SKU: HL.48016562
UPC: 073999656831. 8.5x11.0x0.234 inches.
Contents: Andante from Symphony No. 104 (Haydn) * Larghetto from Concerto Grosso No. 12 (Handel) * Adagio from Symphony No. 3 (Mendelssohn) * Andante from Symphony No. 5 (Schubert) * Largo from New World Symphony (Dvorak) * Songs My Mother Taught Me (Dvorak) * Andante from Symphony No. 4 (Schubert) * Largo from Symphony No. 88 (Haydn) * Silent Woods (Dvorak) * Melody from Violoncello Concerto (Dvorak) * Andante from Violin Concerto (Mendelssohn) * Adagio from Symphony No. 97 (Haydn) * Finale from Symphony No. 5 (Dvorak) * Andante Cantabile from Symphony No. 5 (Tchaikovsky).
SKU: BA.BA04668-75
ISBN 9790006452828. 32.5 x 25.5 cm inches. Key: D major.
Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn.
SKU: BA.BA04668-74
ISBN 9790006452811. 32.5 x 25.5 cm inches. Key: D major.
SKU: BR.OB-5642-16
First edition based on the copy of the score revised by Mahler Hamburg 1893
ISBN 9790004343685. 10.5 x 14 inches.
The Blumine movement included in the original five-movement version of Mahler's Symphony No. 1 was long considered lost. Composed as early as 1884 for a theater piece, Mahler inserted it into the symphony as its second movement in 1888. After three performances, he turned his back on this Love Episode, calling the sentimental, gushing movement a youthful folly, and removed it. Mahler's Hamburg autograph score was only rediscovered in 1966. Benjamin Britten gave the Blumine movement a new hearing at the 1967 Aldeburgh Festival. The critical new edition is based for the first time on the autograph score, together with the meanwhile rediscovered score copy with Mahler's last revisions.The cloth-bound volume PB 5661 contains next to the final version of the four-movement Symphony, the Blumine movement.First edition based on the copy of the score revised by Mahler Hamburg 1893.
SKU: BA.BA10418-74
ISBN 9790006564651. 32.5 x 25.5 cm inches. Key: G major.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composerâ€℠s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BA.BA10418-75
ISBN 9790006564668. 32.5 x 25.5 cm inches. Key: G major.
SKU: BA.BA10419-75
ISBN 9790006564743. 32.5 x 25.5 cm inches. Key: E minor.
SKU: BA.BA10419-74
ISBN 9790006564736. 32.5 x 25.5 cm inches. Key: E minor.
SKU: BR.OB-5296-16
ISBN 9790004340530. 10 x 12.5 inches.
Mozart's late E flat major Symphony was written in 1788, presumably for subscription concerts that ultimately did not take place. The new edition is based on the sole extant authentic source, the autograph from the Biblioteka Jagiellonska in Krakow. Unfortunately, the manuscript was notated negligently and faultily, which forced the editor to make frequent decisions about whether Mozart did or did not intend different articulations at many passages. Cliff Eisen's editorial competence was a major asset here.Urtext braves negligently notated autograph.
SKU: BR.OB-5236-16
Hauschild's new edition is based on all the major primary sources: autograph, first edition of the parts, copies of the score supervised by Beethoven, and the first edition of the score.
Have a look into ISBN 9790004335055. 10 x 12.5 inches.
Beethoven's Sixth Symphony (Pastorale) was written in the summer months of 1807 and 1808. The first performance of the work - along with that of the Fifth Symphony - took place on 22 December 1808 as part of a musical Akademie, or subscription concert, in the Theater an der Wien under the direction of the composer.Peter Hauschild's Urtext edition of the Pastorale is based on all the important primary sources: autograph, first edition of the parts (Leipzig: Breitkopf & Hartel, 1809), copies of scores supervised by Beethoven and, finally, the first edition of the score. Hauschild has combined source criticism and the requirements of performance practice while also keeping the Critical Report succinct and easy to grasp; this makes the editorial decisions easy to trace.Hauschild's new edition is based on all the major primary sources: autograph, first edition of the parts, copies of the score supervised by Beethoven, and the first edition of the score.
SKU: BA.BA10981
ISBN 9790006564620. 31 x 24.3 cm inches. Key: C major. Preface: Andreas Friesenhagen.
Haydn ’s Symphony in C major Hob. I: 90, dated 1788 in the autograph, belongs to a group of works that he composed between the Paris symphonies (Hob. I: 82–87) and the London symphonies (Hob. I: 93–104). It thus belongs to the last symphonies he wrote before his journeys to England in 1791–92 and 1794–95. Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn. With Symphony No. 90, Bärenreiter has now published the complete performance material for all the symphonies from Nos. 82 to 104 as well as several Sturm und Drang symphonies.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BR.OB-4380-15
ISBN 9790004306741. 10 x 12.5 inches.
SKU: BR.EOS-409-15
ISBN 9790004785232. 9 x 12 inches.
SKU: BR.OB-4380-16
ISBN 9790004306758. 10 x 12.5 inches.
SKU: BR.EOS-409-16
ISBN 9790004785249. 9 x 12 inches.
