Songs Of Sorrow Op. 10

A fantastic collection of 50 accessible, must-know favorites for the beginner who's learned enough to start playing popular songs! This book features melody, lyrics, and chord diagrams. Includes: Amazing Grace - Blue Eyes Crying in the Rain - Crazy - Cripple Creek - Folsom Prison Blues - Friend of the Devil - Going to California - Hallelujah - Ho Hey - I Am a Man of Constant Sorrow - I Walk the Line - I'll Fly Away - Losing My Religion - Maggie May - Mr. Bojangles - Redemption Song - Ripple - Rocky Top - Take Me Home, Country Roads - Tennessee Waltz - Wagon Wheel - Wildwood Flower - Yesterday - Your Cheatin' Heart - and many more. / Mandoline

This brilliant songbook, Folk Songs For Mandolin, features more than 40 traditional favorites arranged specifically for mandolin, including John Henry, Kumbaya and Man of Constant Sorrow.Full lyrics included. / Mandoline

25 favoris bluegrass à la confiture avec votre ukulélé, y compris: Blue Moon of Kentucky, Dooley, Foggy Mountain Top, Fox on the Run, High on a Mountain Top, I Am a Man of Constant Sorrow, I'll Fly Away, Keep on the Sunny Side, Kentucky Waltz, The Long Black Veil, Rocky Top, Sitting on Top of the World, Turn Your Radio On, The Wreck of the Old '97 / Ukulélé

A generous bumper collection of the greatest songs ever to grace the silver screen, all arranged for Piano, Voice and Guitar. It is impossible to imagine Goldfinger without the huge, rich voice of Shirley Bassey, Midnight Cowboy without Nilsson's lilting country whisper, Alfie without the Pop/Jazz of Cilla Black and Sonny Rollins, and Easy Rider just would not be the same without Steppenwolf. The greatest film songs are synonymous with the movies they embellish, capable of lifting a scene from the screen and into our hearts and minds. These songs will forever evoke memories of our favourite characters and situations, long after the film has ended. Learn to play 100 of the greatest film songs ever written with this great-value songbook, packed to the limits with all the laughs, tears, memories and surprises of the movies - a guaranteed hit no matter what the occasion! / Piano/Vocal/Guitare (PVG)

Par GOODALL HOWARD. Howard Goodall’s Songs from the Musicals for female voice brings together a wonderful collection of songs from the musicals of Howard Goodall. Highlights include songs from Bend it Like Beckham and Girlfriends.  The songbook also features insights and quotes from some of the musicals’ cast members including Rosalie Craig and Lucie Jones and includes beautiful audio tracks by West End leading lady Lauren Samuels, accompanied by the composer.  / Songbooks / Répertoire / Voix et Piano et Voix De Femmes

75 great songs from folksongs to Tin Pan Alley favourites, including 'Danny Boy', 'The Irish Washerwoman', 'Jug of Punch', 'Molly Malone' and 'Peg o'My Heart. Arranged for voice and piano (with guitar boxed chord symbols).

The unprecedented commercial success of the CD of Henryk Miko aj Góreckis Third Symphony in 1991 fifteen years after the date of its composition not only drew the Polish composer to the worlds attention arousing interest in his earlier works but also gave rise to a discussion about the state of culture in what might be described as a decadent period. So was the Third Symphony ahead of its time? Was it justifiable to regard the work as an end-of-the-seventies piece of aesthetical provocation? Should the wilful confusion of high and low aesthetic orders be considered a symbol of the end of post-Enlightenment utopia when the idea of progress in all fields including art constituted the fundamental criterion for evaluation? Attempts to answer these questions have given rise to a certain intellectual confusion leading occasionally to the advancing of false theses such as the attribution of Góreckis compositional output to the New Age spiritual landscape or the comparison of his compositional procedures with those of American minimalist composers. In fact the Third Symphony Symphony of Sorrowful Songs reflects both the composers individual exploration of technique and his attempt to determine his own Christian spiritual identity. The composition is a new manifestation of the sonoristic reductionism technique and the idea of simple music in line with Krzysztof Drobas designation of these phenomena according to which all details and modifications of tone colour are significant. By conferring on the three movements of the composition a form of mystery which negated a rational sense of time and made the work dissolve in a seemingly infinite continuum the composer managed to bring the Symphony within the sphere of folk ceremonial tradition. Anguish the principal theme of the composition presented here through both the mothers suffering after her sons death and the image of a woman prisoner in a Gestapo prison makes real sense only in the light of faith and the drama of Golgotha. Góreckis Third Symphony Symphony of Sorrowful Songs for soprano solo and orchestra dedicated to the composers wife was written in 1976. Commissioned by Südwestfunk in Baden-Baden it was premiered on 4 April 1977 during the 14th International Festival of Contemporary Art in Royan with Stefania Woytowicz as soloist. The same singer has made several recordings of the composition with different orchestras. The CD with Dawn Upshaw as soloist and the London Sinfonietta conducted by David Zinman won a Golden Disc award in 1991. The first movements outer sections (Lento sostenuto tranquillo ma cantabile) consist of an austere ten-part canon on strings. Its Aeolian theme was derived from a Kurpian song notated in Rev. Father W adys aw Skierkowskis collection. The canon is characterized by continual repetition of the theme (and its counterpoint) all its answers being tonal and thus not going beyond the notes of the scale. In this way a vibrating sound magma