Sparkle

SKU: CF.FAS35

ISBN 9780825861079. UPC: 798408061074. 8.5 X 11 inches. Key: G major.

Your orchestra will really sparkle with this sempre pizzicato piece. So, put down the bows and enjoy this tuneful original piece from award winning educator Virginia Croft. A real treat!.
Sparklers is a lively adventure in pizzicato technique, in which every string voice takes an important role along the way. The middle section at m.20, in which the little motives are passed rapidly among the sections of the orchestra, may offer some counting challenges to your students and will certainly keep them alert! Put down your bows and sparkle!

SKU: CF.PAS23

ISBN 9781491151211. UPC: 680160908714. 9 x 12 inches. Key: D major.

Your beginning string orchestra is bound to sparkle with this delightful new composition from composer George Sweet. The piece uses very simple rhythmic figure that will make that very first concert for these budding new musicians a success. The harmonies are lush and refreshing for a piece at this level. The parents will not believe their ears!.
Sparkle City, along with “Hub-City,” is one of the nicknames of Spartanburg, South Carolina. The piece was commissioned by the Spartanburg District 7 5th Grade Honor Orchestra and is a reflection of their vibrant city.The piece begins with a bold, accented introduction. The main theme is presented by the first Violins at m. 9. Be sure to observe the staccato markings in the accompaniment as they help to propel the piece forward.  A crescendo pushes into the B-section at m. 25 which is reminiscent of the introduction. Be sure to observe the change in dynamics as they highlight the contrast from section to section. The second Violins and Violas restate the main theme at m. 35, this time with a countermelody in the first Violins. The B-section returns again at m. 49, this time up an octave, and is “echoed” at a piano dynamic at m. 57. Once again, be sure to utilize as much dynamic contrast as possible in this section.  The introductory material returns at m. 65 and pushes the piece to a dramatic conclusion.

SKU: CF.PAS23F

ISBN 9781491151587. UPC: 680160909087. 9 x 12 inches.

Your beginning string orchestra is bound to sparkle with this delightful new composition from composer George Sweet. The piece uses very simple rhythmic figure that will make that very first concert for these budding new musicians a success. The harmonies are lush and refreshing for a piece at this level. The parents will not believe their ears!.
Sparkle City, along with “Hub-City,” is one of the nicknames of Spartanburg, South Carolina. The piece was commissioned by the Spartanburg District 7 5th Grade Honor Orchestra and is a reflection of their vibrant city.The piece begins with a bold, accented introduction. The main theme is presented by the first Violins at m. 9. Be sure to observe the staccato markings in the accompaniment as they help to propel the piece forward.  A crescendo pushes into the B-section at m. 25 which is reminiscent of the introduction. Be sure to observe the change in dynamics as they highlight the contrast from section to section. The second Violins and Violas restate the main theme at m. 35, this time with a countermelody in the first Violins. The B-section returns again at m. 49, this time up an octave, and is “echoed” at a piano dynamic at m. 57. Once again, be sure to utilize as much dynamic contrast as possible in this section.  The introductory material returns at m. 65 and pushes the piece to a dramatic conclusion.

SKU: CF.FAS35F

ISBN 9780825861086. UPC: 798408061081. 8.5 X 11 inches. Key: G major.

Your orchestra will really sparkle with this sempre pizzicato piece. So, put down the bows and enjoy this tuneful original piece from award winning educator Virginia Croft. A real treat!

SKU: AP.36717

UPC: 038081407975. English.

Sparkle glistens with the energy of new life. Built from staccato ostinati, relentless rhythms, biting harmonies, and soaring themes, the work shines with brilliance and power. From the first measure to the last, the work drives forward with fire and intensity to the powerful ending.

SKU: CF.YAS208F

ISBN 9781491159385. UPC: 680160917969.

Moons tone is the composer's favorite gemstone. Though not very bright, it has a unique, elegant sparkle. This composition reflects that understated beauty. The main melody in Moonstone has long, but lyrical phrasing with an enjoyable conversation between the higher and lower instruments. Although the time signature is in 4/4, the music should feel as if it is in cut-time to avoid sounding too square. The phrasing is always floating through the air in a legato style. However, the eighth-note detache should be executed mechanically, but in a mysterious mood.
Moonstone is the composer’s favorite gemstone. Though not very bright, it has a unique, elegant sparkle. This composition reflects that understated beauty. The main melody in Moonstone has long, but lyrical phrasing with an enjoyable conversation between the higher and lower instruments. Although the time signature is in 4/4, the music should feel as if it is in cut-time to avoid sounding too square. The phrasing is always floating through the air in a legato style. However, the eighth-note detaché should be executed mechanically, but in a mysterious mood.

