Matériel : Octavo
SKU: GI.G-CD-1016
Celtic Psalms, volumes 1 and 2, promises to be a long-standing resource for meditation and worship. By pairing the wisdom of the psalms with timeless melodies, delicate harmonies, and instrumentation, these arrangements bring to mind the Celtic landscapes of Ireland and Scotland with sincerity, integrity, and tenderness. Set in a traditional/folk style that easily lends them to inspiring and meaningful worship, these psalms offer a much needed healing balm for today's world.
This is the recording for volume 2.
Kiran Young Wimberly is an American Presbyterian minister who lived in Belfast, Northern Ireland, for over six years. While serving in congregational and ecumenical ministry in Northern Ireland, Kiran pursued her keen interest in Irish and Scottish traditional song and its connection to spiritual life.
Contains: The Lord's My Shepherd, Psalm 23 (The Parting Glass) &bull, You Have Turned My Sorrow, Psalm 30 (Green Grows the Laurel) &bull, Hear My Cry, O God, Psalm 61 (Caislé,an an Ó,ir) &bull, How Lovely, Psalm 84 (Carrickfergus) &bull, Love Is Lord of All, Psalm 86 (My Lagan Love) &bull, O Give Thanks, Psalm 107 (The Meeting of the Waters) &bull, From the Depths, Psalms 130, 131 (The Quiet Land of Erin) &bull, You Have Searched Me, Psalm 139 (The Banks of Claudy) &bull, Come, Spirit, Come, Psalm 144 (The King's Shilling) &bull, Praise God from Whom All Blessings Flow, Psalm 147 (Mo Ghile Mear).
SKU: GI.G-003385
This collection contains through-composed verses for the common/seasonal psalms of the Lectionary for Mass. Ideal for the more experienced cantor. Refrains are compatible with those found for the Common/Seasonal Psalm in WLP Worship Resources and the other volumes of Lectionary Psalms and Gospel Acclamations. 8. x 11. Spiral-bound.
SKU: ST.B934
ISBN 9780852499344.
This , the ninth of a series of books begun in 1983, contains Brian Wren's 36 most recent hymns (2009 to 2012). It is nicely presented and laid out in a user-friendly way. The hymns are divided into five thematic sections: Jesus from Cradle to Cross; Easter Hymns; Church and Mission; Praise; and Metrical Psalms. This last section, rooted in (though not bound by) the Old Testament, is often influenced by Isaac Watts and will be of more use to some than others; it concludes with a tremendous rendering of Psalm 8; a paean of praise which all will love, set to a stirring tune. Each section is prefaced with a single page introduction listing the contents and, in some instances, giving an interesting insight into Brian Wren's theology and thinking which provides food for contemplation. Each hymn is printed in words format with all the necessary information for inclusion in an order of worship. Every hymn is also printed with full score music for accompaniment interlined with the words. The book is slightly larger than A5, and there are various useful indexes. The tunes range from ancient to modern, some very familiar, including Candler (better known as Ye Banks and Braes). A number are of a metre where alternative tunes are available. Those tunes which are new vary in ease of use; some will be readily picked up, others would prove challenging for occasional use in a small congregation but could be used as music group items. These are hymns which need to be read as a whole and require thought. The words are chosen with care and notable as much for those not used as those included e.g.: 'Christ, untameably alive,/ breathe your life upon us - / Compass, Governor and Guide, / with us and beyond us,/ Sky and Sunlight, / spreading Vine./ Spring of Living Water,/ Truth and Wisdom, Way and Word,/ here, and then hereafter.' These hymns will be useful in worship as either sung or read pieces, and will also prove an invaluable resource for private devotion.
Robert Canham, Reform
SKU: GI.G-001759
150 Meditations for Living the Lord’s Songs! Meditation on the psalms has never been more inventive! Focusing on just one verse from each of the psalms, each daily meditation includes commentary on the selection together with a prayer and a modest activity rooted in that day’s reflection. The psalm then links to a New Testament passage bringing to light a wealth of new insights. This travel-sized book holds the key to daily meditation!  .
SKU: GI.G-9260
UPC: 785147926023.