SKU: HL.48188488
UPC: 888680866952. 8.5x11.75x0.543 inches.
“Comp osed in 1978 by Henri Dutilleux, Timbres, Space, Movement is a work for Orchestra, also named ?The starry night? after a painting by Van Gogh. It was commisioned by Mstislav Rostropovich for the National Symphony Orchestra of Washington and is dedicated to Charles Münch. This great orchestral work lasts approximately 20 minutes and depicts the content of the painting. It is written for a full orchestra without Violins or Violas. A sketch of the placement of the instruments is given in the book as its disposition differs from a full orchestra: The Cellos placed in a half-circle in front of the conductor. The Cellos represents the space with twirling solos and more stagnant sections while the lack of Violins and Violas is for the quiet and motionless part of the painting. The solo of the Winds and Drums characterizes the clouds and the light of the moon and the stars. It is divided in two parts: 1. Nébuleuse (Nebula) and 2.Constellations, which are divided by a Cello interlude. Henri Dutilleux was internationally acclaimed for his work winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers, amongst many others. His work also includes a Piano sonata, two symphonies, the Violin concerto 'L'arbre des songes' (The tree of dreams) and the Cello concerto 'Tout un monde lointain' (A whole distant word).â€.
SKU: SU.00220157
The complete Violin I & II parts [CD-ROM] for the 81 orchestral works included in The Orchestra Musician's CD-ROM Library™, Volume 6: Mozart and Haydn. If these parts were purchased separately, this collection could cost several hundred dollars. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: HAYDN Symphonies 22, 44, 45, 82, 83, 84, 85, 86, 87, 88, 92, 93, 94, 95, 96, 97, 98, 99, 100, 101, 102, 103, 104, The Creation, The Seasons. MOZART Symphonies No. 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 38, 39, 40, 41; Piano Concertos No. 10, 13, 14, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27; Violin Concertos No. 3, 4, 5; Overtures: Abduction from the Seraglio, La Clemenza di Tito, Cosi fan tutte, Don Giovanni, Idomeneo, Impresario, Magic Flute, Marriage of Figaro; Divertimenti No. 1, 11, 15, Eine Kleine Nachtmusik; A Musical Joke; Notturno in D for 4 Orchestras; Serenades (Haffner and Posthorn); Gran Partita for Winds (Eb and C Minor); Sinfonia Concertante; Requiem; Mass in C Major; Mass in C Minor (55 works in all) Visit for more information
Ple ase note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.
SKU: HL.49013189
ISBN 9783254002228. German.
Begeisterun g“ - ist es nicht seltsam, dass wir damit einen Gefuhlszustand meinen, dabei aber den Geist“ im Munde fuhren? Doch wer hat gerade bei der Musik nicht schon erfahren, dass das gefuhlshafte Erleben um so intensiver ist, je mehr man vom Geist der Werke erfasst?Ziel dieses Buches ist, Augen und Ohren zu offnen fur musikalische Zusammenhange, die fur viele Musikfreunde noch im Verborgenen liegen. Dazu werden Analysen grosser Meisterwerke in verstandlicher und nachvollziehbarer Form vor dem Leser ausgebreitet. Insofern ist dieses Buch weniger eine Lese- als ein Arbeitsbuch - das Anregungen gibt und Freude am Detail weckt.Die Kompositionen von Buch und CD:Vollstandige Satze aus Mozart-Klavierkonzerten, g-Moll- und Jupiter-Sinfonie, Haydns Sinfonie Nr. 104, Beethovens „Eroica“, Schuberts „Grosser“, Mendelssohns Klavier/Violine-Doppelkon zert, Chopins und Brahms‘ 1. Klavierkonzert, Bruckners 7. und Mahlers 6. Sinfonie, Tschaikowskys „Pathetique“ u.a.
SKU: HL.49020868
ISBN 9783254002235.
Bege isterung' - ist es nicht seltsam, dass wir damit einen Gefuhlszustand meinen, dabei aber den Geist' im Munde fuhren? Doch wer hat gerade bei der Musik nicht schon erfahren, dass das gefuhlshafte Erleben um so intensiver ist, je mehr man vom Geist der Werke erfasst?Ziel dieses Buches ist, Augen und Ohren zu offnen fur musikalische Zusammenhange, die fur viele Musikfreunde noch im Verborgenen liegen. Dazu werden Analysen grosser Meisterwerke in verstandlicher und nachvollziehbarer Form vor dem Leser ausgebreitet. Insofern ist dieses Buch weniger eine Lese- als ein Arbeitsbuch - das Anregungen gibt und Freude am Detail weckt.Die Kompositionen von Buch und CD:Vollstandige Satze aus Mozart-Klavierkonzerten, g-Moll- und Jupiter-Sinfonie, Haydns Sinfonie Nr. 104, Beethovens Eroica', Schuberts Grosser', Mendelssohns Klavier/Violine-Doppelkon zert, Chopins und Brahms' 1. Klavierkonzert, Bruckners 7. und Mahlers 6. Sinfonie, Tschaikowskys Pathetique' u.a.
