Matériel : Partition
Voir toutes les partitions de Stephen Schwartz
SKU: HL.142959
UPC: 888680052225. 6.75x10.5 inches.
“Fly away on the silver morning” - the fantastic showpiece song from The Baker's Wife by Broadway master composer Stephen Schwartz. A full-voiced choral setting with a vivid and colorful accompaniment that is ideal for concert and community choirs from high schoolthrough adult.
SKU: BR.BES-3092
Did you know that the interlude between the fourth and fifth scenes of this work is the world-famous Flight of the Bumblebee?
ISBN 9790004610053. 9 x 12 inches. German.
Duration: full eveningText by Wladimir J. Bjelskij after Alexander Puschkin's fairytale in verseTranslation: German (A. Bernhard); (H. Kupfer); Ital. (R. Kufferle) Place: Partly in the city Tmutarakanien, partly on the island Bujan in RussianCharacters: Tsar Saltan (bass) - Tsars Wife Militrissa (soprano) - The Weaver (mezzo-soprano) - The Baker (soprano) - Cousin Babaricha (alto) - Zarewitsch Guidon (2 Ballet Pupils, tenor) - Princess Schwanhilde (soprano) - old man (tenor) - Messenger (baritone) - Skomoroch, Court Jester (bass) - 1st Boatman (tenor) - 2nd Boatman (baritone) - 3rd Boatman (bass) - Bojaren, Royal Household, Soldiers, Boatmen, etc. (Chorus)Did you know that the interlude between the fourth and fifth scenes of this work is the world-famous Flight of the Bumblebee.
SKU: MB.30091
ISBN 9781513466378. 8.75 x 11.75 inches.
Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin? John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together.
