6 Tangos for piano

Matthiesen Bill (Edtd). Par MATTHIESEN BILL. Un échantillonneur étonnant de piano romantique les solos dès les premiers jours du tango. Voici la première grande collection de musique ancienne de tango jamais publiée à l'extérieur de l'Argentine. Cette anthologie présente 42 scores fac-similé de piano dans un large éventail de styles de tango trouvé au XIXe siècle l'Argentine et l'Uruguay. Sélections comprennent des classiques de l'Argentine et l'Uruguay compositeurs plus célèbres guardia vieja (vieille garde), écrits druring années de formation du tango entre 1900 et 1920. Bon nombre de ces pièces évoquent parallèles musicales avec des chiffons piano américains de la même époque. Ces merveilleuses tangos début incarnent la profondeur émotionnelle complète et la complexité rythmique de ce genre fascinant, mais sont accessibles aux joueurs de capacités variées. / Niveau : Intermédiaire / Latin American - Solos / Recueil / Piano

Une superbe collection de valses, tangos et polkas de Beethoven à Joplin, et d'Alberniz à Agay. / Piano

The Syncopated Piano Music-This collection showcases the syncopated piano music of Latin American during the nineteenth and early twentieth centuries. It features Latin rhythms which are really African rhythms brought to the Americas by slaves and appliedto the music of the European colonists. These rhythms are varied and complex and so is their history. They've had a widespread and profound influence on the evolution of popular music not only in Latin America but also in theUnited States. The most obvious offshoots are the tango in Argentine and Uruguay and most of the other popular dances of South and Central America as well as ragtime and jazz in the United States. Jelly Roll Morton claimed this'Latin tinge' is the essential element that distinguishes jazz from ragtime. These rhythms are the musical roots of groups like 'The Buena Vista Social Club.' Includes historic tangos written by Ignacio Cervantes - Cuba Manuel Saumell - Cuba Juan Morel Campos - Puerto Rico Jose Quinton - Puerto Rico Ernesto Nazareth -Brazil Tomas Leon - Mexico Sebastian Yradier - Spain Eduardo Sanchez du Fuentas - Cuba Will Tyers - USA Vincente Greco -Argentina Anselmo Rosendo (Mendizabal) - Argentina Angel Villoldo - Argentina Eduardo Arolas - Argentina Juan Maglio - Argentina

This collection showcases the syncopated piano music of Latin American during the nineteenth and early twentieth centuries. It features Latin rhythms, which are really African rhythms brought to the Americas by slaves and applied to the music of the European colonists. These rhythms are varied and complex and so is their history. They've had a widespread and profound influence on the evolution of popular music not only in Latin America, but also in the United States. The most obvious offshoots are the tango in Argentine and Uruguay and most of the other popular dances of South and Central America, as well as ragtime and jazz in the United States. Jelly Roll Morton claimed this Latin tinge is the essential element that distinguishes jazz from ragtime. These rhythms are the musical roots of groups like The Buena Vista Social Club.
Adios a Cuba (I.Cervantes) - Almendares (I.Cervantes) - Carioca (Ernesto Nazareth) - Coquetona (Danza) (Jose I.Quinton) - Cruz, Perigo!! (Ernesto Nazareth) - El Entreriano (Tango) (A.Rosendo) - El Esquinazo (Tango Criollo) (A.G.Villoldo) - El Panuelo de Pepa (Contradanza) (manuel Saumell) - El Zurdo (Tango) (Juan Maglio) - Esta Chumbado (Ernesto Nazareth) - Garoto (Ernesto Nazareth) - Ilusiones Perdidas (I.Cervantes) - l Chicotazo (Tango No.2) (Vincente Greco) - La Encantadora (I.Cervantes) - La Isabelita (J.Morel Campos) - La Luz Electrica (Tomas Leon) - La Matilde (Contradanza) (Manuel Saumell) - La Paloma (Sebastian Yradier) - La Quejosita (Manuel Saumell) - La Reina de las Flores (Tomas Leon) - Lamentos de Amor (Manuel Saumell) - Laura y Georgina (J.Morel Camppos) - No Me Toques! (J.Morel Campos) - O Que Ha' (Tango) (Ernesto Nazareth) - Por Que, Eh' (Why, Eh') (I.Cervantes) - Que Le Importa a Usted' (Tomas Leon) - Quien Sabe (Tomas Leon) - Recuerdos de Gottschalk (Contradanza) (Manuel Saumell) - Remando (Tango) (Ernesto Nazareth) - Suipacha (Tango Milonga) (Eduardo Arolas) - Tiene Que Ser (It Must Be) (I.Cervantes) - Trocha (A Cuban Dance) (Wm.H.Tyres) - Tu (Habanera) (E.Sanchez Fuentes) - Vaya Una Pregunta (Tomas Leon) - Vitorioso (Tango) (Ernesto Nazareth) - Vuelta al Hogar (I.Cervantes) - Yo Se Lo Dire a Ustted (Tomas Leon)