Now the entire lectionary section of Ritual Song—Second Edition is here! It not only serves as an accom- paniment and cantor resource but is also a stand-alone collection for use apart from the hymnal. These refrains draw on a distinguished corpus of compositions found in GIA’s Worship II and Worship—Third Edition as well as many other hymnals, making them useable in a wide range of settings. They are also available as downloads through OneLicense.net. With the inclusion of additional descants for most major feasts and an order based on the Roman Mis- sal, the new Lectionary Psalms will stand for years to come as a practical resource you’ll turn to over and over again. Features a Gelineau tone plus and alternate tone for each Sunday and Feast day. Refrains are from a variety of composers, including James Chepponis, Randolph Curie, Michael Joncas, Columba Kelly, and many more.
SKU: GI.G-3612A
UPC: 785147361206. Scripture: various.
11 more psalm settings for use on various Sundays, feasts, and rites. Lectionary listings provided. Reprintable refrains for assembly included. SATB (many), Guitar, Acc. CONTENTS: PSALM 32: I TURN TO YOU/FORGIVE THE WRONG I HAVE DONE • PSALM 30: I WILL PRAISE YOU LORD • PSALM 34: CRY OF THE POOR • PSALM 31: I PLACE MY LIFE • PSALM 8: HOW GLORIOUS IS YOUR NAME • PSALM 119: HAPPY ARE THOSE WHO FOLLOW • PSALM 95: HARDEN NOT YOUR HEARTS • PSALM 63: MY SOUL IS LONGING • PSALM 68: YOU HAVE MADE A HOME FOR THE POOR • PSALM 116: I WILLW ALK IN THE PRESENCE OF GOD • PSALM 146: PRAISE THE LORD, MY SOUL.
SKU: BP.BP2323C
UPC: 748769723234. 8.5 x 11 inches.
Orchestra parts and score for Forevermore accompaniment.
SKU: BP.BP2323B
UPC: 748769823231. 8.5 x 11 inches.
Brass quintet and percussion parts and score for Forevermore accompaniment.
SKU: BP.BP2323A
UPC: 748769923238. 8.5 x 11 inches.
Organ Part for Forevermore accompaniment.
SKU: HP.C5254O
UPC: 763628252540. By Lynn DeShazo & Mark Altrogge. Acts 2:43, Ecclesiastes 5:7, Habakkuk 3:2, Isaiah 29:23, Job 25:2, Luke 7:16, Psalms 119:120, Romans 11:33-36, Romans 8:37-39.
Medley of two popular praise and worship songs by Lynn DeShazo & Mark Altrogge Two very popular praise and worship choruses - both from the CCLI top 50 - come together in this choral medley of adoration by Lloyd Larson. Easily learned by choirs of all sizes, this seamlessly crafted medley will enhance any worship setting with its inspirational texts and memorable melodies.
SKU: MB.WBM75M
ISBN 9781737795353. 8.75X11.75 inches.
This is a collection of 86 guitar solos in notation only from William Bayâ??s books, Solo Guitar in Worship, Communion, Psalms, Timeless Gospel Melodies and Spirituals. The solos work well as preludes, offertories, communion hymns, recessionals or they can be played for enjoyment. All 86 solos have been recorded and are available as online downloads with this book.
SKU: GI.G-9088
ISBN 9781622771691. English.
In 2010 the Congregation for Divine Worship and the Discipline of the Sacraments granted a recognitio to The Revised Grail Psalms. This translation was prepared as a liturgical translation intended for use in the Roman Catholic Liturgy. Within a year of its publication, Christian leaders from groups beyond the Roman Catholic Communion expressed appreciation for certain aspects of The Revised Grail Psalms, particularly the poetic quality of the text and the sprung rhythm which facilitates recitation, chant, and musical settings of the texts. They further inquired if we might consider publishing another edition of The Revised Grail Psalms, focusing more directly on the original Hebrew while yet seeking a more inclusive final text of the sort preferred in the current worship of their respective communions. Thus The Ecumenical Grail Psalter came to be. Extracted from the Introduction to The Ecumenical Grail Psalter  Endorsements for The Ecumenical Grail Psalter “A lovely translation! The Ecumenical Grail Psalter retains the elegant simplicity, beauty, and rhythmic flow of earlier Grail Psalms. This makes it ideal for public reading and singing, as well as for individual devotional use. I applaud the inclusive language, and I hope it will be widely read and sung. It is a wonderful gift to the Church!†—J. Clinton McCann, Jr. Evangelical Professor of Biblical Interpretation Eden Theological Seminary “Lyrical in language with an ear for the musicality of words, this fresh revision of the Grail Psalter voices the longing, lament, and lavish praise contained in the Psalms. I especially appreciate the attentiveness to inclusive language, which invites women readers and prayers of these texts to feel more at home in this richly hued rhetorical landscape. The monks of Conception Abbey have offered a gift to the larger ecclesial family, further shaping our liturgical life through engagement with the Psalter. As a Baptist theologian and seminary president, I am deeply grateful.†—Molly T. Marshall President and Professor of Theology and Spiritual Formation Central Baptist Theological Seminary “A translation of the Psalms marked by noble simplicity, accessibility, freshness, and candor. These texts are beautifully singable—well poised for chanting and singing in a variety of cultural contexts. They are also well suited for devotional and liturgical reading, inviting worshipers into the world of the Psalms with vivid, uncluttered language. May this volume be widely received across Christian traditions.†—John D. Witvliet Calvin Institute of Christian Worship Calvin College and Calvin Theological Seminary.
