A Teenager in Love

The Ukulele Decade Series: The 1950s features Ukulele arrangements for 80 favorites from the early days of rock, including All I Have to Do Is Dream, At the Hop, The Great Pretender, Peggy Sue, A Teenager in Love, You Send Me and more. / Ukulélé

Jacques Brel is alive and well. This musical is a revue of Brel's work. At the age of 23, Brel moved from Nazi-occupied Brussels to Paris, where he began to chase his dreams of a musical career. No performers wanted to sing his songs and he realised that he would have to sing them himself. This he did and found waiting for his passionate performacnes an ever-widening audience. By the early 1960's he was touring in the U.S.A. and U.S.S.R. One of the musical contact he made was Mort Shuman (A Teenager In Love), who introduced his music to Eric Blau. They both loved what they heard and agreed that the songs were sure to find an American audience, but only if they were sung in English. Not wanting to turn the songs into a commercial venture, the pair eventually decided to turn them into a 'plotless' theatrical production.

This is the teenager's lament! All the angst of young love lost is right here in a fun Discovery Pop arrangement of Dion & the Belmont's 1959 hit.Available separately: 3-Part Mixed 2-Part and ShowTrax CD. Performance Time: Approx. 2:30

Studies for Saxophone- This collection by Jayson Mackie contains 20 solo compositions in a Latin style for the Eb Alto Saxophone. Latin music has been a particular favourite genre of mine to write in having grown up listening to jazz bands and playing in them as a teenager. Most people can name a handful of the more well-known dances (thanks to the popularity of Strictly Come Dancing!) but I knew there were many more lesser-known Latin styles out there. So in August 2015 I decided to research some of the many dance forms of the Caribbean and South America. After listening to these and discovering a little of theirhistory and musical characteristics I decided to write my own versions. Latin Lovelies is the result. - Jayson Mackie

Contains a mixture of Piano/Vocal/Guitar arrangements, Melody line with Lyrics, and pictures with short biographies and descriptions of some of the featured songs. This stunning book features over 60 classic songs spanning many decades of popular musical history. Published to commemorate Carlin Music's 40th anniversary, it features songs in every style from vintage ballads and classics from the rock 'n roll years to pop best-sellers and the latest boy band hits. Beautifully illustrated with photographs of the music and artists of the times, this souvenir edition is the perfect gift for every music lover! / Niveau : Elémentaire / Recueil / Piano, Chant et Guitare

Ils sont jeunes, ils sont beaux, ils jouent du `Teenager Rock`, et ils sont devenus en deux albums le groupe le plus populaires des ados depuis Tokio Hotel. / Variétés / Partition /

Make the silence talk'La Muette knew how to make the silence talk like no one', writes Djavann in his book (La Muette, © Flammarion 2008). Those words deeply touched me for they express one of the most beautiful metaphors in music. Through the lines of discourse, beyond words, I was listening to the silence of 'La Muette'. A rare and intense listening which joins the same internal listening I use when I'm writing my score. I was listening to La Muette, I decided to write a new piece to make the silent voice of La Muette told by Chahdortt Djavann sound through music. Choosing the extracts The text put in music is composed of short extracts from Djavann's story. I focused on this woman's portrait, who conquers her freedom through silence in which she forms a strong love relationship with her niece Fatemeh on the one hand, and the Uncle on the other hand. 'She had made her silence become her art of living, her freedom' writes Djavann. The extremely dramatic tension, the flow of the singing in Persian language, and the oppression in relation to the Iranian context are trying to underline the independent beauty of that woman who resists and exists without a voice. Story A young 15 years old Iranian girl named Fatemeh is in jail. Waiting for her death sentence, she writes the story of her aunt on a small notebook, 'so that someone remembers La Muette and myself'. The young teenager was raised by her aunt who becomes mute because she decided to stop talking on a dark day of her own childhood when she was interrogated, never to tell THE truth. An aunt whose silence makes even more fascinating, haughty, with an insolent look, cigarette at her lips, bare-footed and without any scarf on her head. 'La Muette' had made her silence become her art of living, her freedom. Around her, women start to talk, even considering her mad, for only a mad person could act this way. Fatemeh loves her mute aunt unconditionally, that is how she wants to become a woman, by being like her, fascinated by her silence and her excesses. La Muette embodies a figure of Freedom and makes us remember that in some countries, the woman who won't be submissive risks capital punishment. She will be hung. Following this beautiful text by Chahdortt Djavann, 'La Muette', a powerful text, stiff, tensed, without any lyricism nor compromises, which takes place in Iran under the Mollahs' regime. Persian: Phonological material / Compositional material Djavann's story is written in French. I asked Baharé Khadjé-Nouri to translate the text into Persian, and worked with her on pronunciation, accentuation, metric and the structure of the language, and I thank her again for that. I spent a long time having some people reading me the text in Persian and through listening I immersed myself in that sound universe. From this linguistic material, the beginning of the piece starts with the constitution of a tank of sound objects which will constitute parts of the compositional material. To compose the phonological tank, I worked on writing the pronunciation that lies at the origin of every possible vocal composition, writing the tone as well as the 'percussive - resounding' aspects of phonemes, multiple uses of fricative consonants or sibilants. Finally I used the vocal treatment of the phoneme through modes of play in relation to sprechsang: sing -inspire, or -expire, -blow, -chanting, -whispering, -spitting, -speaking. But a purely phonetic analysis of the vocal structures composing the sung part would reduce the word to its mere phonetic entity. The phonological material then constituted a compositional material by giving to the sung word its semantic entity. Form of the piece To strip the drama off every narrative element, at least of the discursive and linear character of the story, I first re-organized parts of the text extracted from the whole book in an order fitting the form I wanted to give to the piece (except for the beginning and ending which are kept in their linear forms). I imagined Fatemeh in jail, whose memories bounced between the four walls of her cell: recurring musical material, re-injected in an obsessive way, disjointed and contrasted, continuously modified each time, bouncing from one sequence to the next in another state. The piece is divided into 5 sequences, between each of them is an instrumental interlude with a voice-off, the voice of the present in the cell that contrasts with the singing voice of the sequence, evocation of memories of La Muette (sequence 1: preamble, sequence 2: portrait of La Muette, sequence 3: La Muette and Fatemeh, sequence 4: La Muette and the Uncle, sequence 5: epilogue). Electroacoustic setupFor this piece, I wrote the electroacoustic parts myself at the same time I was writing the instrumental parts. The electroacoustic setup is here considered as a whole instrument, an instrument added to the 12 others electroacoustic instruments and to Donatienne's voice. The electroacoustic sounds are divided into three types: - Samples from the singer's voice and instruments of the TM+ ensemble transformed - The narrator's voice Baharé Khadjé-Nouri in Persian, original version or transformed - Extra-musical sounds As for the synchronization between the acoustic and the electroacoustic scores, we will use for the first time an innovative application developed by Frédéric Bevilacqua and Bruno Zamborlin, not to follow the moves as we did it in StreicherKreis (my string quartet created in November 2008), but to follow the voice and orchestra. Thus, we will be using an 'audio-following', which constituted a first. This setup of recognition and following will allow the synchronization between instrumental and electroacoustic scores in a musical and precise way. Concerning the interactivity between performers and device, it will all be in real-time. Characteristics of the musicians' sound will 'interpret' what comes out of the speakers. The musicians will define the settings of the sound transformations, in terms of space, transposition, tone or length. This new piece expresses a message through the choice of subject that goes beyond strictly music. For me, it is important that both the composer and writer can invest their work into problematics which they're confronted to because they are immediate witnesses. / Soprano Et Percussions

