Matériel : Partition
/ Orchestre / 96 pages / Partition
SKU: BR.PB-14613
The study score (,,Studien-Edition) is available at G. Henle Verlag.
ISBN 9790004214886. 10 x 12.5 inches.
The Eroica according to the Complete EditionExploring the Eroica is the name of the essay with which the editor made herself known back in 1998 and which contributed decisively to the research into the complex transmission. Written in 1803, the autograph of the work is lost today. The title Sinfonia Eroica is already found in the first edition (but only there as well). The main source of the edition is the copy of the score, which was carefully examined and emended by Beethoven, and into which he made corrections even after the appearance of the first printed set of parts. In addition, the copies of the parts used for first performances (before publication) as well as the extremely error-filled first edition of the instrumental parts are also relevant; more so, however, is another printed set that Beethoven personally revised. Thanks to the new performance material, the musical text of the new Beethoven Complete Edition can now also be heard alternatively to the Breitkopf Urtext edition by Peter Hauschild (PB/OB 5233).
SKU: BR.OB-14613-23
ISBN 9790004342619. 10 x 12.5 inches.
SKU: BR.OB-14613-16
ISBN 9790004342596. 10 x 12.5 inches.
SKU: BR.OB-14613-19
ISBN 9790004342602. 10 x 12.5 inches.
SKU: BR.OB-14613-30
ISBN 9790004342633. 10 x 12.5 inches.
SKU: BR.OB-14613-27
ISBN 9790004342626. 10 x 12.5 inches.
SKU: BR.OB-14613-15
ISBN 9790004342589. 10 x 12.5 inches.
SKU: PR.110418060
UPC: 680160620197. 9 x 12 inches.
Bagatelle was commissioned for the International Beethoven Project's 2012 Beethoven Festival, in which thematic material centered around Beethoven's Third Symphony Eroica. In this short, energetic work, one of the final sections of the Eroica Symphony is recast as a sonorous cloud of sound that coalesces into music that is spirited, rhythmically charged, and thrilling. In a concert premiere of 18 new bagatelles by various composers, it was Matheson's Bagatelle that music critic John von Rhein found of particular interest. The piece alternated material from the final movement of the Eroica with spectral and torrential washes of sound-think Franz Liszt playing Beethoven on hallucinogens. For advanced pianists.