SKU: GI.G-7400
ISBN 9781579999698.
Inte nded especially for the growing number of multicultural, bilingual (Latino/Anglo) parishes and communities in the United States, Oramos Cantando / We Pray in Song is a hymnal and service book that is comprehensive enough to satisfy the liturgical needs of such communities, when they are worshipping in Spanish, in English, or bilingually. Bilingual from the first page to the last. Organized to reflect the liturgical life of the Church: morning, evening and night prayer from the Liturgy of the Hours, the sacramental rites of Christian initiation of adults, baptism of children, holy communion outside Mass, eucharistic exposition and benediction, reconciliation of penitents, anointing of the sick, marriage, and funerals, the Order of Mass, service music, hymns and songs, lectionary responsorial psalms. All ritual texts are from the English- and Spanish-language liturgical books approved for use in the dioceses of the United States of America Seventy settings of psalms and biblical canticles in a variety of styles, for use in the Liturgy of the Hours, at Mass, and in other liturgical rites. Many employ Gelineau, Guimont, or Conception Abbey tones. Standards from the “Celebration-style € repertoire by Haugen, Joncas, Haas, and others. All with Spanish and English texts ICEL chants for the Order of Mass, accompanied by the complementary plainsong chants in Spanish. Five bilingual settings of the ordinary of the Mass, along with one Latin and two English-only Mass settings, plus a number of additional service music items to serve the liturgical needs of Anglo/Latino parishes for many years to come A broad and stylistically diverse collection of nearly 550 hymns, psalms, and inspired songs, containing the best and most beloved traditional and contemporary music of Latino and Anglo communities, with more than 300 items newly translated according to guidelines for preserving meaning, rhyme, and meter Music from around the world, encompassing plainsong chants, classical hymnody, contemporary scripture-based songs, Taizé chants, and world music from Asia and Africa. Settings originally with Spanish texts are from the United States, Spain, Mexico, Central and South America, and the Caribbean Lectionary psalms with USCCB-approved refrains in both English and Spanish and verses from The Revised Grail Psalms and the salterio of Spain’s Conferencia Episcopal Española (CEE). These bilingual lectionary psalms have been included in the Sacred Song missalette program of The Liturgical Press since 2005 Eleven indexes: liturgical, topical, psalms and canticles, service music, scripture references in hymns, hymn tunes, tune meters, musical settings using languages other than Spanish and English, psalm refrains set to music, common titles and first lines, and hymnal contributors (composers, authors, translators, sources) A hymnal which not only addresses the liturgical experience of today, but also opens the door to new possibilities in the future. Fulfilling the statement of the American bishops: Liturgical music today must reflect the multicultural diversity and intercultural relationships of the members of the gathered liturgical assembly. The varied use of musical forms such as ostinato refrains, call and response, song translations, and bilingual or multilingual repertoire can assist in weaving the diverse languages and ethnicities of the liturgical assembly into a tapestry of sung praise. Sing to the Lord, 60 Destinado especialmente para el creciente número de parroquias y comunidades multiculturales, bilingües (Latinas/Anglas) en los Estados Unidos, Oramos Cantando / We Pray in Song es un himnario y ceremonial lo suficientemente completo para satisfacer las necesidades litúrgicas de tales comunidades, cuando oran en español, en inglés, o de una manera bilingüe. Bilingüe desde la primera página hasta la última. Organizado para reflejar la vida litúrgica de la Iglesia: oración matutina, vespertina y nocturna tomada de la Liturgia de las Horas, los ritos sacramentales de la iniciación cristiana de adultos, del bautismo de niños, para la sagrada