SKU: TM.01824SET
Mozart, Mendelssohn, Beethoven, Schumann, Handel, Spohr, Bach, Gluck, Weber & Chopin - (12 Pcs.).
SKU: HL.49001670
ISBN 9790001022989.
In this small three-movement symphony written by Mozart at the age of ten, the rondo form is used for the first time in the finale. Like the Lambacher Sinfonie in G major, this work can also be played without wind instruments as -pure string symphony. In the second movement, two solo violins have to play the oboe parts here and there.
SKU: HL.49013763
ISBN 9790001022996.
SKU: HL.49001671
ISBN 9790001023009. 9.25x12.0x0.075 inches.
SKU: PR.816600040
UPC: 680160600045. 5.5x5 inches.
This disk contains study scores of all 41 of Mozart's Symphonies, as well as Concertos for Winds and Strings (Piano Concertos are on a companion CD-ROM), Serenades, Opera Overtures, Divertimentos, and other works.
About CD Sheet Music (Version 1)
CD Sheet Music (Version 1) was the initial CD Sheet Music series distributed by Theodore Presser. The CDs include thousands of pages of music that are viewable and printable on Mac or PC. Version 1 titles are a great value at 40% off, as we make room in our warehouse for the newly enhanced CD Sheet Music (Version 2.0) series.
SKU: BR.OB-5542-16
3 Work Stages, 2 Versions, 1 Edition
,,… the musical text is fine. This is a valuable improvement. (Clifford Bartlett, Early Music Review)
ISBN 9790004341728. 10 x 12.5 inches.
With the new edition of the G-minor Symphony, a vital work group in Mozart's oeuvre is now complete: the three late symphonies K. 543, 550 and 551, now available in Urtext editions. As in his new edition of the Hafner Symphony, Henrik Wiese uncovers in the present Breitkopf Urtext score three different stages in the genesis of the G-minor Symphony. Mozart initially wrote the work without clarinets (1st stage), and then he added the clarinets (2nd stage). Not until a final stage did he change the wind instrumentation in the Andante (3rd stage). Mozart thus returned to the 1st version again after completing the 2nd version (with clarinets). This advances the importance of the 1st version without clarinets as Fassung letzter Hand. A compelling insight which sheds new light on the famous G-minor Symphony. Both versions are of equal value and can now be compared with one another, studied and, above all, performed for the first time ever thanks to the new score and parts.Another extremly practical aspect that should be noted: the orchestral parts offer solutions for all the problematic page turns for the first time ever (please see the sample pages of OB 5542 - Violin II.),,... the musical text is fine. This is a valuable improvement. (Clifford Bartlett, Early Music Review)3 Work Stages, 2 Versions, 1 Edition.
SKU: BA.BA09167-75
ISBN 9790006528226. 32.5 x 25.5 cm inches. Key: B-flat major.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composerâ€℠s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BR.OB-5372-26
ISBN 9790004332221. 10 x 12.5 inches.
With the Symphony K. 112, Cliff Eisen, Professor at the renowned Kings College and one of the leading Mozart specialists of the younger generation, continues the series of new editions of Mozarts orchestral works which began with the Prague Symphony. Here too, the editorial principles follow the guidelines of Urtext. In his work, he takes particular care in bringing his expert knowledge of contemporary performance practice into play when evaluating authentic part material. Eisen comes to surprising conclusions in a number of cases. At the very least, the Symphony K. 112 will sound different in these passages with the new material.
SKU: BA.BA04743
ISBN 9790006455027. 31 x 24.2 cm inches. Key: C major.
Urtext der Neuen Mozart-Ausgabe.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA04743-80
ISBN 9790006455072. 32.5 x 25.5 cm inches. Key: C major.
SKU: BA.BA04743-82
ISBN 9790006455089. 32.5 x 25.5 cm inches. Key: C major.
SKU: BA.BA04743-79
ISBN 9790006455065. 32.5 x 25.5 cm inches. Key: C major.
SKU: BA.BA04743-65
ISBN 9790006455034. 32.5 x 25.5 cm inches. Key: C major.
SKU: BA.BA04743-75
ISBN 9790006455058. 32.5 x 25.5 cm inches. Key: C major.
SKU: BA.BA09167-65
ISBN 9790006528202. 32.5 x 25.5 cm inches. Key: B-flat major.
SKU: BA.BA09167-74
ISBN 9790006528219. 32.5 x 25.5 cm inches. Key: B-flat major.
SKU: BA.BA04743-74
ISBN 9790006455041. 32.5 x 25.5 cm inches. Key: C major.
SKU: BA.BA09167-79
ISBN 9790006528233. 32.5 x 25.5 cm inches. Key: B-flat major.
SKU: TM.01824SC
SKU: BR.OB-5292-15
ISBN 9790004338223. 10 x 12.5 inches.
Mozart's last symphony offered editor Cliff Eisen a clear-cut basis for his work: its autograph score is the sole authentic source to have survived. In order to remain as close as possible to the performance practice of Mozart's time, the editor has tried to keep as much as possible of the composer's idiosyncratic notation style, since a consistently modernized music text would hardly allow any conclusions on the interpretative nuances envisioned by Mozart. The preface confirms the brilliance and expertise of Mozart expert Cliff Eisen, who offers a wealth of fascinating findings on interpretation, genesis and early reception.Mozart' s last symphony offered editor Cliff Eisen a clear-cut basis for his work: its autograph score is the sole authentic source to have survived.