SKU: CF.YAS208

ISBN 9781491159217. UPC: 680160917792.

Moons tone is the composer's favorite gemstone. Though not very bright, it has a unique, elegant sparkle. This composition reflects that understated beauty. The main melody in Moonstone has long, but lyrical phrasing with an enjoyable conversation between the higher and lower instruments. Although the time signature is in 4/4, the music should feel as if it is in cut-time to avoid sounding too square. The phrasing is always floating through the air in a legato style. However, the eighth-note detache should be executed mechanically, but in a mysterious mood.
Moonstone is the composer’s favorite gemstone. Though not very bright, it has a unique, elegant sparkle. This composition reflects that understated beauty. The main melody in Moonstone has long, but lyrical phrasing with an enjoyable conversation between the higher and lower instruments. Although the time signature is in 4/4, the music should feel as if it is in cut-time to avoid sounding too square. The phrasing is always floating through the air in a legato style. However, the eighth-note detaché should be executed mechanically, but in a mysterious mood.

SKU: CF.YPS256

ISBN 9781491161586. UPC: 680160920259.

This setting of the beautiful holiday song is accessible for very young bands. All melody sections are in comfortable ranges and the background parts are very interesting and yet, not difficult. All instruments get the melody at some point. Written in bridge form, it begins softly, with soft sleigh bells and clarinets below the break, adding flutes, then brass, then building to a minor section and a very short percussion feature. The section at m. 61 features bell tones under the melody and definitely will put the listener in the holiday spirit! The piece then slowly decrescendos back from where it came, to clarinets in the low register and soft sleigh bells. A good opportunity to teach the students about bridge form. Be sure to keep the same tempo throughout, and although you will want to start softly, keep enough air moving to have good tones in the beginning and closing sections. Time spent on the fp bell tones will really make this setting sparkle! Lots of percussion, but feel free to add more if you need to keep everyone participating. It can also be performed with just a few percussionists, but make sure you cover the sleigh bell part!.
This setting of the beautiful holiday song is accessible for very young bands. All melody sections are in comfortable ranges and the background parts are very interesting and yet, not difficult. All instruments get the melody at some point. Written in bridge form, it begins softly, with soft sleigh bells and clarinets below the break, adding flutes, then brass, then building to a minor section and a very short percussion feature. The section at m. 61 features bell tones under the melody and definitely will put the listener in the holiday spirit! The piece then slowly decrescendos back from where it came, to clarinets in the low register and soft sleigh bells. A good opportunity to teach the students about bridge form.Be sure to keep the same tempo throughout, and although you will want to start softly, keep enough air moving to have good tones in the beginning and closing sections. Time spent on the fp bell tones will really make this setting sparkle! Lots of percussion, but feel free to add more if you need to keep everyone participating. It can also be performed with just a few percussionists, but make sure you cover the sleigh bell part!

SKU: HL.1312744

ISBN 9798350109603. UPC: 196288177838. 6.75x10.5 inches.

Arranging a beloved traditional song can be a difficult task, as one must walk a delicate tightrope - add fresh appeal, but not to the point of obscuring the song's simplicity and raw, authentic humanity. Cristi Cary Miller passes this test with flying colors, turning out a delightful rendition of the Tyneside folk song â??The Keel Row.â? Alive with dancing rhythms and frolicking counterpoint, with an optional flute part to add sparkle.

SKU: AP.38492S

UPC: 038081433653. English.

With the same sparkle and energy of its predecessor, Adra's Dance, this new companion piece adds a touch of maturity as Adra's creator, the composer's daughter, has grown into a young lady. Celebrate where we are, where we're going, and how thankful we are to have this one life to live, love, and grow as your students and audiences enjoy the optimism and joy in this music.

SKU: LO.99-3803H

UPC: 000308149944.

Meldi ng such favorites as Here We Come A-Caroling, Good King Wenceslas, and We Wish You a Merry Christmas, this bright, up-tempo medley is sure to be an instant audience pleaser. Lots of unison and a simple second part make it a quick learn, and the smashing accompaniment track adds sparkle and celebratory flair to any holiday concert!