Ten Pieces Transcribed For Piano

SKU: HL.48183554

UPC: 888680870263. 9x12 inches.

“Famo us pieces for Eb Alto Saxophone and Piano ' Vol. 2 is the second volume of an anthology of famous pieces, transcribed and adapted by Marcel Mule. Part of the collection 'Classics for Saxophone', this volume features nine classical pieces: - Chanson de printemps, by Mendelssohn - Orphée ' Champs-Élysé ;es scene, by Gluck - La reine de Golconde - Gavotte, by Monsigny - Grave, by Tartini - Ballet des petits riens, by Mozart - Petite valse, by Beethoven - Petite valse et tyrolienne, by Weber - Sérénade, by Schubert - Scènes d'enfants - Rêverie, by Schumann Marcel Mule (1901-2001) is one of the greatest French saxophonists, renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on the embouchure, the emission, the mastery of vibrato and thus, of breathing. He wrote different methods that focus on technique, articulation and tone productions such as 'Eighteen exercises or etudes', 'Daily exercises after Terschack' or '30 Great exercises and studies after Soussmann' (in two books), among others.&rdquo.

SKU: HL.48185433

UPC: 888680914646. 9.0x12.0x0.133 inches.

Favourite pieces for Alto Saxophone and Piano ? Vol. 3 is the third volume of an anthology of famous pieces, transcribed and adapted by Marcel Mule. Part of the collection ?Classics for Saxophone?, this volume features ten classical pieces of medium difficulty: - Suite d'orchestre en Ut - Bourree - BWV 1066, by J. S. Bach - Achille et Deidamie - Gavotte des bergers, by Campra - Isse - Pastorale et Passepied, by Destouches - Gavottes, Sicilienne et Guigue, by Handel - Adagio, by Leclair - Air tendre et courante, by Lully - Les moutons - Gavotte, by Martini - Romance sans parole (N20) , by Mendelssohn - Tambourin, by Mondonville - Le Temple de la Gloire - Gavotte, by Rameau. Marcel Mule (1901-2001) is one of the greatest French saxophonists, renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on the embouchure, the emission, the mastery of vibrato and thus of breathing. He wrote different methods that focus on technique, articulation and tone productions such as 'Eighteen exercises or etudes', 'Daily exercises after Terschack' or '30 Great exercises and studies after Soussmann' (in two books), among others..

SKU: HL.368695

ISBN 9781705141779. UPC: 840126969085. 9.0x12.0x0.289 inches.

This collection of 27 pieces, transcribed and edited by the Howells scholar Jonathan Clinch and published for the first time to coincide with Matthew Schellhorn's recording of the complete piano music by Howells for Naxos, reveals a previously neglected aspect of this celebrated English composer. The pieces chart the musical development of Howells, from his earliest known work “The Arab's Song,” written when he as 16, to the “Petrus Suite,” completed in his 80s, as well as demonstrating his fascination with French music (“Phantasy,” “Harlequin Dreaming”) and the Tudor period (“Pavane” and “Galliard.”) The volume also includes the moving tribute to his friend and fellow composer Finzi. Comprising a wide array of pieces from characterful miniatures to more substantial suites, the collection will appeal to Howells devotees and lovers of 20th century English music, as well as to anyone seeking fresh and distinctive piano repertoire. Includes: The Arab's Song • To a Wild Flower • Romance • Melody • Legend • Summer Idyls: I. Meadow-Rest • II. Summer-Song • III. June-Haze • IV. Down the Hills • V. Quiet Woods • VI. Near Midnight • VII. In the Morning • Phantasy • Harlequin Dreaming • Minuet for Ursula • My Lord Harewood's Galliard • Finzi: His Rest • Siciliana • “Comme le cerf soupire...” • Pavane and Galliard • Petrus Suite: Finnicle's Scherzo • Gavotte • Vagrant Flute • Minuet • 'Sine Nomine' • Bassoonic's Dance • Odd's Minuet • Toccatina.

SKU: BT.EMBZ14768

Not many people know that Franz Liszt arranged some of his piano pieces for the cello, with piano accompaniment, and that these versions of the works appeared in print during the maestro's lifetime. Árpád Pejtsik selected two of these for this volume compiled to mark Liszt's jubilee: Elegies I and II. The other compositions by Liszt that appear in the collection were likewise originally works for piano: the Ave Maria and Cantique d'amour (pieces from the Harmonies poétiques et religieuses cycle) were transcribed by a pupil of Liszt, Robert Pflughaupt the cello version, transposed into G major, of the E Major Consolation is by Jules de Swert, solo cellist in the Weimar orchestraof those days that of the Angelus (the opening piece in Volume 3 of the cycle entitled Years of Pilgrimage ) is by Lothar Windsperger, a German composer who lived at the turn of the 19th-20th century. The Valse oubliée No. 1 was transcribed by Liszt s virtuoso piano pupil Ferruccio Busoni Notturno, which became famous as the third piece in the Liebesträume series, is a transposed version of the original song ( O lieb, so lang du lieben kannst ) made by the editor of this volume.