comunión fuera de la Misa, para la exposición y bendición eucarÃstica, para la reconciliación de varios penitentes, para la unción de los enfermos, el matrimonio, y las exequias, el Ordinario de la Misa, música para las ceremonias, himnos y cantos, salmos responsoriales del leccionario. Todos los textos de los ritos están tomados de los libros litúrgicos en inglés y en español aprobados para su uso en las diócesis de los Estados Unidos de América. Setenta arreglos de salmos y cánticos en una variedad de estilos, para usarlos en la Liturgia de las Horas, en la Misa, y en otros ritos litúrgicos. Muchos emplean los tonos de Gelineau, Guimont, o Conception Abbey. Normas del repertorio del “estilo-de-celebrac ión†por Haugen, Joncas, Haas, y otros. Todos con el texto en español y en inglés. Cantos de ICEL para el Ordinario de la Misa, acompañados por los cantos llanos complementarios en español. Cinco arreglos bilingües para el ordinario de la Misa, junto con uno en latÃn y dos arreglos para la Misa sólo en inglés, además de un número de cantos adicionales para responder a las necesidades litúrgicas de las parroquias anglas/latinas por muchos años en el futuro Una colección amplia y de diversos estilos de casi 550 himnos, salmos y cantos inspirados, que contienen lo mejor y lo más apreciado de la música tradicional y contemporánea de las comunidades latinas y anglas, con más de 300 composiciones recientemente traducidas según las normas para la preservación del significado, del ritmo, y del metro Música de todo el mundo, incluyendo cantos llanos, himnos clásicos, cantos contemporáneos basados en la biblia, cantos de Taizé, y música mundial de Asia y Ãfrica. Arreglos originales con textos en español que vienen de los Estados Unidos, de España, de México, de Centro y Sud América, y del Caribe. Salmos del Leccionario con estribillos aprobados por la Conferencia Episcopal de Estados Unidos (USCCB) tanto en inglés como en español y versos del salterio: The Revised Grail Psalms y del salterio de la Conferencia Episcopal Española (CEE) de España. Estos salmos bilingües del leccionario se han incluido en el programa del misalito Sacred Song de la editorial: The Liturgical Press desde 2005 Once Ãndices: litúrgico, temático, salmos y cánticos, música para celebraciones, referencias bÃblicas en himnos, tonadas de himnos, metros de himnos, arreglos con idiomas además de español e inglés, antÃfonas musicalizadas para los salmos, tÃtulos comunes y primeras frases, y contribuyentes al himnario (compositores, autores, traductores, fuentes) Un himnario que no sólo responde a la experiencia litúrgica de hoy, sino también abre la puerta a nuevas posibilidades en el futuro. Cumple la declaración de los obispos americanos: “La música litúrgica de hoy debe reflejar la diversidad multicultural y las relaciones interculturales de los miembros de la asamblea litúrgica reunida. El uso variado de formas musicales como estribillos en ostinato, llamado y respuesta, traducción de cantos, y el repertorio bilingüe o multilingüe puede ayudar a entretejer los diferentes idiomas y etnias de la asamblea litúrgica en un tapiz de alabanza cantada.†Cantemos al Señor, 60 There is no doubt that the goal of singing each other's liturgical music as an expression of the catholicity of our faith embodied in this volume, does in fact allow bilingual and multicultural parishes through the United States—and beyond—to respond to the liturgical needs of today while opening the door to new possibilities. — Becca Whitla The Hymn Society Journal. Volume 66, No. 4.
SKU: HP.2347
UPC: 763628123475. Psalms 28:2, Psalms 41:4, Psalms 51:1, Psalms 86:3, Psalms 95:6, Psalms 138:2, Luke 22:14-20, Acts 2:42, 1 Corinthians 11:26-28.
Tradition al Spiritual This arrangement of the traditional spiritual begins with the optional handchimes playing quietly, as befits a communion hymn. The second stanza on handbells has more movement, leading to the triumphant third stanza, Let us praise God together . . . Following this, the piece settles back into a peaceful ending with a return to the handchimes, accompanied by suspended malleted bells.
