Sospiri op. 70

Novello New Choral Series- La Ballade de Jésus Christ is an arrangement of a French carol from the seventeeth century or earlier. The tune is well known as the hymn Let all mortal flesh keep silence from The English Hymnal and this arrangement was commissioned in 2007 by the Oxford choir Sospiri for their CD of Christmas music Videte Miraculum. The text a miniature morality tale has a simple almost childlike quality to it and this is reflected in the shimmering harmonies and soft fleeting dissonances presenting the story as a bitter-sweet fairy tale.The Novello New Choral Series is an inspiring selection of new works from a range ofcontemporary composers offering pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles. This collection is perfect for choirs looking to broaden their repertoire and explore some of the best new music around.Born in 1963 John Duggan was a chorister at Westminster Cathedral and studied music at Oxford. Whilst still a boy he dreamed of writing in the choral tradition of Victoria Tallis and Palestrina. His vocal music has delighted both singers and audiences across Europe and the USA. He has written for a number of choirs including Commotio Westminster Cathedral Choir the Hildegard Choir and Sospiri and has received commissions from the Edington Music Festival Crossover Intergenerational Dance Group Oxford Youth Dance and The Oxford-Grenoble Association. He composers regularly for film and dance and performs as a singerand choral director whilst working as a recording engineer and producer.

An Introduction to Repertoire. This series of 5 book/audio packs is an introduction to art song in English, French, German, Italian and Spanish. Each volume has a different song list, and includes 30 selections in appropriate keys. Beyond art song, each collection includes two carefully chosen opera arias, an oratorio aria, and an operetta aria by Gilbert and Sullivan. Contents: BELLINI: Vaga luna, che inargenti · BONONCINI: Vado ben spesso cangiando loco · CAMPION: Fair, if you expect admiring · DONAUDY: Perche dolce, caro bene · DOWLAND: What if I never speed' DE FALLA: Asturiana · FAURE: Le secret · Seule! · LULLY: Bois epais · MACDOWELL: The Sea · MARTINI: Plaisir d'amour · MOZART: Abendempfindung · In diesen heil'gen Hallen · OBRADORS: La mi sola, Laureola · PUCCINI: Crucifixus · Vecchia zimarra, senti · PURCELL: If music be the food of love · We sing to Him · QUILTER: Come away, death · Now sleeps the crimson petal · weep you no more · RONTANI: Caldi sospiri · SCHUBERT: Der Doppelganger · Meeres Stille · SCHUMANN: Die beiden Grenadiere · Du bist wie eine Blume · RICHARD STRAUSS: Zueignung · SULLIVAN: The Policeman's Song · VAUGHAN WILLIAMS: Linden Lea · The Vagabond

Contents: 1. Christmas By Gaston M. Dethier2. Dialogo Per Organo By Adriano Banchieri3. In The Garden By C. Austin Miles4. Lament Of Dido Liebestod By Henry Purcell5. Little Litanies Of Jesus By Gabriel Grouvlez6. Norhtern Lights By Sigfrid Karg Elert7. Pavane By Maurice Ravel8. Prayer By Carl Engel9. Siciliano By Johann Sebastian Bach10. Sospiri By Edward Elgar11. Tristan And Isolde By Richard Wagner12. Vergin Tutto Amor By Francesco Durante

Description Twenty-Four Italian Songs And Arias Of The 17th And 18th Centuries - Medium High Voice A superb collection of 24 Italian Songs And Arias Of The Seventeenth And Eighteenth Centuries, compiled for Medium to High Voice with Piano accompaniment. Songlist Alma Del Core (La Constanza In Amor Vince L'Inganno) [Caldara, Antonio] Amarilli, Mia Bella [Caccini, Giulio] Caro Mio Ben [Giordani, Tommaso] Che Fiero Costume [Legrenzi, Giovanni] Come Raggio Di Sol [Caldara, Antonio] Danza, Danza, Fanciulla Gentile [Durante, Francesco] Gia Il Sole Dal Gange [Scarlatti, Alessandro] Lasciatemi Morire (Adriane's Lament) [Monteverdi, Claudio] Le Violette [Scarlatti, Alessandro] Nel Cor Piu Non Mi Sento (L'Amor Contrastato) [Paisiello, Giovanni] Nina [Pergolesi, Giovanni Battista] Nina [Pergolesi, Giovanni] Non Posso Disperar [De Luca, S.] O Cessate Di Piagarmi [Scarlatti, Alessandro] O Del Mio Dolce Ardor (Paride Ed Elena) [Gluck, Christoph Willibald] Per La Gloria D'adorarvi [Bononcini, Giovanni] Pieta, Signore [Stradella, Alessandro] Pur Dicesti, O Bocca Bella [Lotti, Antonio] Se Florindo E Fedele [Scarlatti, Alessandro] Se Tu M'ami, Se Sospiri [Pergolesi, Giovanni] Sebben, Crudele [Caldara, Antonio] Tu Lo Sai [Torelli, Giuseppe] Two Bourrees (Third Cello Suite] [Bach, Johann Sebastian] Vergin, Tutto Amor [Durante, Francesco] Vittoria, Mio Core! [Carissimi, Giacomo]

