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| John Taverner: The
Western Wind Mass: SATB:
Vocal Score
Chorale SATB
SATB [Vocal Score]
Chester
John Taverner's Western Wind Mass is one of three extant Early Tudor masses bear...(+)
John Taverner's Western Wind Mass is one of three extant Early Tudor masses bearing that title the others being by Christopher Tye and John Shepherd. They are so named because their canutus firmus derives from a setting of thelove lyric 'Westron wynde when wylle thow blow'. Taverner's extant works are not abundant by William Byrd’s standard but they include eight complete masses three Magnificat settings over twenty motets English adaptations ofhis Latin music a handful of secular songs and a couple of instrumental pieces. This work is for SATB voices and is edited by Anthony G. Petti
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| English Church Music
(KING ROBERT / RUTTER
JOHN)
Chant [Partition]
Oxford University Press
Par KING ROBERT / RUTTER JOHN. Oxford Choral Classics: anglais Church Music rass...(+)
Par KING ROBERT / RUTTER JOHN. Oxford Choral Classics: anglais Church Music rassemble en deux volumes d'environ 100 des plus beaux exemples de l'anglais la musique chorale sacrée des cinq derniers siècles. Le premier volume, consacré aux hymnes et motets, présente à la fois favoris et des Oeuvres moins connues, de la polyphonie de la Renaissance exceptionnelle Taverner, Tallis, Byrd et, à travers la restauration dirigée par Purcell, les Oeuvres glorieuses de la grande XIXe et XXe siècles compositeurs-siècle, y compris Wesley, Elgar, Stanford, Vaughan Williams, et Howells. Le volume contient un certain nombre d'Oeuvres plus importantes, y compris de Mendelssohn Ecoute ma prière, Stainer, je vis le Seigneur, et dicentis Naylor Vox: Clama, ainsi qu'une belle sélection de pièces plus courtes, de Gibbons O Seigneur, dans ta colère pour définir Walton moi comme un sceau sur ton cOeur. Avec le volume second compagnon de cantiques et de réponses, cette collection présente bipartite une enquête approfondie de la musique sacrée anglaise à son meilleur.
/ Recueil / Chant
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| V - Five-Part Masses
(TAVERNER JOHN)
Chorale [Partition]
Stainer and Bell
Par TAVERNER JOHN. / Répertoire / Chorale
Délais: 2-5 jours - En Stock Fournisseur |
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| The Western Wind. Mass
(TAVERNER JOHN)
Chorale SATB [Partition]
Stainer and Bell
Mass. Par TAVERNER JOHN. / Répertoire / SATB
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| Ritual Music And Secular
Songs (TAVERNER JOHN)
Chorale [Partition]
Stainer and Bell
Par TAVERNER JOHN. / Répertoire / Chorale
Délais: 2-5 jours - En Stock Fournisseur |
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| John Taverner: Dum
Transisset Sabbatum
(Tudor Anthems): SATB:
Vocal Score
Chorale SATB
SATB [Vocal Score]
Novello & Co Ltd.
These editions taken from the acclaimed Tudor Anthems anthology represent some...(+)
These editions taken from the acclaimed Tudor Anthems anthology represent some of the most popular musical works from the volume. They include sacred works of various lengths and standards of difficulty for mixed voice choir accompanied and unaccompanied by an array of composers including Batten Byrd Gibbons Philips Sheppard Tallis Taverner and Weelkes. The works are prepared in an easily understood performing edition by Lionel Pike.
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| 2 Motets In Three Parts
(TAVERNER JOHN)
3 Flûtes à Bec (SSA) [Conducteur]
Schott
Par TAVERNER JOHN. Gloriosa Domine - O Splendor Glorie/ Répertoire / 3 Flûtes ...(+)
Par TAVERNER JOHN. Gloriosa Domine - O Splendor Glorie/ Répertoire / 3 Flûtes à Bec (SSA)
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| 4- And Five-Part Masses
(TAVERNER JOHN)
Chorale [Partition]
Stainer and Bell
Par TAVERNER JOHN. / Répertoire / Chorale
Délais: 2-5 jours - En Stock Fournisseur |
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| John Taverner:
Quemadmodum: Mixed Choir:
Vocal Score [Vocal Score]
Oxford University Press
Quemadmodum by John Taverner. None of the sources of this piece has a text; howe...(+)
Quemadmodum by John Taverner. None of the sources of this piece has a text; however the title clearly suggests a link with Psalm 42 - 'Like as the hart desireth the waterbrooks'. The editor Tim Symons has skilfully added the text here to make a ravishing piece which would be suitable for service use or in concert perhaps as a companion to Howell's much-loved setting of the same text.
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| Gloria Tibi Trinitas.
