SKU: GI.G-001860
English.
A project originally begun in 1964 at St. Josephâ?? College in Rensselaer, Indiana, this collection provides examples of Renaissance motets originally in Latin and set to English texts for use in the vernacular liturgy.
A project originally begun in 1964 at St. Joseph‚ College in Rensselaer, Indiana, this collection provides examples of Renaissance motets originally in Latin and set to English texts for use in the vernacular liturgy.
SKU: HL.50511772
ISBN 9790080144787. UPC: 840126939699. 8.0x11.25x0.268 inches. Hungarian, English, German, French. Andras Soos.
This volume contains short two-part extracts from choral church music of the 15th century (masses and motets), arranged in ascending order of difficulty. The principal aim of this compilation was pedagogical: to provide students with fairly easy etudes of the period, through which they can later gain access to the large-scale, four-part compositions of Renaissance vocal polyphony, which at first sight generally seem very difficult and complex. At the same time, many of these pieces of varying length, each of which forms a complete unit in itself, are very suitable for public performance, and for use in a liturgical framework.
SKU: BT.EMBZ14478
Hungarian-English-Germ an-French.
This volume contains short two-part extracts from choral church music of the 15th century (masses and motets), arranged in ascending order of difficulty. The principal aim of this compilation was pedagogical: to provide students with fairly easy etudes of the period, through which they can later gain access to the large-scale, four-part compositions of Renaissance vocal polyphony, which at first sight generally seem very difficult and complex. At the same time, many of these pieces of varying length, each of which forms a complete unit in itself, are very suitable for public performance, and for use in a liturgical framework.In diesem Band finden sich nach Schwierigkeitsgrad geordnet kurze zweistimmige Ausschnitte aus geistliche Chorwerken (Messen und Motetten) des 15. Jahrhunderts. Diese Sammlung verfolgt vor allem pädagogische Ziele, in dem sie den Schülern leichtere, zeitgenössische ‚Etüden' in die Hand gibt, durch die sie später auch bis hin zu den grossangelegten, vier- oderfünfstimmigen und auf den ersten Blick zumeist recht schwer und kompliziert wirkenden Kompositionen der Polyphonie in der Renaissance gelangen können. Gleichzeitig sind seinezahlreichen, auch in sich selbst eine abgeschlossene Einheit bildenden, mehr oder weniger langen Stücke hervorragen dazu geeignet, öffentlich aufgeführtoder im Rahmen der Liturgie gesungen zu werden.
SKU: ST.MB61
ISBN 9790220212215.
This collection is a landmark in the reassessment of an important yet undervalued English composer of the late Renaissance. 31 eight-voice Cantiones Sacrae reveal the impressive technical and expressive range he achieved within a conservative idiom, and his particular mastery of music for double choir. The following motets all from MB61 are available in single transpositions. All are with Organ except Y123. Alma Redemptoris Mater. SATB SATB. E flat (orig. F) Y96 Ave Jesu Christe. SATB SATB. Gm (orig. Am) Y97 Ave Regina caelorum. SATB SATB. B flat (orig. C) Y98 Beati estis. SATB SATB. B flat (orig. C) Y99 Benedicta sit sancta Trinitas. SATB SATB. D (orig. C) Y100 Benedictus Deus noster. SSAT SATB. D (orig. C) Y101 Benedictus Dominus. SATB SATB. Gm (orig. Am) Y102 Caecilia Virgo. SSAT ATBB. Am (orig. Gm) Y103 Cum jucunditate. SATB SATB. B flat (orig. C) Y104 Ecce tu pulchra es. SATB SATB. B flat (orig. C) Y105 Ecce vicit Leo. SATB SATB. B flat (orig. C.) Y106 Exsurgens Maria. SATB SATB. Am (orig. Gm) Y107 Gaudeamus omnes in Domino. SATB SATB. B flat (orig. C) Y108 Gaudens gaudebo in Domino. SATB SATB. B flat (orig. C) Y109 Gentes Philippus ducit. SATB SATB. D (orig. C) Y110 Hodie concepta est. SATB SATB. B flat (orig. C) Y111 Hodie in monte. SATB SATB. B flat (orig. C) Y112 Hodie nobis de caelo. SATB SATB. B flat (orig. C) Y113 Jubilate Deo. SATB SATB. Am (orig. Gm) Y114 O Pastor aeterne. SATB SATB. G (orig. F) Y115 O quam suavis est [i]. SATB SATB. Gm (orig. Am) Y116 O quam suavis est [ii]. SATB SATB. Am (orig. Gm) Y117 Panis sancte. SATB SATB. Gm (orig. Am) Y118 Quae est ista. SATB SATB. B flat (orig. C) Y119 Regina caeli laetare. SSAT SATB. G (orig. F) Y120 Salve Regina. SATB SATB. E flat (orig. F) Y121 Tu es Petrus. SATB SATB. B flat (orig. C) Y122 Vulnera manuum quae sunt. SATB SATB. Am (orig. Gm) Y123.
