Matériel : Partition + CD
It's storybook time in music class! This useful collection adds instrument playing and sound exploration to well-known literature. The 16 sound stories have been thoughtfully organized by season, providing a choice for every month of the school year. Included are 'The Spider and the Fly, 'The Legend of the Poinsettia, 'Babe, the Blue Ox, 'The Tortoise and the Hare, and more. For convenience, each story is included as a PDF on the Data CD, allowing you to easily display it on a whiteboard or print student copies. Recommended for grades 1-5. / Formation Musicale
SKU: MB.30091
ISBN 9781513466378. 8.75 x 11.75 inches.
Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin? John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together.
SKU: HL.1241
ISBN 9781574242461. UPC: 884088397791. 8.5x11.0x0.383 inches.
While Gibson produced literally thousands of banjos prior to WWII, only a handful were made in the now most desirable configuration: the Original Flathead Five-String Mastertone. Since Earl Scruggs helped to make them the most sought-after banjos in the world over 60 years ago, these instruments have amassed a cult-like following. These particular banjos featured a completely innovative design when the Gibson Company introduced them around 1930. They have since become the benchmark in design, sound quality, and just sheer power among banjo players. They have therefore also become the inspiration for nearly every successful 5-string banjo that has been manufactured for the past five decades. Like Martin Dreadnaught and Fender Stratocaster guitars, the Gibson Mastertone Banjo has achieved an exalted status: It is appreciated far beyond its utilitarian purpose as a musical instrument, and considered a truly original American art form. The Mastertone design and style are instantly recognizable by musicians and music lovers around the world, even if imitated by other manufacturers. Of the 130 or so Original Flathead Five-String Mastertones known to exist, 19 of the absolute best are featured here. The Scruggs, Reno, Jenkins, Crowe, Osborne, Huber and Mills banjos are shown in all of their glory, with details of their known histories and provenances, as well as never-before-seen photos, bills of sale, factory shipping ledgers, and other ephemera relating to these rare and highly desirable instruments.