Nunc autem manet was written for the wedding of Paul and Angharad de Cates in 2010. The text is taken from Corinthians 13:13 – ‘Now but three things remain: faith hope love. But of these three the greatest – this is love.’ The piece reveals the three fundamental tenets of Christian life with contrasting austere and lush harmonies and brief contrapuntal episodes ending with a gently pulsing chord-shift on the word ‘caritas’ over which the well-known plainsong melody ‘ubi caritas’ can be heard.The Novello New Choral Series is an inspiring selection of new works from a range of contemporarycomposers offering pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles. This collection is perfect for choirs looking to broaden their repertoire and explore some of the best new music around.Born in 1963 John Duggan was a chorister at Westminster Cathedral and studied music at Oxford. Whilst still a boy he dreamed of writing in the choral tradition of Victoria Tallis and Palestrina. His vocal music has delighted both singers and audiences across Europe and the USA. He has written for a number of choirs including Commotio Westminster Cathedral Choir the Hildegard Choir and Sospiri and has received commissions from the Edington Music Festival Crossover Intergenerational Dance Group Oxford Youth Dance and The Oxford-Grenoble Association. He composers regularly for film and dance and performs as a singer and choral director whilst working as a recording engineer and producer.

Three Cantatas with Recorder Edited by Barbara Sachs For soprano (d'-a''), two recorders and bc Augellin, vago e canoro Filli, tu sai s'io t'amo Mentre Clori la bella Augellin, vago e canoro, in D minor, has three da capo arias, all in triple metres, separated by recits. The recorders introduce or echo the voice in the first aria, and conclude the second aria which is without them, and provide a totally independent accompaniment throughout the last aria. Syncopations make the second and third arias as unpredictable as the vagaries of the little bird. Filli tu sai ch?io t?amo, in C major, reverses the structure, framing two da capo arias between three very short recits. In the arias the two recorders alternate with the solo voice, playing in very modern trio-style thirds (and in passages labelled unisoni). The singer is graciously insistent while berating Phyllis for not recognizing what it means to love. Mentre Clori la bella, in C minor, is strikingly without any hint of da capo aria form. It presents a Cloris determined to have no more to do with Fileno, who, however, is listening to this outburst. Her state of mind is not quite so linear, though, and the three-part structure explains her dilemma. The opening recit is mainly by the narrator, the first aria, with recorders echoing the voice and harmonizing the cadences, is sung twice, (warning him to expect nothing more of her), followed by an instrumental ritornello. A long recit and an aria ? repeated in its entirety, but without recorders, and followed by an instrumental ritornello ? states that she had loved him once, but that after whatever he has done, she can only hope now to be revenged. A short recit expresses some doubt, and the following aria with recorders has no repeat, though its four lines are set twice, promising a retraction of her disdain. In this cantata Neapolitan 6ths underline all the most dramatic words (sospiri; folle t?inganni; temprati i sdegni).

Editée au début de l'année 2011, la partition ayant pour titre LIRICHE - ART SONGS: ARIE ANTICHE - VOLUME 4 (PARISOTTI) PER CANTO E PIANOFORTE est appréciée par tous les amateurs de Chant/Vocal/chOeur. A découvrir sans plus attendre!!! / Chant Et Piano / 72 pages / Partition + Cd

Cette collection d'oeuvres classiques arrangées pour violon et piano va faire des pièces idéales pour deux récitals ou des concerts. / Violon Et Piano / 20 pages / niveau : Elémentaire / Recueil

Arias et chansons par Albinoni, D'Astorga, Berti, Biancosi, Busatti, Bozzoleni, Falconieri, Gagliano, Handel, Mancini, Melani, Monteverdi, Pasquini, Peri, Perti, Pesenti, Porpora, Rontani, a. Scarlatti, Sances, Strozzi, Vitali, Zonati. / Chant Et Piano

Par ELGAR EDWARD. Editeur(s) d'origine: Klengel, Julius/ Répertoire / Violoncelle ou Alto et Piano