The series Der Junge Pop-Chor has vastly expanded the range of contemporary choral material available to choirs. In Volume 3 of this successful series, five more songs are included for 2-part youth choir (or 2-part women's choir), arranged with Piano Accompaniment.This series is mostly aimed at teenagers and young adults, who want to sing the latest chart-topping hits. The accompanying CD contains professional recordings of the complete Piano Accompaniments, so your choir won't need a pianist. / Choeur SSA Et Piano

This songbook is an excellent supplement to the FastTrack Ukulele Method Book 1. It features 8 complete songs, plus a unique code to access audio tracks online for streaming or downloading so you can hear the music and play along when you're ready. Includes: Bad Moon Rising - Chasing Cars - Fly like an Eagle - Good Riddance (Time of Your Life) - Mr. Tambourine Man - My Heart Will Go on (Love Theme from Titanic) - Rocky Top - A Teenager in Love. / Ukulélé

Internationally known singer/songwriter and guitarist Janis Ian has been writing and recording music since the 1960s. As a teenager, she released her first hit single, the controversial Society's Child. Throughout the 1960s and 1970s, Janis Ian had several hit songs, both in the U.S. and abroad, including the Grammy Award-winning At Seventeen. A respected songwriter, her songs have been covered by Joan Baez, Mel Torme, Cher, and many others. After a nine year hiatus between 1983 and 1992, Janis Ian returned, releasing Breaking Silence. Her most recent record, Folk Is the New Black, was released in 2006, which she supported with a worldwide tour. The Janis Ian Guitar Songbook features 14 of Janis Ian's biggest hits. This book provides authentic guitar TAB for all the songs included. Titles: At Seventeen * Fly Too High * From Me to You * I Hear You Sing Again * In the Winter * Jesse * Joy * Love Is Blind * Ride Me Like a Wave * Society's Child * Stars * Tattoo * The Last Train * The Other Side of the Sun.

The Top Ten Contemporary Classical Pieces To Play On Piano is part of a series that has been specially designed to help pianists of all levels to find the repertoire they really want to play. This volume contains 10 of the very best contemporary pieces for solo Piano.Some people associate classical music very much with the historic past, but there is a wealth of contemporary music out there from a new wave of distinctive and adventurous writers, including plenty of fantastic pieces written for solo Piano. Composers include the remarkable Ludovico Einaudi, whose music, rich in spiritual simplicity, has taken the musical public by storm - Jóhann Jóhannsson, who set the classical system to one side as a teenager to kick loose in indie bands - and multi-instrumentalist and composer Yann Tiersen, who similarly broke his Violin aged thirteen and never looked back!Whether you are already familiar with some of these composers or not, we are confident you will love playing their beautiful music. Often simple in style, there is something magical about the way these writers make the Piano sound, so delve in and enjoy... / Piano