SKU: SU.80101324
SATB (soli) and Organ Duration: 11 ' Composed: 2012 Published by: Zimbel Press This work sets a vivid, extended poem by Jones Very (1813â??1880), a mystical figure associated with the American Transcendentalism movement. It is set as an 11 minute cantata for choir, with four solos (SATB), and a prominent organ part. The work conceptually resembles Benjamin Britten's Rejoice in the Lamb and is thus likewise useful in either concert or service settings. Minimum order quantity: 8 copies. Perusal copies are available by contacting carson@carsoncooman.com (include the organization name with your request). To order quantities fewer than 8.
SKU: CA.3100613
ISBN 9790007041755. Key: C minor / g minor. Language: German/English.
Bac h composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and part available separately - see item CA.3100600.
SKU: CA.3100614
ISBN 9790007041762. Key: C minor / g minor. Language: German/English.
SKU: CA.3100609
ISBN 9790007041724. Key: C minor / g minor. Language: German/English.
Bac h composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and parts available separately - see item CA.3100600.
SKU: CA.3100611
ISBN 9790007041731. Key: C minor / g minor. Language: German/English.
SKU: CA.3100612
ISBN 9790007041748. Key: C minor / g minor. Language: German/English.
SKU: HL.14007602
6.5x9.75x0.166 inches.
For SATB Choir and Organ.
SKU: HL.48024189
ISBN 9781540004369. UPC: 888680705213. 6.75x10.5 inches.
Equally successful in concert or worship, this beautiful and short piece by Will Todd uses his characteristic rich, warm harmonies and shapely melodies. The piano accompaniment is supportive by never gets in the way of the subtle shifts of the melody.
SKU: HL.1104101
UPC: 196288101819. 6.75x10.5x0.019 inches. Mark 14:17-25.
The example of Christ's servanthood at the Last Supper is expressed in this poignant anthem. A precious, almost fragile melody carries this elegant scripture-based lyric in loving arms, and the thinner texture allows for the words to truly speak to the listener.
SKU: TM.05897SC
Transposed: Cl 1, Bsn I (in Bass Clef), Hns 1-4, Tpt 1+2, Tbn 1+2. Original Clarinet II in Bb. Reh. 90-109. Sandman's Song sung by Sandman (Soprano). Evening Prayer sung by Gretel and Hansel (Soprano, Mezzo). Dream Pantomine is not sung. Voices in score only (in German). For English version, see #04557 Complete Hansel and Gretel vocal score.
SKU: TM.05897SET