Tonalité : G-Moll - D 175. Par SCHUBERT FRANZ. Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Marienfeste, Marianische Gesänge - Langue : Latin / Hymnes et chorals / Répertoire / Choeur SATB, 2 Hautbois, 2 Clarinettes, 2 Bassons,
SKU: CA.7006500
ISBN 9790007165994. Language: German.
In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs.
SKU: CA.7006509
ISBN 9790007244729. Language: German.
In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs. Score and parts available separately - see item CA.7006500.
SKU: CA.7006503
ISBN 9790007166007. Language: German.
In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs. Score available separately - see item CA.7006500.
SKU: CA.7006513
ISBN 9790007244705. Language: German.
In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs. Score and part available separately - see item CA.7006500.
SKU: CA.7006511
ISBN 9790007244736. Language: German.
SKU: CA.7006519
ISBN 9790007165970. Language: German.
SKU: CA.7006514
ISBN 9790007244750. Language: German.
SKU: CA.7006512
ISBN 9790007244743. Language: German.
SKU: CA.7006505
ISBN 9790007242916. Language: German.
SKU: CA.7004319
ISBN 9790007138479. Key: G minor. Language: Latin.
Schubert composed the Latin Stabat Mater, D 175, between the 4th and 6th April 1815, probably without any specific commission. The text had been appointed by Pope Benedict XIII in 1727 for use at the Feast of the Seven Sorrows of the Blessed Virgin Mary on the 15th September. Schubert set to music only the first four of the Stabat Mater's 20 verses, but each verse is repeated with a concluding coda. Score and parts available separately - see item CA.7004300.
SKU: BA.BA05656
ISBN 9790006566433. 31 x 24.3 cm inches. Key: G minor. Text Language: Latin. Preface: Rudolf Faber.
Franz Schubert's “Stabat Mater†D 175 is one of a number of church works that he wrote for his local congregation in Lichtental.This edition is based on the sole surviving source, the composer’s autograph full score. Unlike its like-named companion piece D 383, Schubert uses the original Latin poem here. In his setting of April 1815 he focuses on the first two lines of the text depicting the Virgin’s motherly sorrows.This edition is based on the Urtext from the “New Schubert Editionâ€. The original figured bass numerals found in Schubert’s score have been modernised in all performance material and meticulously adapted to meet the demands of today’s performers.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA05547
ISBN 9790006497089. 33.1 x 25.6 cm inches.
SKU: BA.BA05656-82
ISBN 9790006566488. 32.5 x 25.5 cm inches. Key: G minor.
Praktische Ausgabe zum Band Kleinere kirchenmusikalische Werke II (Neue Ausgabe samtlicher Werke I/9) BA 5569-01.
About Barenreiter Urtext Orchestral Parts
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- Urtext editions as close as possible to the composerâ€℠s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through