, with songs grouped in a manner that shows various perspectives of the war before ultimately celebrating Union victory. Throughout the suite, extensive passages feature delightful special effects that emulate period instruments such as the banjo, snare drum, and fiddle. Includes access to online audio.