SKU: GI.G-8769
ISBN 9781622771097. English. Text Source: Vv.: The Revised Grail Psalms
This collection of Gelineau psalm settings is a significant resource for celebrations of the Mass, the Liturgy of the Hours, or any worship experience that includes the Liturgy of the Word. Some of the antiphons are drawn from the Lectionary for Mass, many are taken from the Liturgy of the Hours, while other antiphons are drawn from the Simple Gradual, making these versatile psalm settings suitable to accompany entrance and communion processions as well. While psalms are traditionally understood as song for cantor and assembly performance, this collection explores many choral possibilities. Depending upon the choice of antiphon, and using one or more of the choral approaches outlined in the introduction to this collection these psalms can become highly satisfying choral literature. For almost sixty years, the Grail-Gelineau psalm system remains as appealing today as when it first appeared. Once you delve deeper into this system of chanting, you are likely to discover a level of artistic beauty not commonly experienced in singing the psalms.
SKU: GI.G-006425-P2
We Celebrate is a flexible resource that combines a large-size, always up-to-date quarterly missal with a complete, beautifully softbound hymnal. We Celebrate provides parishes with the finest in texts and music—in a format that offers the right combination of stability and flexibility for quality parish worship. This is the worship program for the parish with the highest standards. The We Celebrate Quarterly Missal contains all of the readings and prayers for Sundays and Holy Days. Each issue provides catechetical tools to help worshipers participate more fruitfully in the liturgy and to draw connections between liturgy and life: insightful introductions to the Sunday scriptures, weekly questions for individual or group reflection, and an article introducing the liturgical season. The generous 6 X 9 size is easy to hold and easy to read. Scriptures are printed in an even larger type. Weekdays are an important part of the We Celebrate missal. Lectionary citations are provided, as well as Entrance and Communion antiphons, complete responsorial psalms, and gospel acclamations with verses. Also included are orders of service for rites and devotions, Morning and Evening Prayer, Communal Reconciliation, and seasonal celebrations. Misalito Parroquial, a Spanish-language section of Lectionary readings, prayers, and hymnody is available as an insert to the We Celebrate Quarterly Missal. We Celebrate Hymnal includes Peter Kolar's acclaimed bilingual Mass setting, Misa Luna, and Kathleen Demny's‚ best-selling Mass for children, Mass of Joy. The We Celebrate Hymnal is published every three years and contains more than 850 musical pieces, including hymns, songs, psalms, and ritual music. The Hymnal provides a body of repertory available throughout the year, while the Missal provides the best of new music. Although designed to coordinate with the We Celebrate Missal, the Hymnal can serve as a complete resource itself or as a companion to any missal, including Seasonal Missalette and Celebremos!/Let Us Celebrate!. For more information contact our Sales and CRM Manager, Suzanne Orland at 708-613-8981 or email (suzanneo@giamusic.com for pricing. Click on this link to view music index pages from the We Celebrate Hymnal. We Celebrate Hymnal and Missal (missal published four times a year, hymnal published every three years) 25 copies or more $4.20 per subscription, per year plus shipping.
SKU: CF.CM9655
ISBN 9781491157275. UPC: 680160915835. 6.875 x 10.5 inches. Key: A minor. Latin, Latin. Psalm 111.
Confitebor Tibi (Psalm 111) is the second movement in a collection entitled 14 Psalmi breves (14 Short Psalms), by Johann Aiblinger. Written for SATB choir and piano, or optional strings, Banner's edition is highly accessible for the burgeoning mixed choir interested in exploring the classical style of singing. Highly recommend!.Johann Caspar Aiblinger was born in Wasserburg am Inn, Germany in 1779. His early musical training was received at the Benedictine Abbey in Tegernsee. He spent most of his adult life in Munich, holding a variety of posts, including Kapellmeister at the Italian Opera and the court church in that city, where he composed a large number of Masses and small scale church works. Aiblinger passed away in Munich in 1867. CONFITEBOR TIBI (Psalm 111) is the second movement in a collection entitled 14 Psalmi breves (14 Short Psalms), written for SATB choir and strings. This edition is based upon a hand copied score located in the Sachsische Landesbibliothek-Staats-u nd Universitatsbibliothek, Mus.4528-D-2,1. The score is laid out over four pages, two systems per page, eight staves per system. The present edition adheres closely to the above mentioned source, noting editorial markings in parentheses. Voice parts, where notated in moveable clefs, were rewritten in treble clef; phrase markings in the voice parts were added where two or more notes occurred for a single syllable of text; textual underlay, given generally only in the soprano and tenor parts, was added to the alto and bass parts. Martin Banner.Johann Caspar Aiblinger was born in Wasserburg am Inn, Germany in 1779. His early musical training was received at the Benedictine Abbey in Tegernsee. He spent most of his adult life in Munich, holding a variety of posts, including Kapellmeister at the Italian Opera and the court church in that city, where he composed a large number of Masses and small scale church works. Aiblinger passed away in Munich in 1867.CONFITEBOR TIBI (Psalm 111) is the second movement in a collection entitled “14 Psalmi breves†(14 Short Psalms), written for SATB choir and strings. This edition is based upon a hand copied score located in the Sächsische Landesbibliothek-Staats-u nd Universitätsbibliothek , Mus.4528-D-2,1. The score is laid out over four pages, two systems per page, eight staves per system.The present edition adheres closely to the above mentioned source, noting editorial markings in parentheses. Voice parts, where notated in moveable clefs, were rewritten in treble clef; phrase markings in the voice parts were added where two or more notes occurred for a single syllable of text; textual underlay, given generally only in the soprano and tenor parts, was added to the alto and bass parts.Martin Banner.