Mass (TAVERNER JOHN)
Chorale SATB [Partition]
Stainer and Bell
Mass. Par TAVERNER JOHN. SATTBB unaccompanied Edited by Hugh Benham/ Répertoire...(+)
Mass. Par TAVERNER JOHN. SATTBB unaccompanied Edited by Hugh Benham/ Répertoire / SAT TBB sans Accompagnement
Délais: 2-5 jours - En Stock Fournisseur |
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| 6-Part Masses (TAVERNER
JOHN)
Chorale
Stainer and Bell
Par TAVERNER JOHN. / Répertoire / Choeur
Délais: 2-5 jours - En Stock Fournisseur |
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| Votive Antiphons
(TAVERNER JOHN)
Chorale [Partition]
Stainer and Bell
Par TAVERNER JOHN. / Répertoire / Chorale
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| Dum Transisset Sabbatum
(When The Sabbath Was
Past) (TAVERNER JOHN)
Chorale SATB [Partition]
Stainer and Bell
Par TAVERNER JOHN. SATBB unaccompanied Latin and English texts. Edited by E H Fe...(+)
Par TAVERNER JOHN. SATBB unaccompanied Latin and English texts. Edited by E H Fellowes./ Répertoire / SATB a Cappella
Délais: 2-5 jours - En Stock Fournisseur |
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| John Taverner: Christe
Jesu pastor bone: Mixed
Choir: Vocal Score [Vocal Score]
Oxford University Press
John Taverner's Christe Jesu Pastor Bone for SATBB unaccompanied.
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| Nico Muhly: Clear Music:
Cello: Score and Parts [Conducteur et Parties séparées]
St Rose Music Publishing
Written for cello harp and celeste.Clear Music (after John Taverner) was writte...(+)
Written for cello harp and celeste.Clear Music (after John Taverner) was written at the request of the cellist Wendy Law during the summer of 2002. Clear Music is an extended exploration of a single measure in John Taverner’s (1490 1545) motet Mater Christi Sanctissima. What I attempted to do in Clear Music was to suspend this measure for as long as I could imagine in a single texture: the bright clarity of the celeste and harp. As in the Taverner I have structured Clear Music into a series of peaks featuring the highest registers of the treble voice—here the cello. I remember very vividly performing this piece and being struck by how distant the treble was fromthe other voices - sometimes there are spaces of over an octave between the treble and the alto - and I attempted to recreate the somewhat terrifying and exposed contours of these lines. The end result is I hope a prolonged and transparent recollection of the Taverner which exposes not only my appreciation for the music itself but also my response to performing it.Nico Muhly.
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| Hugh Benham: Baroque
Music In Focus: History [Livre]
Rhinegold Publishing Ltd.
Second Edition-This book defines Baroque music simply and explains how it began ...(+)
Second Edition-This book defines Baroque music simply and explains how it began developed and influenced later musicians with chapters on major genres and a survey of the lives and music of the two leading composers of the late Baroque Bach and Handel.This book suggests listening viewing and further reading material to complement the main topics within the book and is an ideal resource for those wanting to explore the many aspects of Baroque music.This second edition has been fully revised and updated with expanded sections on the major genres and works of the Baroque era.Written to provide a solid foundation for pupils of all levels who are studyingBaroque music Baroque Music in Focus would also be useful for any readers with an interest in the topic.Hugh Benham read Music and English at Southampton University where he was awarded a Ph.D. for his study of the music of John Taverner. He is a chair of examiners for GCE Music an in-service trainer church organist and writer and formerly taught music in a sixth-form college.Hugh has contributed to Music Teacher and Classroom Music magazines and is the author of Baroque Music in Focus (Rhinegold 2007). His other writing includes two books on English church music including John Taverner: his Life and Music (Ashgate 2003) articles on early music contributions to The New Grove Dictionary of Music and Musicians (2001) and Die Musik in Geschichte und Gegenwart and a complete edition of Taverner for Early English Church Music.
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| Rejoice In The Lord
Always (Tudor Anthems):
SATB: Vocal Score
Chorale SATB
SATB [Vocal Score]
Novello & Co Ltd.
These editions taken from the acclaimed Tudor Anthems anthology represent some...(+)
These editions taken from the acclaimed Tudor Anthems anthology represent some of the most popular musical works from the volume. They include sacred works of various lengths and standards of difficulty for mixed voice choir accompanied and unaccompanied by an array of composers including Batten Byrd Gibbons Philips Sheppard Tallis Taverner and Weelkes. The works are prepared in an easily understood performing edition by Lionel Pike.
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| Adrian Batten: O Sing
Joyfully (Tudor Anthems):
SATB: Vocal Score
Chorale SATB
SATB [Vocal Score]
Novello & Co Ltd.
These editions taken from the acclaimed Tudor Anthems anthology represent some...(+)
These editions taken from the acclaimed Tudor Anthems anthology represent some of the most popular musical works from the volume. They include sacred works of various lengths and standards of difficulty for mixed voice choir accompanied and unaccompanied by an array of composers including Batten Byrd Gibbons Philips Sheppard Tallis Taverner and Weelkes. The works are prepared in an easily understood performing edition by Lionel Pike.
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| Dum transisset Sabbatum
(I): Mixed Choir: Vocal
Score [Vocal Score]
Oxford University Press
for SATBarB unaccompanied This famous Easter Respond by John Taverner (d. 1545) ...(+)
for SATBarB unaccompanied This famous Easter Respond by John Taverner (d. 1545) scored for SATBarB alternating polyphony and plainchant tells the story of the three women arriving at the empty tomb on Easter morning bringing spices to anoint the body of Jesus.
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| John Tavener: Parting
Gift For Tam Farrow:
SATB: Vocal Score
Chorale SATB
SATB [Vocal Score]
Chester
John Taverner: The tiny Parting Gift for Tam Farrow is an essence a fragrance ...(+)
John Taverner: The tiny Parting Gift for Tam Farrow is an essence a fragrance that came to me from her. The performance of the essence is my gift back to her. For SATB Choir. Premiered by The Tallis Scholars.
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