Not many people know that Ferenc Liszt arranged some of his piano pieces for the cello, with piano accompaniment, and this version of the works appeared in print during the maestro's lifetime. Árpád Pejtsik selected two of these forthis volume compiled to mark Liszt's jubilee: Elegy I and Elegy II. The other compositions by Liszt that appear in the collection were likewise originally works for piano: the Ave Maria and Cantique d'amour(pieces from the Harmonies poétiques et religieuses cycle) were transcribed by a pupil of Liszt, Robert Pflughaupt; the cello version, transposed into G major, of the E major Consolation is by Jules de Swert, solo cellistin the Weimar orchestra of those days; that of the Angelus (the opening piece in Volume 3 of the cycle entitled Years of Pilgrimage) is by Lothar Windsperger, a German composer who lived at the turn of the 19th-20thcentury.

Nur Wenigen ist bekannt, dass Liszt einige seiner Klavierstücke auch für Violoncello mit Klavierbegleitung bearbeitet hatte, und dass diese Version der Werke noch zu Lebzeiten des Komponisten in Druck erschien. In diesem Band nahm Árpád Pejtsik zwei dieser Stücke, die I. und II. Elegie auf. Die anderen Liszt-Kompositionen in der Sammlung sind auch ursprünglich Klavierwerke: der Bearbeiter ist beim Ave Maria und Cantique d'amour (Stücke aus dem Zyklus Harmonies poétiques et religieuses) der Liszt-Schüler Robert Pflughaupt. Von Jules de Swert, der damals Solocellist des Weimarer Orchesters war, wurde die in G-Dur transponierte Violoncelloversion der E-Dur Consolation, und vonLothar Windsperger, dem an der Wende zum 20. Jahrhundert lebenden deutschen Komponisten, das Angelus (das Eröffnungsstück des III. Bandes des Zyklus Pilgerjahre) bearbeitet.

SKU: M7.AHW-3028

English.

This theoretical book is meant to improve contemporary jazz styles and techniques for all players of modern jazz. This study investigates jazz pianist and composer Herbie Hancock's seven albums recorded as a bandleader for Blue Note Records between 1962 and 1969. Recorded during Hancock's tenures with Donal Byrd and Miles Davis, his early works are highly mature musical conceptions, with all the major elements of Hancock's personal musical style already present. A mixed-methods approach combining sever forms of qualitative data analysis is used to identify the formal construction, the musical meanings, and the cultural significance of this body of music. The study surveys the thirty-six compositions that comprise these seven albums, and selects for in-depth analysis seven pieces that are proportionally representative of the formal characteristics of this larger repertoire: The Maze, The Pleasure Is Mine, Jack Rabbit, One Finger Snap, Little One, Toys, and I Have A Dream. Hancock's improvisations on these repretative compositions are transcribed, and each improvisation and composition is analyzed for its historical context and significance of each recording is examined through interviews with persons involved in the original recording process, as well as other jazz musicians and scholars with deep knowledge of Hancock's life, music and oeuvre. Aesthetic analyses, informed by the theories of of Kivy and Elliot, investigate the expressive or representational qualities of each composition, and examine how formal musical elements contribute to these expressive or representational qualities. Formal analyses examine elements of Hancock's compositional and improvisational style. The study concludes the Hancock's compositions and improvisations of the period exhibit a number of consistent style elements, such as sophisticated harmonic and rhythmic superimposition, that were very important influences on jazz pianists of the following generation.

SKU: CY.CC2922

The Five Pieces in Folk Style by Schumann were originally written for Cello and Piano. They have been expertly transcribed for Euphonium by Ralph Sauer, retired Principal Trombonist of the Los Angeles Philharmonic. The five movements are in contrasting styles and work very well for Euphonium. Schumann was considered the Poet of the Romantics. This music is expressive and full of robust and elegant phrases. For moderately advanced performers. The complete work is almost 17 minutes in length and can be a major work on your concert. Parts are supplied for bass and treble clef readers.