SKU: CA.3107609
ISBN 9790007044930. Key: C major / a minor. Language: German/English.
The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score and parts available separately - see item CA.3107600.
SKU: ST.EM41
ISBN 9790220220456.
Croc e's madrigal style may be compared to that of Thomas Morley, and the Musica Sacra settings of the seven penitential psalms, set for six voices and published by Thomas East, were hugely popular in England. They were spoken of admiringly not only by Morley himself, but also by John Dowland and Henry Peacham. CONTENTS Blessed are they whose faults so oft forbidden (Psalm 32) (SATTTB) From profound centre of my heart (Psalm 130) (SSATTB) Lord, in thine anger do no more reprove me (Psalm 38) (SSATTB) Lord, in thy wrath reprove me not severely (Psalm 6) (SATTTB) Hearken, Lord, unto mine humble plainings (Psalm 102) (SATTTB) Listen, O Lord, unto my prostrate prayer (Psalm 143) (SSATTB) Shew mercy, Lord, on me (Psalm 51) (SSATTB).
SKU: HP.1841
UPC: 763628018412. Genesis 1:28, Isaiah 52:7, Job 38:7, Matthew 6:25-34, Psalms 103:19, Psalms 19:1, Psalms 50:10, Psalms 8:3, Psalms 98:8-9, Mark 10:2-16, 1 John 3:1-7.
English hymn Composers and arrangers know that it is more difficult to write an interesting simple piece than to write one no holes barred!. John Carter rises to the challenge in this straight forward, but engaging arrangement of the favorite English melody.
SKU: GI.G-006499
We Celebrate is a flexible resource that combines a large-size, always up-to-date missal with a complete, beautifully softbound hymnal. We Celebrate provides parishes with the finest in texts and music—in a format that offers the right combination of stability and flexibility for quality parish worship. This is the worship program for the parish with the highest standards. The We Celebrate Missal contains all of the readings and prayers for Sundays and Holy Days. Each issue provides catechetical tools to help worshipers participate more fruitfully in the liturgy and to draw connections between liturgy and life: insightful introductions to the Sunday scriptures, weekly questions for individual or group reflection, and an article introducing the liturgical season. The generous 6 X 9 size is easy to hold and easy to read. Scriptures are printed in an even larger type. Weekdays are an important part of the We Celebrate missal. Lectionary citations are provided, as well as Entrance and Communion antiphons, complete responsorial psalms, and gospel acclamations with verses. Also included are orders of service for rites and devotions, Morning and Evening Prayer, Communal Reconciliation, and seasonal celebrations. Misalito Parroquial, a Spanish-language section of Lectionary readings, prayers, and hymnody is available as an insert to the We Celebrate Missal. We Celebrate Hymnal includes Peter Kolar's acclaimed bilingual Mass setting, Misa Luna, and Kathleen Demny's‚ best-selling Mass for children, Mass of Joy. The We Celebrate Hymnal is published every three years and contains more than 850 musical pieces, including hymns, songs, psalms, and ritual music. The Hymnal provides a body of repertory available throughout the year, while the Missal provides the best of new music. Although designed to coordinate with the We Celebrate Missal, the Hymnal can serve as a complete resource itself or as a companion to any missal, including Seasonal Missalette® and Celebremos!/Let Us Celebrate! For more information contact our Sales and CRM Manager, Suzanne Orland at (hymnalsandmissals@giamus ic.com) for pricing.