SKU: LP.765762173903
UPC: 765762173903.
Catch a glimpse of the face of God through this beautiful and appealing new work by the songwriting team of Phil Mehrens and Dave Clark. Mary's words will resonate with mothers everywhere as she contemplates the hands that measured the heavens in the tiny bundle of promise I'm holding tonight. This delicate gift for SATB with female solo is wrapped in Cliff Duren's luscious orchestration and is sure to become a perennial favorite of both choir and congregation. Instrumentation: Flute Oboe Horn Trumpet 1 Trumpet 2 & 3 Trombone 1 & 2 Trombone 3/Tuba Percussion Rhythm Violin Viola Cello/Bassoon String Bass Substitute Instruments: Keyboard String Reduction; Soprano Sax (Sub. for Oboe); Alto Sax (Sub. for Horn); Tenor Sax (Sub. for Trombone 1 & 2); Bari. Sax (Sub. for Trombone 3/Tuba); Clarinet (Sub. for Viola); Bass Clarinet (Sub. for Cello/Bassoon).
SKU: LP.765762194908
UPC: 765762194908. Words by Carrie E. Breck & Allie Lapointe; Orchestrated by Scott harris.
Glorious and uplifting this beloved classic is reborn with a beautiful new melody and alternative lyrics by Allie Lapointe. A moving and powerful anthem arranged by Dave Clark for SATB with solo voice this poetic masterpiece will stay in your heart long after the song has ended.
SKU: LP.765762196209
UPC: 765762196209.
SKU: FG.55011-315-2
ISBN 9790550113152.
The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone.Normal ly, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone. Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone. Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone. Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell.
SKU: LP.765762229402
ISBN 7-65762-22940-2. UPC: 765762229402.
This Christmas, give your congregation a gift that's bursting with joy and celebration! My Heart Longs for Christmas is a moving new musical created by multiple Dove Award winner Tony Wood, along with notable songwriters Allie Lapointe and Nick Robertson, and arranged and orchestrated by the well-loved David T. Clydesdale. This beautiful combination of traditional carols and remarkable songs - and the title song in particular - remind us that while all of the trimmings of Christmas are good, the deepest longing of our hearts is really for Jesus. With an Accompaniment DVD and many digital companion products, you'll feel like you've been given a gift this Christmas, too, straight from Lillenas and the Clydesdale Music Group.
SKU: LO.30-3501L
UPC: 000308147995.
This dramatic anthem celebrates the personal encounter the believer has with Jesus as they enter into the eternal reward of heaven. From the wonder-filled beginning to the climactic conclusion, it promises an exhilarating moment of worship for choirs and congregations.
SKU: HL.4007052
UPC: 840126954821. 9.0x12.0x0.039 inches.
Painting a musical portrait of a great mountain peak and its many moods and vistas, Jay Bocook has skillfully adapted his popular work for full band for the flex-band format. Lots of variety and a film-scoring flavor.
