SKU: HL.49001470
ISBN 9790001135627. 7.5x10.75x0.01 inches.
Davide Perez (1711-1782), who was known to his contemporaries above all as a composer of operas, wrote this skilful late baroque passiontide motet setting of the well-known words from the story of Christ's Passion. The composer Enjott Schneider was inspired by this composition to write his work Tenebrae for soprano, violin and organ (ED 9668). We suggest that a concert performance might feature Tenebrae together with this motet by Davide Perez, performed by a choir a cappella.
SKU: CA.5427750
ISBN 9790007110437.
SKU: HL.49013058
ISBN 9790001135658. UPC: 073999348576. 9.0x12.0x0.164 inches.
In this composition Schneider uses the famous words from the liturgy for Good Friday: Darkness fell, and on the ninth hour Jesus called out with a loud voice: My God, why hast Thou forsaken me? Here he draws on the earlier form of the trope, using what was a common device in composition in medieval times, inserted into already completed works as a sort of commentary. In this sense * making use of the post-modern principle of suggesting links across the ages * TENEBRAE makes reference to the motet Tenebrae factae sunt (Schott, C 51305) by Davide Perez (1711-1782), from which some melodic fragments have been taken and freely developed. An explosively contrived stylisation is set against the self-contained world of sound in the original piece. A recording of this title is available on CD WER 62962.
SKU: HL.49044369
ISBN 9790001199551. UPC: 841886024540. 9.0x12.0 inches. Latin.
Discover two motets by Carl Friedrich Zelter in the 'Schatze der Chormusik' [Treasures of Choral Music] series: 'Dignare Domine' (a hymn of praise and supplication) can be sung on various occasions. 'Tenebrae factae sunt' is suitable for the Good Friday liturgy.
SKU: CA.964100
ISBN 9790007143541. Text language: Latin.
The Good Friday Responsory Tenebrae factae sunt for six-part chorus was commissioned in 2012 for Peking University Student Choir and was premiered at the World Choir Games in Cincinnati, Ohio, USA conducted by Hou Xijin. It is an ambitious work with a fervent intensity. Matsushita sets the two last words of Jesus, Deus meus, ut quid me dereliquisti? [My God, why hast thou forsaken me] and Pater, in manus tuas commendo spiritum meum [Father, into thy hands I commend my spirit] as pained outcries in Stravinskyian harshness, in chords characterized by tritones, as a truly superhuman work of redemption whose Easter message of hope only appears in the last conciliatory F major chord. Although this work lies slightly beyond the upper limit of the musical and vocal technical demands of the Carus Contemporary series, it is well within the abilities of ambitious chamber choirs.
SKU: CA.103300
ISBN 9790007000196. Key: A minor. Language: Latin.
SKU: HL.14016340
8.5x11.75x0.76 inches. Latin.
Unknown Italian Cathedral Music of the early 16th Century edited by Knud Jeppesen.
SKU: HL.14039089
SKU: CA.303150
ISBN 9790007147419. Key: E flat major. Text language: Latin.
SKU: CA.316040
ISBN 9790007154059. Key: A minor. Language: Latin.
SKU: CA.310520
ISBN 9790007151058. Key: B flat major. Language: Latin.
SKU: TM.09050SET
CL I in Eb and Bb - keys are back to back. Cl II in Bb, Hns in F, Tpt in F, Trbn in bass clef.
SKU: BT.ERBA-9883