Par PIAZZOLLA ASTOR. A highly anticipated and well-received addition to the Carl Fischer roster, Astor Piazzolla Volume 2 is a compilation of five tangos by the great Argentine composer, Astor Piazzolla, arranged for two pianos. The five piano pieces of the second Piazzolla volume are Fuga y misterio, Milonga del angel, La muerte del angel, Soledad and Michelangelo 70. Fuga y misterio was composed in 1968 as part of Piazzolla's hugely successful operetta Maria de Buenos Aires, which later became the signature tune for a popular Argentine television show entitled Tiempo Nuevo. Astor Piazzolla Volume 2 is a fantastic collection and is a must have for pianists. This piece comes as a highly anticipated addition to Astor Piazzolla-Tangos for Two Pianos, Volume 1. / Date parution : 2019-08-30/ Recueil / 2 Pianos

25 tangos by the revolutionary tango musician and composer Astor Piazzolla, arranged for trumpet and piano. These crowd-pleasing tangos borrow from classical, jazz, and Latin traditions. The collection includes Piazzolla's most famous tangos, Libertango and Oblivion. / Trompette Et Piano

40 tangos by the revolutionary tango musician and composer Astor Piazzolla arranged for solo Piano. These crowd-pleasing tangos borrow from classical jazz and Latin traditions. The collection includes Piazzolla's most famous tangos Libertango and Oblivio.

25 tangos by the revolutionary tango musician and composer Astor Piazzolla, arranged for cello and piano. These crowd-pleasing tangos borrow from classical, jazz, and Latin traditions. The collection includes Piazzolla's most famous tangos, Libertango and Oblivion. / Violoncelle Et Piano

25 tangos by the revolutionary tango musician and composer Astor Piazzolla, arranged for cello and piano. These crowd-pleasing tangos borrow from classical, jazz, and Latin traditions. Includes Piazzolla's most famous tangos ?Libertango? and ?Oblivion.? Appropriate for the intermediate to early advanced player. Includes separate pull-out cello part. / Musiques du monde / Partition /

This is how tango should sound! The first decades in the history of this music brought some of its most beautiful and famous pieces. The arrangements from tango pianist J. M. Solare enable players who are not familiar with the tango style to make these pieces sound absolutely authentic. Includes tangos by E. Arolas, C. Gardel, A. Greco, V. Greco, E. Ponzio, and A. Villoldo. Sous-titre : 10 Famous Tangos for Piano Solo Édition musicale : Ricordi München Instrumentation : Piano Type de produit : Recueil Année d'édition : 2006 ISMN : 9790204228409

10 Famous Tangos for Piano Solo-Cest ainsi que doit vibrer le tango ! Quelques-uns des plus beaux et des plus célèbres tangos sont rassemblés dans ce recueil. Ces arrangements magnifiquement ciselés par le célèbre pianiste grand spécialiste du tango J. M. Solare sont accessiblesmême aux débutants.Sommaire : Por una cabeza (Gardel) ? La viruta (Greco) ? Mi Buenos Aires querido (Gardel) ? Naipe marcado (Greco) ? El Marne (Arolas) ? Don Juan (Ponzio) ? Volver (Gardel) ? El porteñito (Villoldo) ? La cachila (Arolas) ? El dia que me quieras(Gardel).